@inproceedings{Quiroga,
  author    = {Quiroga, Grace},
  title     = {PANTS ON FIRE?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3068},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30684},
  pages     = {16},
  abstract  = {Grace Quiroga studied architecture at the University of Michigan and at the Vienna University of Technology. Her ongoing architectural projects include the design of a housing project in the Chinese province of Sichuan for a thousand families displaced by the earthquake of 2008. In addition, she is working on a doctoral dissertation titled "Rem Koolhaas and the architecture culture of the AA in the 1970's".},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Narath,
  author    = {Narath, Albert},
  title     = {THREE NOTES AROUND THE BAROQUE SENSATION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3078},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30789},
  pages     = {22},
  abstract  = {Albert Narath is a doctoral candidate in modern architectural history at Columbia University in New York and a Paul Mellon Pre-doctoral Fellow at the Center for Advanced Research in the Visual Arts at the National Gallery of Art in Washington, DC. He holds an MA degree from the Architectural Association in London. His dissertation concerns architectural and art historical debates surrounding the Neo-baroque at the end of the nineteenth century in Germany.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Stoecklmayr,
  author    = {St{\"o}cklmayr, Nicole E.},
  title     = {DIAGRAMMATISCHE VISUALISIERUNG ALS {\"A}STHETISCHE INFORMATION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3085},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30851},
  pages     = {12},
  abstract  = {Nicole E. St{\"o}cklmayr ist Post-Doc-Stipendiatin im Research-Fellow Programm „Werkzeuge des Entwerfens" am Internationalen Kolleg f{\"u}r Kulturtechnikforschung und Medienphilosophie (IKKM) der Bauhaus-Universit{\"a}t Weimar. St{\"o}cklmayr promovierte an der Universit{\"a}t f{\"u}r angewandte Kunst Wien an der sie auch Architektur in den Meisterklassen Hans Hollein, Greg Lynn sowie Zaha Hadid studierte. In ihrer von Gabriele Werner betreuten und von der {\"O}sterreichischen Akademie der Wissenschaften gef{\"o}rderten Dissertation mit dem Titel „Das Architekturbild im digitalen Paradigmenwechsel" untersuchte sie den Status des Bildes im digitalen Prozess des Architekturentwurfs. Ver{\"o}ffentlichungen: „Architektur ohne Maßstab. Digitale Visualisierungen im Entwurfsprozess", in: Ingeborg Reichle, Steffen Siegel (Hg.), Maßlose Bilder. Visuelle {\"A}sthetik der Transgression, M{\"u}nchen 2009, S. 279 - 294; „Das digitale Bild des Architekturentwurfs", in: Gerald Bast, Florian Bettel, Barbara Hollendonner (Hg.), uni*vers. Junge Forschung in Wissenschaft und Kunst, Wien 2010; S. 59 - 69.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Brasil,
  author    = {Brasil, Daniela},
  title     = {SENSUAL IS POLITICAL},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3083},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30835},
  pages     = {11},
  abstract  = {Daniela Brasil is currently a PhD candidate at the professorship of Spatial Planning and Research at Architecture Faculty of the Bauhaus-Universit{\"a}t Weimar, where she has also been teaching since 2007. Her seminars foster bodily experiments and critical thinking on "city's sensuality", where discussions on city marketing and affectivity are central. She was educated in architecture and urbanism in Brazil and Portugal and holds a Master of Fine Arts in Public Art and new artistic strategies. Idealizing and realizing artistic-oriented projects that intervene in relations between bodies and cities is her main concern since the mid-nineties; where she preferably works in transdisciplinary groups, as in "Lisbon Capital of Nothing: create, debate and intervene in public space, Marvila 2001". Daniela currently runs the project "Baustelle M10 > gallery for contemporary experiments" within a collective of artists and students in Weimar.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Bredella,
  author    = {Bredella, Nathalie},
  title     = {ARCHITECTURE AND ATMOSPHERE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3079},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30794},
  pages     = {10},
  abstract  = {Nathalie Bredella is an architect. She was educated at the TU Berlin and Cooper Union, New York. She received a PhD in Architectural Theory. She taught architectural design at the TU Berlin. She ist the author of Architekturen des Zuschauens. Imagin{\"a}re und reale R{\"a}ume im Film (transcript-verlag). The work is based on an interdisciplinary approach incorporating architecture, film theory and philosophy. Her interests in architectural practice focus on the relationship between spatial strategies, film and media on an urban and architectural scale.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Hennig,
  author    = {Hennig, Ralf},
  title     = {O{\´I}DA OUK EID{\´O}S},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3088},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30885},
  pages     = {11},
  abstract  = {Ralf Hennig is a PhD-candidate at the chair of Theory and History of Modern Architecture at the Bauhaus-University Weimar. His prior research interests are focused on historical and current interaction between media, architecture and the city as well as the influence of the alliance of these entities on traditional principles of dwelling. In 2004-2005 he was responsible for the conception and constitution of the postgraduate Master's degree programme MediaArchitecture at the Bauhaus-University Weimar. In 2007-2008 he worked there as a scientific associate at the chair of Sociology of Globalisation, involved in various activities such as the research project MEDIACITY.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{LippertVieira,
  author    = {Lippert-Vieira, Sandra},
  title     = {BAUHAUS, GEMEINSCHAFT, BIOPOLITIK UND WEITER?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3071},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30710},
  pages     = {16},
  abstract  = {Sandra Lippert-Vieira, 1971 in Lissabon, Portugal geboren, schloss 1995 ihr Architekturstudium an der Universidade Lus{\´i}ada in Lissabon ab. Bis 2003 arbeitete sie als Freie Architektin in Lissabon und war Entwurfsassistentin an der Universidade Moderne und Universidade Lus{\´o}fona in Lissabon bei Prof. em. Am{\^a}ncio d'Alpoim Guedes, Lehrstuhl f{\"u}r Entwurf. Derzeit ist sie wissenschaftliche Mitarbeiterin im Fachgebiet Geb{\"a}udelehre bei Prof. Daniele Marques, Institut f{\"u}r Entwerfen, Kunst und Theorie, KIT - Karlsruher Institut f{\"u}r Technologie. Sie promovierte an der BTU Cottbus, Prof. F{\"u}hr, zum Thema „Dissoziative Architektur. Zwischen Teufelskralle und Scheinriese. Wege zu einem weiteren Verst{\"a}ndnis der Architektur des Expressionismus." Bisherige Ver{\"o}ffentlichungen: „Wege zu einer Rezeptions{\"a}sthetik in der Architektur: das implizite Leben der gebauten Welt," in: Wolkenkuckucksheim (Heft 2/08); „Texte und Kontexte" von J{\"u}rgen Habermas und „Martin Heidegger. Unterwegs zu seiner Biographie" von Hugo Ott. Forschungsschwerpunkte: Expressionistische Architektur, Outsider Architektur, Architekturinterpretationsmethoden, Avantgarde und Postanarchismus.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Graf,
  author    = {Graf, Douglas},
  title     = {FORM'S FALLOW FUNCTION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3054},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30547},
  pages     = {26},
  abstract  = {Douglas Graf received an A.B. in architecture and urban planning from Princeton and a M.Arch. from Harvard and currently teaches courses in design and architectural theory at the Knowlton School of Architecture at the Ohio State University. His teaching career has included the Kentucky, Washington, and Yale, as well as positions in Britain, Germany, and Finland, where he first went on a Fulbright to study the work of Alvar Aalto. He has received five teaching awards. His interest in design theory has a primary focus on formal analysis, which is applied not only to architecture but also to urban form, landscape, photography, painting, product design, and graphics. One of his signature investigations has been into the structure and use of diagrams as tools for 'close reading.' Many of his investigations have explored 'metaphoric time' as a central design strategy. He has written about the idea of the 'encyclopedic set' as a persistent means of modeling complexity and the use of 'fictive landscapes' to derive narratives for the city. He currently divides his time between Columbus (the one in Ohio) and London (not the one in Ohio), where he has been researching the design strategies in English gardens and the formal structure of the pre-industrial village. He is one of the principals in Mid-Ohio Design, a firm of architects and urban designers whose work elides from the real to the academic and who have won a number of urban design competitions.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Pehnt,
  author    = {Pehnt, Wolfgang},
  title     = {MODELLWECHSEL},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3052},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30526},
  pages     = {17},
  abstract  = {Wolfgang Pehnt lehrte Baugeschichte an der Ruhr-Universit{\"a}t Bochum. Er hat zahllose Arbeiten zur Architekturgeschichte der Moderne ver{\"o}ffentlicht und Monographien {\"u}ber Baumeister wie Gottfried B{\"o}hm, Hans Poelzig, Rudolf Schwarz und Karljosef Schattner geschrieben; er war Autor bei der Propyl{\"a}en-Kunstgeschichte und Mitarbeiter von Fachzeitschriften, Katalogb{\"u}chern, Tageszeitungen und Rundfunkanstalten. Seine B{\"u}cher „Die Architektur des Expressionismus" und „Deutsche Architektur seit 1900" gelten als Standardwerke. Er wurde vielfach ausgezeichnet, zuletzt mit dem Deutschen Preis f{\"u}r Denkmalschutz (Karl Friedrich Schinkel-Ring).},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Shusterman,
  author    = {Shusterman, Richard M.},
  title     = {SOMAESTHETICS AND ARCHITECTURE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3061},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30614},
  pages     = {18},
  abstract  = {Richard Shusterman received a B.A. and M.A. in Philosophy from the Hebrew University of Jerusalem, and completed his doctoral studies in Philosophy at Oxford University. In Israel he taught at the Hebrew University and the University of the Negev, and then moved to the United States, where he was Professor of Philosophy at Temple University, and chaired its department from 1998-2004. He then was awarded the Dorothy F. Schmidt Eminent Scholar Chair in the Humanities at Florida Atlantic University, where he also directs the Center for Body, Mind, and Culture. His authored books include Surface and Depth (2002); Performing Live (2000); Practicing Philosophy: Pragmatism and the Philosophical Life (1997); Sous l'interpr{\´e}tation (1994), Pragmatist Aesthetics: Living Beauty, Rethinking Art (1992, 2nd edition 2000); T.S. Eliot and the Philosophy of Criticism (1988); and The Object of Criticism (1984). His most recent book, Body Consciousness: A Philosophy of Mindfulness and Somaesthetics was published by Cambridge University Press. It provides the most detailed formulation of his project of somaesthetics.},
  subject      = {Architekturtheorie},
  language  = {en}
}