TY  - THES
A1  - Zimmermann, Christina
T1  - Ambiguität im zeitgenössischen Film. Flugversuche : Zusammenfassung
N2  - Die Dissertation über „Ambiguität im zeitgenössischen Film – Flugversuche“ folgt der Spur einer populären narrativen Tendenz im Kino – nämlich der Mehrdeutigkeit – und zeichnet ihr dramaturgisches Potential, wie ihre ethischen (bzw. mikropolitischen) Implikationen nach. Um typische Muster in der Wahrnehmung mehrdeutiger Filmerzählungen zu beschreiben, die bereits auf der vorbewussten Ebene der Affekte wirksam sind, greife ich auf Begriffe der Prozessphilosophie Alfred North Whitehead’s zurück und auf ihre neueren Reformulierungen bei Gilles Deleuze und Brian Massumi. Ausgehend von Alejandro González Iñárritu’s "Babel" (2006) begibt sich der Leser im ersten Teil auf einen virtuellen Rundflug durch ausgewählte Filmbeispiele mit einem kulturellen Ankerpunkt im heutigen Japan. Im zweiten Teil beschreibe und reflektiere ich mein methodisches Vorgehen in den ersten Phasen der Stoffentwicklung zu einem suggestiven Spielfilmprojekt, und kontextualisiere es mit Interviews zeitgenössischer Autorenfilmer, die ähnliche Erzählweisen entwickeln.
N2  - The PhD dissertation on “Ambiguity in Contemporary Cinema – Attempts in Aviation” traces a prominent narrative tendency in cinema, outlining its dramaturgical potential as well as its ethical (or micropolitical) implications. In order to describe a number of typical patterns in ambiguous film narration that are operative already on the pre-conscious level of affects, I draw on concepts from the process philosophy by Alfred North Whitehead and its more recent reformulations by Gilles Deleuze and Brian Massumi. Departing from Alejandro González Iñárritu’s "Babel" (2006) in Part 1 the reader gets on a virtual flight through carefully chosen film examples with a cultural anchor point in Contemporary Japan. In Part 2 I describe and reflect on methodological questions for the first steps in a script development process for a suggestive screenplay, and relate my own approach to the work of other contemporary filmmakers.
KW  - Ambiguität
KW  - Film
KW  - Dramaturgie
Y1  - 2016
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:wim2-20160727-26336
ER  - 
TY  - JOUR
A1  - Trappl, Robert
A1  - Krajewski, Markus
A1  - Ruttkay, Zsófia
A1  - Widrich, Virgil
T1  - Robots as Companions: What can we Learn from Servants and Companions in Literature, Theater, and Film?
JF  - Procedia Computer Science
N2  - Many researchers are working on developing robots into adequate partners, be it at the working place, be it at home or in leisure activities, or enabling elder persons to lead a self-determined, independent life. While quite some progress has been made in e.g. speech or emotion understanding, processing and expressing, the relations between humans and robots are usually only short-term. In order to build long-term, i.e. social relations, qualities like empathy, trust building, dependability, non-patronizing, and others will be required. But these are just terms and as such no adequate starting points to “program” these capacities even more how to avoid the problems and pitfalls in interactions between humans and robots. However, a rich source for doing this is available, unused until now for this purpose: artistic productions, namely literature, theater plays, not to forget operas, and films with their multitude of examples. Poets, writers, dramatists, screen-writers, etc. have studied for centuries the facets of interactions between persons, their dynamics, and the related snags. And since we wish for human-robot relations as master-servant relations - the human obviously being the master - the study of these relations will be prominent. A procedure is proposed, with four consecutive steps, namely Selection, Analysis, Categorization, and Integration. Only if we succeed in developing robots which are seen as servants we will be successful in supporting and helping humans through robots.
KW  - Roboter
KW  - Diener
KW  - Literatur
KW  - Theater
KW  - Film
KW  - robots; companions; servants; literature; theater; film
Y1  - 2011
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:wim2-20170426-31650
SP  - 96
EP  - 98
ER  -