900 Geschichte und Geografie
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The thesis addresses journalistic, administrative and judicial historical documentation to analyze the links between aridity and geographical imaginaries in the province of Catamarca (Argentina), from a historical point of view. The research aims to contribute to the understanding of the "non-hegemonic" versions of Modernity, its territoriality and the productions of geographic imaginaries that they involve. To provide a broad purpose, it raises as an object of study the ways in which "modern" practices, actors, links, discourses and expectations about the territory are mobilized when they are located in a space in "other" water conditions. those that are intended to "civilize" it.
The general objective of the research is to analyze time-space controversies around water in the city and valley of Catamarca towards 19th and 20th centuries. The specific objectives derived are a) analyzing how various actors are related to waters behavior - in other words, the local water regime – in Catamarca and the meanings built around it. b) to analyze the controversies about the place of Catamarca and its water regime in the local and national geographic imaginary. c) analyze controversies in which the relationships between actors and materialities involved in modernization projects are put into discussion.
These concerns by the experience of the actors and by the historical-spatial imagination of the territory, combined, led to the construction of an interdisciplinary methodology based on tools from anthropology, sociology, geography and history.
El paisaje de la Cuenca Lechera Central Argentina: la huella de la producción sobre el territorio
(2022)
In recent times, the study of landscape heritage acquires value by virtue of becoming an alternative to rethink regional development, especially from the point of view of territorial planning. In this sense, the Central Argentine Dairy Basin (CADB) is presented as a space where the traces of different human projects have accumulated over centuries of occupation, which can be read as heritage. The impact of dairy farming and other productive activities has shaped the configuration of its landscape. The main hypothesis assumed that a cultural landscape would have been formed in the CADB, whose configuration would have depended to a great extent on the history of productive activities and their deployment over the territory, and this same history would hide the keys to its alternative.
The thesis approached the object of study from descriptive and cartographic methods that placed the narration of the history of territory and the resources of the landscape as a discursive axis. A series of intentional readings of the territory and its constituent parts pondered the layers of data that have accumulated on it in the form of landscape traces, with the help of an approach from complementary dimensions (natural, sociocultural, productive, planning). Furthermore, the intersection of historical sources was used in order to allow the construction of the territorial story and the detection of the origin of the landscape components. A meticulous cartographic work also helped to spatialise the set of phenomena and elements studied, and was reflected in a multiscalar scanning.
Since the end of the 1950s, Italy has focused part of its modernization on the erection of public works. Due to corruption, mafia, and further malpractice, this form of development has occasionally failed, producing a high number of constructions that have remained unfinished for decades. In 2007, the group of artists Alterazioni Video constructed an informal survey in the form of an on-line tool open to public contributions, which revealed that there are 395 unfinished public works in Italy from which 156, approximately 39.5%, are located in Sicily alone. In view of such a statistic, Alterazioni Video opted to coin the term ‘Incompiuto Siciliano’ – literally ‘Sicilian Incompletion’ – to refer to unfinished public works as a formal architectural style. This re-interpretation, which aims to convey the recovered dignity of these ‘modern ruins’, considers unfinished public works a type of heritage with the potential to represent the entirety of Italian society. Furthermore, it goes as far as to say an unfinished public work is ‘Incompiuto Siciliano’ despite being located in another of the Italian regions.
This doctoral dissertation embraces the artists’ argument to develop a complete study of Incompiuto Siciliano by embedding this architectural style/artistic project within the main debates on modern ruins at present. This is important because it is expected to contribute to the revalorization and eventual recommissioning of unfinished sites by validating Incompiuto Siciliano in the realm of academia. Furthermore, this work aspires to be a worthwhile source of information for future investigations dealing with cultural interpretations of incompletion in any other context – a not unreasonable goal considering how unfinished works are one of the key urban topics after the 2008 financial crisis. Hence, this doctoral dissertation uses Incompiuto Siciliano to discuss a different perspective in each of the five chapters and, though these can be read as independent contributions, the objective is that all chapters read together, form a clear, concise, continuous unit. And so it must be said this is not a dissertation about unfinished public works in Italy; this is a dissertation about Incompiuto Siciliano as an artistic response to unfinished public works in Italy – which clearly requires an interdisciplinary analysis involving Urban Studies, Cultural Geography, Contemporary Archaeology, Critical Heritage and Visual Arts.
Resumen
La pregunta de investigación que guía el trabajo es: ¿cuál es la lógica de reproducción urbana de una ciudad intermedia en el contexto de los territorios possocialista? y ¿por qué referimos a esa lógica en términos de desarrollo urbano posfordista? Lo que se demuestra con esta investigación es cómo la forma particular de entrecruzamiento de territorialidades - estrategias espacializadas de los agentes - y las sinergias que de ellas se derivan con sus respectivas expresiones en el espacio, caracterizan el desarrollo urbano de Weimar.
El objetivo general del trabajo es interpretar el tipo de desarrollo urbano posfordista alcanzado por esta ciudad intermedia, que se configura en relación a su hinterland inmediato como una ciudad-región en una región de ciudades. Los objetivos específicos son: contextualizar geohistóricamente la ciudad-región Weimar, analizar los factores que posibilitan y condicionan el desarrollo urbano, identificar la constelación de agentes sociales que participan en el proceso de governance de la ciudad considerando sus estrategias, e indagar sobre las sinergias territoriales a partir del cruce y convergencia de esas estrategias convertidas en territorialidades.
En el trabajo se aplico una lógica metodológica cualitativa de investigación basada en: relevamiento bibliográfico, lectura de periódicos locales y regionales, observaciones in situ, captación de atmósfera, entrevistas complementadas con estadísticas oficiales y recolección de folletos informativos.
Uno de los principales aportes del trabajo es la definición del concepto de desarrollo urbano posfordista como una modalidad de reproducción urbana en el contexto de relaciones capitalistas de producción caracterizadas por producción flexible, terciarización de servicios públicos, creación de nuevos niveles territoriales de regulación, flexibilización de los mercados de trabajo urbano y precarización de las condiciones de vida. En las últimas décadas se asiste a cambios profundos en las ciudades. Así, es posible hablar de ciudades en transición que ensayan diversidad de modalidades ante los desafíos que implican estos cambios. En efecto, en muchos espacios urbanos comenzaron a suceder procesos de rápida desindustrialización y/o reindustrialización, con lo cual las ciudades han perdido parcialmente su base económica o han debido reestructurarse como un lugar vinculado a la economía de servicios. Incluso en aquellas ciudades que mantuvieron industrias de producción masiva, propias de las llamadas economía fordista, como por ejemplo la industria automotriz, requirieron importantes cambios en sus planificaciones espaciales. De este modo, los cambios en las modalidades de producción y sus impactos socioterritoriales en el contexto de la glocalización permiten observar el paso de una sociedad fordista a una posfordista.