TY - JFULL A1 - Bee, Julia A1 - Klemstein, Franziska A1 - Hallmann, Lilli A1 - Noeske, Jannik A1 - Bachrach Barzilai, Yael A1 - Bauche, Manuela A1 - Beck, Erik A1 - Logemann, Daniel A1 - Marshall, Danna A1 - Paulus, Jörg A1 - Schlüter, Dorothee A1 - Schubert-Lehnhardt, Viola A1 - Schwoch, Rebecca A1 - Strähle, Volker A1 - Stubenvoll, Kerstin A1 - Victor, Kristin A1 - Wagner, Jens-Christian A1 - Welch Guerra, Max ED - Bee, Julia ED - Hallmann, Lilli ED - Klemstein, Franziska ED - Noeske, Jannik T1 - Auf dem Weg zum Erinnerungsort - das Gebäude der NS-Medizinbürokratie in Weimar N2 - Die Bauhausstraße 11 war in der NS-Zeit Sitz von zahlreichen Institutionen der Gesundheitspolitik. Jetzt ist das Gebäude zum Gegenstand eines Forschungsprojektes geworden, in Zukunft wird auch vor Ort an seine Einbindung in nationalsozialistische Verbrechen erinnert. Dieses Buch dokumentiert und reflektiert die Erinnerungsarbeit auf dem Campus der Bauhaus-Universität Weimar und darüber hinaus. Anhand der interdisziplinären Beiträge wird das Gebäude in der heutigen Bauhausstraße 11 räumlich in Weimar und Thüringen, erinnerungspolitisch aber in einer seit Jahrzehnten erkämpften Landschaft des Gedenkens an nationalsozialistische Verbrechen verortet. KW - Kollektives Gedächtnis KW - Judenvernichtung KW - Nationalsozialismus KW - Gesundheitspolitik KW - Euthanasie KW - Erinnerungskultur KW - Thüringen im Nationalsozialismus KW - Gesundheitsverwaltung im Nationalsozialismus KW - NS-Architektur KW - Denkmalschutz Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:wim2-20231012-64617 ER - TY - THES A1 - Dief, Shaima T1 - Ancient Egyptian Hybrid Deities in Visual Form as Mediator in Cultural Transmission N2 - The most fundamental understating of hybridization methodology takes the form of stable but dynamic notions, accumulated over time in the memory of individuals. Schematized and abstracted, the hybrids representation needs to be reproduced and reused in order to reconstruct and bring back other memories. Reinvented, or reused hybrids can support getting access to social, traditional, religious understanding of nations. In this manner, they take the form of the messenger / the mediator an innate, equivalent to the use of mental places in the art of memory. We remember mythology in order to remember other things. From individual memory perspective, or group collective memory, the act of recollection is assumed to be an individual act, biologically based in the brain, but by definition conditioned by social collectives. Following Halbwachs, this thesis does not recognize a dichotomy between individual and collective memory as two different types of remembering. Conversely, the collective is thought of as inherent to individual thought, questioning perspectives that regard individual recollection as isolated from social settings. The individual places himself in relation to the group and makes use of the collective frameworks of thought when he localizes and reconstructs the past, whether in private or in social settings. The frameworks of social relations, of time, and of space are constructs originating in social interaction and distributed in the memory of the group members. The individual has his own perspective on the collective frameworks of the group, and the group’s collective frameworks can be regarded as a common denominator of the individual outlooks on the framework. In acts of remembering, the individual may actualize the depicted symbols in memory, but he could also employ precepts from the environment. The latter have been referred to as material or external frameworks of memory, suggesting their similar role as catalysts for processes of remembrance such as that of the hybrids in my paintings. It is only with reference to the hybrids, who work as messengers / mediators with a dual nature, that communicate between the past and the present, the internal and external space, that individual memory and group memory is in focus. The exhibition at the Egyptian museum in Leipzig is my practical method to create a communicative memory, using hybrids as mediators in cultural transimission, as when the act refers to informal and everyday situations in which group members informally search for the past, it takes place in the communicative 162 memory. As explained in chapter one, the exhibition at the Egyptian museum in Leipzig is an act of remembering in search for the past with support of my paintings, which then can considered as part of the cultural memory. In addition to the theoretical framework summarized above, I have applied my hypothesis practically in the form of the public exhibition, and shared the methodology with public audience from Cairo / Egypt and Leipzig / German in the form of visual art workshops and open discussions. I have also suggested an analyzed description of the meaning of hybrids in my artwork as mediators and messengers for the purpose of cultural transmission, as well as in relation to other artists’ work and use of a similar concept. By using my hybrid creatures in my visual artwork, I am creating a bridge, mediators to represent both the past and the present, what we remember of the past, and how we understand the past. It is as explained in chapter two; that the hybridization methodology in terms of double membership represented in different cultures –Cairo / Egypt and Leipzig / Germany- can provide a framework which allows artistic discussions and could be individually interpreted, so individual cultures / individual memory can become transparent without losing their identities and turn into communicative memory. This transmission through the hybridization theoretical approech was explicitly clarified with the support of Krämer’s hypothesis. The practical attempt was examined by creating a relationship between the witness –me as an artist– and the audience –the exhibition visitors–, to cross space and time, not to bridge differences, rather to represent the contrasts transparently. The Kin-making proposition is adopted by many academics and scholars in modern society and theoretical research; the topic was represented in the roots of the ancient Egyptian mindset and supported theoretically by similar understandings such as Haraway’s definition of kin-making. The practical implementation of kin- making can be observed in many of my artwork and was analyzed visually and artistically in chapter three. My practical project outcome tested success by using hybrids in my paintings as mediators, it opened a communicative artistic discussion. This methodology gave a possible path of communication through paintings / visual analyses, and offered relativity through image self-interpretation. KW - Kollektives Gedächtnis KW - Kunst KW - Cultural memory KW - Communicative memory KW - Hybridization KW - Visual Art Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:wim2-20230220-49337 ER - TY - THES A1 - Bleichner, Stephan M. T1 - Das elektronisch virtualisierte Baudenkmal T1 - The electronically virtual reality of monuments N2 - Die elektronische Virtualisierung von Baudenkmalen ist neues, außergewöhnlich vielfältiges medientechnisches Phänomen; es beschreibt die ursprüngliche Form substanziell-realer Baudenkmale, transformiert sie von einer abstrakten Beschreibung in Wort und Bild in eine immaterielle Realität. Die Dissertation versucht Antworten zu geben auf folgende Fragen: Ist die elektronische Virtualisierung eine Methode der Stimulation der Öffentlichkeit im Umgang mit Baudenkmalen? Ist das elektronisch virtualisierte Baudenkmal ein immaterielles Zeugnis der Kulturgeschichte in der Zukunft? Ist das substanziell-reale und das virtualisierte Baudenkmal uneingeschränkt gegenseitig austauschbar, ist ersteres durch letzteres ersetzbar? Die Beantwortung der Fragen hängt ab von den Stufen der Perfektion der elektronischen Virtualsierung von Baudenkmalen. N2 - The electronically virtual reality of monuments is a new, extraordinarily various media-technical phenomenon; it describes the original form of real monuments, it transforms of an abstract description in word and picture in an immaterial reality. The thesis tries to give answers on the following questions: Is the electronically virtual reality a method of the stimulation of the public in dealing with monuments? Is the electronically virtual reality of monuments an immaterial certificate of the history of civilisation in the future? Is the real one and the virtual monument without reservation mutual interchangeable, is the real monument replaceable by the virtual one? The answer of the questions depends on the steps of the perfection of the electronically virtual reality of monuments. KW - Baudenkmal KW - Virtuell freie Gruppe KW - Denkmalschutz KW - Denkmalpflege KW - Kulturdenkmal KW - Kulturerbe KW - Kollektives Gedächtnis KW - Kulturgut KW - Virtualisierung KW - Denkmalkunde KW - Denkmalpflege KW - Denkmalschutz KW - Virtual cultural heritage Y1 - 2008 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:wim2-20080930-14261 ER -