@article{BimberGrundhoeferZollmannetal.2006,
  author    = {Bimber, Oliver and Grundh{\"o}fer, Anselm and Zollmann, Stefanie and Kolster, Daniel},
  title     = {Digital Illumination for Augmented Studios},
  doi       = {10.25643/bauhaus-universitaet.857},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20111215-8576},
  year      = {2006},
  abstract  = {Virtual studio technology plays an important role for modern television productions. Blue-screen matting is a common technique for integrating real actors or moderators into computer generated sceneries. Augmented reality offers the possibility to mix real and virtual in a more general context. This article proposes a new technological approach for combining real studio content with computergenerated information. Digital light projection allows a controlled spatial, temporal, chrominance and luminance modulation of illumination - opening new possibilities for TV studios.},
  subject      = {Studiotechnik},
  language  = {en}
}
@article{Frisch2016,
  author    = {Frisch, Simon},
  title     = {Kire - ‚Reine Gewalt' im japanischen Film},
  series = {Rabbit Eye - Zeitschrift f{\"u}r Filmforschung},
  journal   = {Rabbit Eye - Zeitschrift f{\"u}r Filmforschung},
  editor    = {Frisch, Simon and Orth, Dominik and Schmidt, Oliver},
  doi       = {10.25643/bauhaus-universitaet.3900},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20190508-39001},
  pages     = {79 -- 97},
  year      = {2016},
  abstract  = {Das japanische Prinzip des Schnittkontinuums (kire-tsuzuki) als Horizont f{\"u}r eine Theorie der filmischen {\"A}sthetik},
  subject      = {Japan},
  language  = {de}
}