@inproceedings{Homsi,
  author    = {Homsi, Eymen},
  title     = {GENUFLECTION AND EMPIRE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3062},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30624},
  pages     = {15},
  abstract  = {Eymen Homsi has degrees in architecture from the Ohio State University and biology/botany from the University of Southern Colorado. He taught design and theory at the Ohio State University (1991-99), worked at the Atelier Jose Oubrerie (1991-1995), and was Director of Design at the Columbus Neighborhood Design Centre (1998-99), where he designed the Salvation Army Transitional Housing, Friends of the Homeless Dormitory, and other public projects. He established Studio Noni in Helsinki (2000-04) for experimental projects, speculative works, competitions. He was coordinator of Habitation Studio at the Chinese University of Hong Kong (2004-09). He returned to Istanbul in 2009 after an absence of thirty five years to teach studio at Mimar Sinan University of Fine Arts (2009-10). Currently he teaches studio at Istanbul Technical University, and theory at K{\"u}lt{\"u}r University. His research concerns the relationship between rites of worship in Islam and the space of the mosque.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schuerkamp,
  author    = {Sch{\"u}rkamp, Bettina},
  title     = {GENERIC REALISM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3087},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30879},
  pages     = {8},
  abstract  = {Bettina Sch{\"u}rkamp completed her diploma in architecture at the State Academy of Fine Arts Stuttgart in 1995 and attended the graduate course „Histories and Theories of Architecture" at the Architectural Association in London. For more than five years she worked as a practising architect for architectural firms in England and Germany such as Bolles+Wilson, M{\"u}nster and Peter Kulka, K{\"o}ln. From 2001 until 2007 she held a research and teaching position at the Institute for History and Theory of Architecture at Wuppertal University. Currently she is completing her dissertation on the Dutch architectural firm OMA*AMO She writes as a freelance journalist for architectural magazines in Germany and Switzerland and has been publishing in magazines such as Archithese, Arch+, Bauwelt and Deutsche Bauzeitung.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Werckmeister,
  author    = {Werckmeister, Otto Karl},
  title     = {FRAGEN ZU HANNES MEYER},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3051},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30517},
  pages     = {8},
  abstract  = {Otto Karl Werckmeister war, neben Forschungsauftr{\"a}gen am Warburg Institute, London und dem Deutschen Arch{\"a}ologischen Institut, Professor f{\"u}r Kunstgeschichte an der UCLA und der Northwestern University in Evanstown/Illinois, sowie Gastprofessor an den Universit{\"a}ten Marburg und Hamburg. Die Strategien von K{\"u}nstlern des 20. Jahrhunderts auf dem Weg zum Ruhm hat er ebenso untersucht wie das Bildrepertoire fr{\"u}hmittelalterlicher Buchillustrationen oder der japanischen Manga-Comics. Walter Benjamins Forderung nach einer „Aktualit{\"a}t des Denkens" hat ihm als Motto seiner Untersuchungen gedient. Zu seinen wichtigsten Ver{\"o}ffentlichungen geh{\"o}ren: Ende der {\"A}sthetik (1971), Ideologie und Kunst bei Marx (1974), Versuche {\"u}ber Paul Klee (1981), The Making of Paul Klee's Career, 1914-1920 (1988), Zitadellenkultur. Die sch{\"o}ne Kunst des Untergangs in der Kultur der Achtziger Jahre (1989); Linke Ikonen: Benjamin, Eisenstein, Picasso - nach dem Fall des Kommunismus (1997), Der Medusa-Effekt - Politische Bildstrategien seit dem 11. September 2001 (2005).},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Graf,
  author    = {Graf, Douglas},
  title     = {FORM'S FALLOW FUNCTION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3054},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30547},
  pages     = {26},
  abstract  = {Douglas Graf received an A.B. in architecture and urban planning from Princeton and a M.Arch. from Harvard and currently teaches courses in design and architectural theory at the Knowlton School of Architecture at the Ohio State University. His teaching career has included the Kentucky, Washington, and Yale, as well as positions in Britain, Germany, and Finland, where he first went on a Fulbright to study the work of Alvar Aalto. He has received five teaching awards. His interest in design theory has a primary focus on formal analysis, which is applied not only to architecture but also to urban form, landscape, photography, painting, product design, and graphics. One of his signature investigations has been into the structure and use of diagrams as tools for 'close reading.' Many of his investigations have explored 'metaphoric time' as a central design strategy. He has written about the idea of the 'encyclopedic set' as a persistent means of modeling complexity and the use of 'fictive landscapes' to derive narratives for the city. He currently divides his time between Columbus (the one in Ohio) and London (not the one in Ohio), where he has been researching the design strategies in English gardens and the formal structure of the pre-industrial village. He is one of the principals in Mid-Ohio Design, a firm of architects and urban designers whose work elides from the real to the academic and who have won a number of urban design competitions.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Easterling,
  author    = {Easterling, Keller},
  title     = {EXTRA-STATECRAFT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3048},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30482},
  pages     = {14},
  abstract  = {Keller Easterling is an architect, urbanist, and writer. Her latest book, Enduring Innocence: Global Architecture and Its Political Masquerades (MIT, 2005), researches familiar spatial products that have landed in difficult or hyperbolic political situations around the world. Her previous book, Organization Space: Landscapes, Highways and Houses in America, applies network theory to a discussion of American infrastructure and development formats. A forthcoming book, Extrastatecraft, researches global infrastructure as a medium of polity. Ms. Easterling is also the author of Call It Home, a laser disc history of suburbia, and American Town Plans. She has recently completed two research installations on the Web: "Wildcards: A Game of Orgman" and "Highline: Plotting NYC." Her work has been widely published in journals such as Grey Room, Volume, Cabinet, Assemblage, Log, Praxis, Harvard Design Magazine, Perspecta, Metalocus, and ANY. Her work is also included as chapters in numerous publications. She has lectured widely in the United States as well as internationally. Ms. Easterling's work has been exhibited at the Queens Museum, the Architectural League, the Municipal Arts Society, and the Wexner Center. Easterling is a professor at Yale's School of Architecture.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Oetsch,
  author    = {{\"O}tsch, Silke},
  title     = {EXPLAINING JUNKSPACE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3067},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30676},
  pages     = {8},
  abstract  = {Dr. Silke {\"O}tsch is currently working on a research project on the role of architects as intermediaries in financialization founded by the Austrian Research Found (FWF) at the Department of Sociology at the University of Innsbruck. She worked as scientific employee at the Institute of Construction and Design at the Innsbruck University, as lecturer at the Institute for Architecture Theory at the University of Innsbruck (Austria), in the architectural offices of Arets Architekten in Maastricht as well as Haid und Partner in N{\"u}rnberg and for Attac Germany. Silke {\"O}tsch received her doctoral degree at the Bauhaus-University Weimar and studied architecture in Weimar and Paris. She published books in the field of architecture theory with the title "Stripping las Vegas" (with K. Jaschke) and "{\"U}berw{\"a}ltigen und Schmeicheln", and articels in the review GAM and others, and published in the field of political economy, among others the book "Das Casino schließen" (together with T. Sauer and P. Wahl) on the financial crisis and "R{\"a}ume der Offshore-Welt" (together with Celia Di Pauli), which is a publication on concrete spaces of tax havens and offshore centres in Europe and their implications. Her main research interest is globalization and financial architecture.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schmedding,
  author    = {Schmedding, Anne},
  title     = {DIE MODERNE ALS TRADITION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3075},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30752},
  pages     = {13},
  abstract  = {Anne Schmedding ist als freie Kunst- und Architekturhistorikerin in Berlin t{\"a}tig, unter anderem bei Urbanizers, B{\"u}ro f{\"u}r st{\"a}dtische Konzepte. Von 2005 bis 2009 war sie wissenschaftliche Mitarbeiterin an der TU Braunschweig im Fachbereich Geschichte und Theorie der Architektur und Stadt. Sie ist Mitherausgeberin des Kataloges „Gesetz und Freiheit" zu Leben und Werk des Architekten Friedrich Wilhelm Kraemers (Berlin 2007). Sie war von 1996-1999 Redakteurin der Zeitschrift Daidalos und ist Mitherausgeberin des Buches „Architektur in Berlin" (Berlin 1999). Sie war wissenschaftliche Kuratorin und Mitarbeiterin der Ausstellung „Stadt der Architektur. Architektur der Stadt", die im Jahr 2000 im Neuen Museum in Berlin zu sehen war. Momentaner Forschungsschwerpunkt ist Architektur und Kunst der westdeutschen Nachkriegszeit. Vor kurzem schloß sie ihre Dissertation {\"u}ber Dieter Oesterlen ab.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Stoecklmayr,
  author    = {St{\"o}cklmayr, Nicole E.},
  title     = {DIAGRAMMATISCHE VISUALISIERUNG ALS {\"A}STHETISCHE INFORMATION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3085},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30851},
  pages     = {12},
  abstract  = {Nicole E. St{\"o}cklmayr ist Post-Doc-Stipendiatin im Research-Fellow Programm „Werkzeuge des Entwerfens" am Internationalen Kolleg f{\"u}r Kulturtechnikforschung und Medienphilosophie (IKKM) der Bauhaus-Universit{\"a}t Weimar. St{\"o}cklmayr promovierte an der Universit{\"a}t f{\"u}r angewandte Kunst Wien an der sie auch Architektur in den Meisterklassen Hans Hollein, Greg Lynn sowie Zaha Hadid studierte. In ihrer von Gabriele Werner betreuten und von der {\"O}sterreichischen Akademie der Wissenschaften gef{\"o}rderten Dissertation mit dem Titel „Das Architekturbild im digitalen Paradigmenwechsel" untersuchte sie den Status des Bildes im digitalen Prozess des Architekturentwurfs. Ver{\"o}ffentlichungen: „Architektur ohne Maßstab. Digitale Visualisierungen im Entwurfsprozess", in: Ingeborg Reichle, Steffen Siegel (Hg.), Maßlose Bilder. Visuelle {\"A}sthetik der Transgression, M{\"u}nchen 2009, S. 279 - 294; „Das digitale Bild des Architekturentwurfs", in: Gerald Bast, Florian Bettel, Barbara Hollendonner (Hg.), uni*vers. Junge Forschung in Wissenschaft und Kunst, Wien 2010; S. 59 - 69.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Yansong,
  author    = {Yansong, Ma},
  title     = {DESIGNING THE REALIZABLE UTOPIA},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {MAD Architects},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3059},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30598},
  pages     = {7},
  abstract  = {MAD is a Beijing-based architectural design studio. In their work, they are examining and developing a unique concept of futurism through current theoretical practice in architectural design, landscape design, and urban planning. In 2006, MAD was awarded the Architectural League Young Architects Forum Award. In the same year, MAD was shown at the 'MAD in China' exhibition in Venice during the Architecture Bienniale, and the 'MAD Under Construction' exhibition at the Tokyo Gallery in Beijing. MAD's conceptual proposal, Super Star - A mobile China Town was exhibited in the Uneternal City of the 11th Architecture Biennale in Venice. Ma Yansong received his Master of Architecture from the Yale University School of Architecture in 2002. Prior to founding MAD in 2004, Mr. Ma worked as a project designer with Zaha Hadid Architects and Eisenman Architects. He also taught architecture at the Central Academy of Fine Arts in Beijing. In 2008, one of his built works, Hongluo Clubhouse, was nominated as one of the 100 designs by the London Design Museum. He was also nominated as one of the 20 most influential young architects today by ICON.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Zimmermann,
  author    = {Zimmermann, Gerd},
  title     = {DAS KOLLOQUIUM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3042},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30428},
  pages     = {6},
  abstract  = {Geb.1946 in Luckenwalde, nach dem Studium der Architektur in Weimar Promotion 1974 auf dem Gebiet der Architekturtheorie, 1973 bis 1980 Abteilung Theorie und Geschichte der Architektur am Institut f{\"u}r St{\"a}dtebau und Architektur der Bauakademie in Berlin. Arbeiten zur Architekturpsychologie und Architektursemiotik sowie Beitr{\"a}ge zur empirischen Wirkungsforschung in der Architektur. Ab 1980 Lehrt{\"a}tigkeit an der Hochschule f{\"u}r Architektur und Bauwesen (HAB) Weimar. 1992 Berufung zum Universit{\"a}tsprofessor an der HAB f{\"u}r das Fach „Entwerfen und Architekturtheorie", im gleichen Jahr Wahl zum Rektor der Hochschule, 1996 Wiederwahl f{\"u}r weitere vier Jahre. Publikationen zur Architekturtheorie, Konzeption und Veranstaltung der Internationalen Bauhaus-Kolloquien, internationale Programme mit der WASEDA Universit{\"a}t Tokyo, dem IIT Chicago, seit Mitte der 90er Jahre j{\"a}hrliche Entwurfsakademie in Rom. 2003 Wahl zum Dekan der Fakult{\"a}t Architektur und 2004 erneute Wahl zum Rektor der Bauhaus-Universit{\"a}t Weimar.},
  subject      = {Architekturtheorie},
  language  = {de}
}