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This research represents an effort made towards contribute to the critical thinking from an analysis of the hegemonic neoliberal ideology, which supports the idea of the end of history and the technocratic universalism which in turn implies the imposition of a single model of life, denying, in the name of realism and the end of utopias, any other alternative possibility.
This makes it necessary to recover the critical thinking to analyze and understand the reality, thus overcoming the ideological barrier towards claiming that things can be otherwise.
It is clear from this research that the discourse of sustainable development has unquestionably transformed the context and content of political activity in Europe. This discourse has exercised and obvious influence in the Governance processes, mainly because it has contributed to the introduction of a new political field, which was then promoted, either explicitly or implicitly by policy-makers, researchers on the field and practitioners during the last three decades. Though it may be bold to affirm that the discourse of sustainable development is the sole driver of these whole set of changes, there is no doubt that it has played a key part in the way in which the governance priorities have been handled in the European continent.
Organisation im soziotechnischen Gemenge - Mediale Umschichtungen durch die Einführung von SAP
(2017)
Der Alltag in Organisationen besteht vor allem aus den Medien und Technologien, mit denen die Koordination zwischen einzelnen Arbeitsabläufen hergestellt wird.
Diese ethnografische Studie begleitet den Prozess der Einführung eines SAP-Systems in einem mittelständischen Unternehmen und zeigt, wie das bestehende Geflecht aus Praktiken und Technologien eine Neuanordnung erfährt. Dabei tritt das komplexe soziotechnische Gemenge zutage, auf dem Koordination und Organisation beruhen. Es geht um Hardware, ebenso wie Software, um mechanische und elektronische Medien, um Papiere, Drucker, Akten, Interfaces und Tastaturen, aber auch um die jahrzehntelang eingespielten Routinen und das Erfahrungswissen der Angestellten.
This thesis explores how architecture aids in the performance of open-ended narratives by engaging both actively and passively with memory, i.e. remembering and forgetting. I argue that architecture old and new stems from specific cultural and social forms, and is dictated by processes of remembering and forgetting. It is through interaction (between inhabitant and object) that architecture is given innate meanings within an urban environment that makes its role in the interplay one of investigative interest.
To enable the study of this performance, I develop a framework based on various theoretical paradigms to investigate three broad questions: 1) How does one study the performance of memory and forgetting through architecture in dynamic urban landscapes? 2) Is there a way to identify markers and elements within the urban environment that enable such a study? 3) What is the role that urban form plays within this framework and does the transformation of urban form imply the transformation of memory and forgetting?
The developed framework is applied to a macro (an urban level study of Bangalore, India) and micro level study (a singular or object level study of Stari Most/ Old Bridge, Mostar, BiH), to analyse the performance of remembering and forgetting in various urban spheres through interaction with architecture and form. By means of observations, archival research, qualitative mapping, drawings and narrative interviews, the study demonstrates that certain sites and characteristics of architecture enable the performance of remembering and the questioning of forgetting by embodying features that support this act.
Combining theory and empirical studies this thesis is an attempt to elucidate on the processes through which remembering and forgetting is initiated and experienced through architectural forms. The thesis argues for recognising the potential of architecture as one that embodies and supports the performance of memory and forgetting, by acting as an auratic contact zone.
Since the end of the 1950s, Italy has focused part of its modernization on the erection of public works. Due to corruption, mafia, and further malpractice, this form of development has occasionally failed, producing a high number of constructions that have remained unfinished for decades. In 2007, the group of artists Alterazioni Video constructed an informal survey in the form of an on-line tool open to public contributions, which revealed that there are 395 unfinished public works in Italy from which 156, approximately 39.5%, are located in Sicily alone. In view of such a statistic, Alterazioni Video opted to coin the term ‘Incompiuto Siciliano’ – literally ‘Sicilian Incompletion’ – to refer to unfinished public works as a formal architectural style. This re-interpretation, which aims to convey the recovered dignity of these ‘modern ruins’, considers unfinished public works a type of heritage with the potential to represent the entirety of Italian society. Furthermore, it goes as far as to say an unfinished public work is ‘Incompiuto Siciliano’ despite being located in another of the Italian regions.
This doctoral dissertation embraces the artists’ argument to develop a complete study of Incompiuto Siciliano by embedding this architectural style/artistic project within the main debates on modern ruins at present. This is important because it is expected to contribute to the revalorization and eventual recommissioning of unfinished sites by validating Incompiuto Siciliano in the realm of academia. Furthermore, this work aspires to be a worthwhile source of information for future investigations dealing with cultural interpretations of incompletion in any other context – a not unreasonable goal considering how unfinished works are one of the key urban topics after the 2008 financial crisis. Hence, this doctoral dissertation uses Incompiuto Siciliano to discuss a different perspective in each of the five chapters and, though these can be read as independent contributions, the objective is that all chapters read together, form a clear, concise, continuous unit. And so it must be said this is not a dissertation about unfinished public works in Italy; this is a dissertation about Incompiuto Siciliano as an artistic response to unfinished public works in Italy – which clearly requires an interdisciplinary analysis involving Urban Studies, Cultural Geography, Contemporary Archaeology, Critical Heritage and Visual Arts.
Housing estates were fundamentally conceived upon state socialist utopia ideas to provide standard housing for citizens. While former state socialist housing estates have been extensively researched in the field of architecture, urban and sociology studies, there is still a gap in identifying how production processes affect morphological changes during the post-socialist era. This thesis compares the processes in the production of the largest housing estates of Marzahn in GDR and Petržalka in Czechoslovakia from 1970 to 1989 through contextual analysis of primary and secondary sources, which include visual maps, diagrams from professional architecture and planning journals, government documents and textbooks, as well as academic journals, books and newspaper articles. Then it discusses how these processes inadvertently created conducive conditions affecting their development in the market economy after 1989. It then interprets the results through application of Actor-Network Theory and Historical Institutionalism, while conceptualising them through David Harvey’s dialectical utopianism theory. Harvey (2000) delineates two types of utopia, one of spatial form and one of process. The former refers to materialised ideals in physical forms whereas the latter refers to the ongoing process of spatializing. The thesis aims to show how the production of Marzahn in GDR was more path dependent on policies established in 1950s and 1960s whereas Petržalka was a product of new Czechoslovakian policies in 1970s, changing aspects of the urban planning process, a manifestation of a more emphatic technocratic thinking on a wider scale. This ultimately influences the trajectories of development after 1989, showing more effects in Petržalka.
Die Dissertation Staubaufwirbeln oder die Kunst der Partizipation stellt die Frage, ob und inwiefern künstlerische Interventionen zur Aktualisierung und Entwicklung demokratischer Teilhabe beitragen können. Im Zentrum der Untersuchung stehen sechs Projektgruppen, die experimentelle Freiräume gestalten, in denen neue Formen von Demokratielernen, Stadtnutzung, gesellschaftlicher Repräsentation und Symbolpolitik erprobt werden. Die Kunst der Partizipation wird in fünf Dimensionen beschrieben: Initiative, Kollektivität, Inszenierung, Öffentlichkeit und Kooperation. Sie erweitert damit das Repertoire demokratischer Beteiligungsformen sowie gegenwärtige Kunstbegriffe. Ihre heimliche Relevanz besteht darin, sich immer wieder dem Risiko auszusetzen, von allen Seiten als unzureichend betrachtet zu werden. Demokratie konstituiert sich hier als ästhetische Erfahrung. Die Kunst besteht darin, die Flüchtigkeit demokratischer Teilhabe erfahrbar zu machen, also gestaltbar und veränderbar.
Anhand der städtebaulichen und sozialen Transformation des östlichen Gründerzeitgebietes von Leipzig wird die Rolle von migrantischen Hausbesitzenden und in der Bausanierung Tätigen im Aufwertungsprozess untersucht. Der Zugang zum Gegenstand verbindet Fragen der Stadtsoziologie und der Denkmalforschung. Im sozialen Feld der Stadterneuerung wird die Revitalisierung des ehemals von Leerstand und Rückbau betroffenen Baubestandes ausgehandelt. Die Positionen der Akteur:innen im Feld werden durch ihre Ausstattung mit ökonomischem, aber auch sozialem und kulturellem Kapital bestimmt. Angehörige der Planungs- und Denkmalbehörden verfügen über institutionalisiertes Kulturkapital und stehen damit Kleineigentümer:innen, häufig Autodidakt:innen, gegenüber. Baudenkmale können über ihre Funktion als Geldanlage und Wohnraum hinaus Status repräsentieren und symbolisch angeeignet werden. Denkmalschutz dient dem öffentlichen Interesse am Erhalt historischer Bausubstanz. Bei Sanierungen bestehen die Herausforderungen der Vereinbarkeit von Konservierung und Modernisierung, der Finanzierbarkeit für Eigentümer:innen und der Sozialverträglichkeit für Bewohnende. Eine Darstellung der historischen Entwicklung des Leipziger Ostens zu Beginn der Analyse veranschaulicht die Abhängigkeit kultureller, sozialer und ökonomischer Werte des Baubestandes vom jeweiligen gesellschaftlichen Kontext. Planerische Konzepte für das Gebiet zeigen, dass eine sozioökonomische Stabilisierung und Imageverbesserung erreicht werden sollte durch das Aufgreifen von Potentialen, wie den denkmalgeschützten Bauten, dem zuziehenden alternativen Milieu und migrantischer Ökonomie. Es wird deutlich, dass nach einer initialen Ansässigkeit von Pionier:innen die öffentlichen Infrastrukturmaßnahmen und Denkmalausweisungen eine Inwertsetzung v. a. durch externe Anlegende vorbereiteten. Darauf aufbauend wurden anhand einer qualitativen Befragung die Erfahrungen von städtischen Mitarbeitenden, Fachleuten und im Quartier Engagierten denen von lokalen migrantischen Hausbesitzenden und im Bereich Sanierung Tätigen gegenübergestellt. Migrant:innengruppen haben den Stadtraum in einer Phase vorherrschender Abwanderung durch die Eröffnung von Geschäften und Institutionen sowie den Erwerb von Immobilien für sich erschlossen. Strukturelle Benachteiligungen, wie Diskriminierung auf dem Arbeitsmarkt, ihre Ansässigkeit im sozial stigmatisierten Gebiet sowie geringes ökonomisches Kapital versuchten sie durch den Einsatz von sozialem Kapital auszugleichen. Sanierungen erfolgten mit hoher Eigenleistung und Rückgriff auf private Netzwerke. Die Analyse des Erneuerungsprozesses im Leipziger Osten zeigt, dass in einer initialen Phase Pionier:innen von Planenden und der Denkmalpflege als essentiell für die Entwicklung angesehen wurden. Günstige Instandsetzungen durch Kleineigentümer:innen wurden akzeptiert, um Gebäude vor weiterem Verfall zu bewahren. Mit der zunehmenden Forderung nach Verwendung hochwertiger Materialen werden die Sanierungsleistungen nach ästhetischen und letztlich ökonomischen Kriterien bewertet. Gegenüber sozialen Folgen einer Aufwertung von Bausubstanz lässt sich eine unkritische Haltung der Denkmalpflege erkennen. Bei der Vermarktung der Bestände durch professionelle Investierende findet die Sozialgeschichte des Stadtteils wenig Berücksichtigung, positiv besetzte Merkmale des Quartiers, wie Multikulturalität werden selektiv aufgegriffen. Der Anteil migrantischer Akteur:innen an der Entwicklung wird durch die Öffentlichkeit unzureichend anerkannt. Auch die Wertschätzung von Planenden und im Quartier Engagierten erfolgt v. a. anhand des ökonomischen Status. Hohe Erwartungen an die Geschäftsstruktur und die Erscheinung des Straßenbildes können nicht erfüllt werden. Migrantische Hausbesitzende und im Bereich Sanierung Tätige benötigen für die Auseinandersetzung mit der Denkmalpflege kulturelles Kapital. Sie erkennen die Bedeutung des historischen Baubestandes für die Stadt und die Arbeit der Institution an, kritisieren jedoch Sanierungsauflagen bzw. Mitarbeitende der Denkmalpflege und können sich z. T. gegen diese behaupten. Lokale migrantische Kleineigentümer:innen leisten durch ihre Quartiersbindung einen Beitrag zur ökonomischen und sozialen Stabilisierung. Mit ihrer Aufstiegsorientierung fördern sie in der Vermietungspraxis jedoch nur bedingt die Integration anderer Migrant:innen und grenzen sich von statusniedrigen Gruppen im Quartier ab. Migrantische Hausbesitzende und Unternehmende nehmen sich selbst als erfolgreiche Vorreitende in einer heterogener werdenden ostdeutschen Stadtgesellschaft wahr. Sie erkannten frühzeitig das Entwicklungspotential und gehören zu den Initiierenden und Profitierenden der Inwertsetzung.
The conservation of living heritage sites is a highly complex process. Two factors need careful consideration in order to achieve a balance in the management of such sites: the conservation demands of conservation experts for built heritage and the needs of local people for development of their heritage living space. The complexity of factors involved make for an interesting study of living heritage, taken up by this research in its main case study of the town of Nan in Thailand.
Research into the historical background of Nan and its cultural heritage reveals a living heritage site, which is both unique and diverse. Present day Nan was examined using a variety of analysis tools, which were applied to data from interviews, empirical data, field surveys, and documents, in order to better understand the nature of the living heritage site and changing trends over time. Luang Prabang in Lao PDR, a World Heritage site since 1995, was also selected as a further case study with which to compare Nan’s potential World Heritage status from a point of view of changes to living heritage attributes.
The outcomes of the research indicate the importance of the management of the sites, which can be at risk of losing balance by focusing on one aspect of heritage to the detriment of the other. The conservation perspective, if allowed to dominate, as in Luang Prabang, can cause irreparable damage to the social fabric, where the development needs of the town are not met. This research concludes that a balance of power amongst stakeholders in the collaborative networks managing such sites is vital to sustaining a balance of living heritage attributes.
Space is a social product and a social producer. The main aim of this thesis is to reveal ‘the process of totalitarian city making in Pyongyang’, especially in the light of the interaction between the power and urban space.
The totalitarian city of Pyongyang was born out of modernization in the process of masses formation. During the growth of colonial capitalism and Christian liberal ideas, Pyongyang was modernized and displayed the characteristics of a modern city with industrialization and urbanization. During the introduction of Japanese colonial capitalism, peasants, women, and slaves became the first masses and urban poor, and they later transformed into the mob; their violence was finally demonstrated during the Anti-Chinese Riot.
After the 1945 independence, Kim’s regime formed the one-party state with a cry for revolution. They produced an atmosphere of imminent war to instill fear and hatred into the psyche of Pyongyang citizens. The regime eliminated all political opponents in 1967 and finally declared the totalitarian ideology in 1974. During this process, Pyongyang demonstrated two main characteristics of a totalitarian city: the space of terror and of ideology. The space of terror produces the fear of death and the space of ideology controls the thought and life of citizens.
After entry to the market, to keep Kim’s controlling power, the regime used the strategy of location exchange. The camp, market, and Foreign Currency Shop were effective tools to prepare for executives’ gifts. However, the market also produces the desire not only for consumption but also for freedom and truth; it is tearing down the foundation of the totalitarian city of Pyongyang.
This research focuses primarily on the interaction between political power and urban space. In the process of making a totalitarian city, the power produced urban space and it influenced the psyche of Pyongyang citizens. Even though this spatial transition has created the totalitarian city and helped maintain political power, it also led and produced intended or unintended social variation in Pyongyang society.
This research addresses the discourse of tourism as a tool for place-making of urban destination. Relevant to the study of place-making is the analysis of the commoditization and localization process dependent upon the appropriation of urban landscape and local cultures. In the research, localization is interpreted as the act of determining the attributes of locality, while commoditization is defined as the process by which local attributes that have commercial potential end up in becoming tourism commodity. Following this, the commoditization of intrinsic cultural value is disseminated within a branding strategy and intervention reflecting social and political relations. Therefore, the research suggests that tourism place-making has not only been constructed through the top-down regulatory body, but has been also generated through the attributes of its locality. By utilizing the critical and constructivist paradigm, the research depicts the conditions of the localization and commoditization process in establishing the base line of its realization within the symbolic economy. Thus, a qualitative case study approach was adopted. The study area of this dissertation is Palembang, as one of the capital cities in Indonesia advancing in its overall urban development. To investigate urban tourism as a tool for development strategy, it is useful to investigate the role of tourism which embodies (1) spatial transformation; how tourism gives significant impacts on urban form, and (2) the socio-cultural aspect; how neighbourhood is related to tourism industry. The findings suggest that tourism place-making involves the reciprocity of urban dynamics: cities take on tourism as a reference model of development, and tourist areas adopt the proliferation of cultural lifestyle to meet the industry’s demands.