300 Sozialwissenschaften, Soziologie
This article aims to develop a social theory of violence that emphasizes the role of the third party as well as the communication between the involved subjects. For this Teresa Koloma Beck’s essay ‘The Eye of the Beholder: Violence as a Social Process’ is taken as a starting point, which adopts a social-constructivist perspective. On the one hand, the basic concepts and the benefits of this approach are presented. On the other hand, social-theoretical problems of this approach are revealed. These deficits are counteracted by expanding Koloma Beck’s approach with a communicative-constructivist framework. Thus, the role of communicative action and the ‘objectification of violence’ is emphasized. These aspects impact the perception, judgement and (de-)legitimation of violence phenomena and the emergence of a ‘knowledge of violence’. Communicative actions and objectifications form a key to understanding violent interactions and the link between the micro and macro levels. Finally, the methodological consequences for the research of violence and Communicative Constructivism are discussed. Furthermore, possible research fields are outlined, which open up by looking at communicative action and the objectifications within the ‘triads of violence’.
Ausgehend von der Bemerkung des Philosophen Jacques Derrida, dass Erbe immer auch eine Aufgabe sei, widmet sich der dritte Band der Schriftenreihe des Graduiertenkollegs „Identität und Erbe“ den sozialen und kulturellen Praktiken der Bezugnahme auf Vergangenheit(en) und Identität(en). Mit einem (kulturellen) Erbe soll und muss etwas getan werden, um es überhaupt hervorzubringen. Es konstituiert sich erst im Akt des (Nicht-)Erbens, das heißt im Wechselverhältnis mit den mit und an ihm ausgeführten Praktiken. Gleichwohl ermöglicht erst deren Verbindung mit den materiellen Überresten und Überlieferungen des Erbes eine Aneignung oder Ablehnung der Vergangenheit sowie die Fort- und Umschreibung eines bereits bestehenden Erbes. Diese Vorgänge sind nicht willkürlicher Natur: Die Möglichkeiten zur Interpretation und Deutung werden durch die sozialen, politischen, kulturellen, ökonomischen und technischen Bedingungen der Gegenwart sowie durch die Geschichte und Materialität des Erbes beschränkt, erweitert und gelenkt. Erbe und Erbeprozesse müssen deshalb notwendigerweise miteinander in Beziehung gesetzt werden.
Mit Beiträgen von Simone Bogner und Michael Karpf, Stefan Willer, Giorgia Aquilar, Jörg Springer, Bernd Euler-Rolle, Elizabeth Sikiaridi und Frans Vogelaar, Verena von Beckerath, Alexandra Klei, Oluwafunminiyi Raheem, Ronny Grundig, Özge Sezer, Anna Kutkina, Inge Manka, Karolina Hettchen und Monique Jüttner sowie Julian Blunk.
Wer von Erbe im Zusammenhang mit Identität spricht, verspricht sich und Anderen »Kontinuität« und »Stabilität«. Das Versprechen hält indes nur so lange, wie sich Menschen auf die damit verbundenen Erzählungen einlassen. Da diese zunehmend hinterfragt werden und der Begriff »Identität« im politischen Raum zu einer umkämpften Kategorie avanciert ist, werden auch die lange gehegten, gewohnten »Konstruktionen« instabil. Dies zeigt sich insbesondere in Momenten des Konflikts, der übergriffigen Inanspruchnahme und des Verlusts. Der Titel »Instabile Konstruktionen« verweist zugleich auf die beiden Kernbereiche des Kollegs: einerseits auf Architektur und Denkmalpflege, in denen der Begriff Konstruktion sich auf bauliche Manifestationen bezieht, von denen eine gewisse Haltbarkeit und Dauerhaftigkeit erwartet wird und andererseits auf die Kultur- und Sozialwissenschaften, wo Konstruktion die soziale Herstellung symbolischer Sinnwelten meint. Ins Zentrum rückt so der Anspruch, die materielle Umwelt im Wechselverhältnis zu ihrer sozialen Gemachtheit zu verstehen.
The evolution of urbanism under dictatorship forms the core of the current research. This thesis is part of a research network at Bauhaus-Universität Weimar, which studies the 20th century's urbanism under different dictatorships. The network has provided a cross-cultural and cross-border environment and has enabled the author to communicate with other like-minded researchers. The 2015 published book of this group 'Urbanism and Dictatorship: A European Perspective' strengthens the foundation of this research's theoretical and methodological framework.
This thesis investigates urban policies and plans leading to the advancement of urbanization and the transformation of urban space in Iran during the second Pahlavi (1941-1979) when the country faced a milestone in its history: Nationalization of the Iranian oil industry. By reflecting the influence of economic and socio‐political determinants of the time on urbanism and the urbanization process, this work intends to critically trace the effect of dictatorship on evolved urbanism before and after the oil nationalization in 1951.
The research on the second Pahlavi's urbanism has been limitedly addressed and has only recently expanded. Most of the conducted studies date back to less than a decade ago and could not incorporate all the episodes of the second Pahlavi urbanism. These works have often investigated urbanism and architecture by focusing merely on the physical features and urban products in different years regardless of the importance of urbanism as a tool in the service of hegemony. In other words, the majority of the available literature does not intend to address the socio-economic and political roots of urban transformations and by questioning 'what has been built?' investigates the individual urban projects and plans designed by individual designers without interlinking these projects to the state's urban planning program and tracing the beneficiaries of those projects or questioning 'built for whom?'
Moreover, some chapters of this modern urbanism have rarely been investigated. For instance, scant research has looked into the works of foreign designers and consultants involved in the projects such as Peter Georg Ahrens or Constantinos A. Doxiadis. Similarly, the urbanism of the first decade of the second Pahlavi, including the government of Mossadegh, has mainly been overlooked.
Therefore, by critically analyzing the state's urban planning program and the process of urbanization in Iran during the second Pahlavi, this research aims to bridge the literature gap and to unravel the effect of the power structure on urban planning and products while seeking to find a pattern behind the regime's policies.
The main body of this work is concentrated on studying the history of urbanism in Iran, of which collecting data and descriptions played a crucial role. To prevent the limitations associated with singular methods, this research's methodology is based on methodological triangulation (Denzin, 2017). With the triangulation scheme, the data is gathered by combining different qualitative and quantitative methods such as the library, archival and media research, online resources, non-participatory observation, and photography. For the empirical part, the city of Tehran is selected as the case study. Moreover, individual non-structured interviews with the locals were conducted to gain more insights regarding urban projects.
Bauhaus-Gastprofessorin Mirjam Wenzel referierte am 30. Juni 2021 im Audimax der Bauhaus-Universität Weimar zur Entstehungsgeschichte und Konzeption Jüdischer Museen. Dabei ging sie darauf ein, inwiefern diese Museen besonders relevant für aktuelle gesellschaftliche und politische Fragestellungen sind. Prof. Wenzels zweiter öffentlicher Vortrag an der Bauhaus-Universität Weimar skizzierte die Potentiale von Kultureinrichtungen in Zeiten gesellschaftspolitischer Veränderungen im Allgemeinen und die Bedeutung Jüdischer Museen angesichts verbaler und tätlicher Gewalt gegen Jüdinnen und Juden im Besonderen.
This thesis examines urban partition in Nicosia, the capital of Cyprus, and how its changing roles and shifting perceptions in a post-conflict setting reflect power relations, and their constant renegotiation. Nicosia, the capital of Cyprus, was officially divided in 1974 in the aftermath of an eighteen-year-long conflict between the island’s Turkish- and Greek-Cypriot communities. As a result, a heavily militarized Buffer Zone, established as an emergency measure against perpetuation of intercommunal violence, has been cutting through its historic centre ever since.
This thesis departs from a genuine interest in the material and ideational dimensions of urban partition. How is it constructed, not merely in physical terms but in the minds of the societies affected by conflict? How is it established in official and everyday discourses? What kinds of mechanisms have been developed to maintain it, and make an inseparable part of the urban experience? Moreover, taking into account the consensus in relevant literature pertaining to the imperative for its removal, this thesis is inquiring into the relevance of peace agreements to overcoming urban partition. For this purpose, it also looks at narratives and practices that have attempted to contest it.
The examples examined in this thesis offer pregnant analytical moments to understand Nicosia’s Buffer Zone as a dynamic social construct, accommodating multiple visions of and for the city. Its space ‘in-between’ facilitates encounters between various actors, accommodates new meanings, socio-spatial practices and diverse imaginaries. In this sense, urban partition is explored in this thesis as a phenomenon that transcends scales as well as temporalities, entwining past, present, and future.
This project proposes and applies a research strategy to understand types of cities using the case study of Bogotá. This strategy combines a conceptual framework developed around the notion of ‘centrality’ and ‘urban semiotics’ as a method of qualitative enquiry in order to comprehend complex spatial arrangements as significant constituents of cultural geographies. In this sense, this study problematizes current tendencies such as spatial fragmentation and challenges the argument that contemporary urban ensembles in Latin America are either homogenized within globalization trends or illegible entities with no structural coherence.
Bogotá is addressed as an instrumental case study to redraw generalizations developed from different methodological frameworks about the configuration process of spatial structures and their significance within the Latin American geography. Thus the study questions how urban centrality has evolved as an essential socio-cultural phenomenon and in this manner decodes the messages transmitted by main spatial arrangements. As a first step, the study discusses the construction of spatial meaning and its structural interpretation. In addition, the concept of centrality is examined in depth and an urban centrality typology is introduced to enable the analysis of spatial structures in socio-cultural terms. These contents are followed by the discussion of the existing approaches to the topic and their limitations. Subsequently, this research reconstructs the configuration of Bogotá’s spatial structure which is decoded in the last chapter.
The study concludes that the highly fragmented and uneven condition of urban space in Latin America can be read. The case study of Bogotá substantiates that there is a code that paradoxically provides spatial cohesiveness within unstable socio-spatial hierarchies. Such a spatial code is deciphered through the reading of Bogotá’s spatial structure whose super-centre denotes ‘the sacralisation of authoritarianism’. This is a ‘structural meaning’ related to a specific or intrinsic logic of spatial concentration that is useful for the further discussion of socio-spatial patterns and the meanings of Latin American cities. The concluding remarks integrate the main arguments and outline lines of action in spatial planning processes.
Media anthropology is a new and interdisciplinary field of research with very different subjects and methods that seems to be already heavily informed by a comparatively narrow understanding of media as mass media (e.g. TV, Internet, social web, etc.). Therefore, most theories in this field, at least implicitly, employ a hierarchical and often dichotomic preconception of the two poles of media-human relations, by analysing the operationalities and ontologies of the human and the media independently from one another. This article deviates from this line of thought by advocating an expanded, symmetrical and relational understanding of the terms media and human, taking them as always already intermingled facets of a broader dynamic configuration. Starting from a consideration of the historically powerful, yet overlooked media of the so-called habitat diorama, the heuristic concept of “anthropomediality” is to be developed. Eventually, this relational approach may open up a new, interesting field for interrogation of (media-)anthropological analysis in general.
Der Artikel behandelt fünf für das wissenschaftliche Arbeiten besonders relevante Themenfelder: 1) Ziele und Gegenstand wissenschaftlichen Arbeitens, 2) der Zusammenhang von Wissenschaft, Erkenntnis und Fortschritt, 3) eine Darstellung der Forschungslandschaft in Deutschland unter Berücksichtigung der Wissenschaftsorganisation, 4) eine ausführliche, praxisorientierte Erläuterung des typischen Ablaufs eines Forschungsprozesses,
5) eine Skizze zur literaturbasierten Forschung. Der Beitrag stellte zahlreiche Bezüge zur Stadtforschung her und nutzt Beispiele zur Illustration der Inhalte.