@phdthesis{Neupert,
  author    = {Neupert, Max},
  title     = {Audiovisuelles Cut-Up},
  doi       = {10.25643/bauhaus-universitaet.4896},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20230123-48968},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {129},
  abstract  = {This research identifies and examines the aesthetic phenomenon of extremely fast cut audiovisual media works. The term 'audiovisual cut-up' is proposed. The literary form of cut-up is described and compared to the characteristics of the reviewed phenomenon. A wide range of audiovisual works across different contexts is analyzed; all of which are sharing the same formal criteria of extremely short edits, including the authors contributions to the field. The technological tools facilitating the novel aesthetic are often crafted by the artists themselves because ready made solutions did not preexist. Audiovisual cut-ups are classified according to their contexts and mediums. Some observations are made regarding how audio and video essentially differ in their character, what the smallest perceivable unit is, and which role latencies and anticipation play in the perception of audiovisual media. Three main theses are made: 1. Audiovisual cut-up has the power to amplify small, previously hidden details and may be used to distort and deride the source material. 2. Technological advances have led to the development of audiovisual cut-up. 3. The aesthetic possibilities of cut-ups have become an integral part in the spectrum of possible audio-visual techniques.},
  subject      = {Medienkunst},
  language  = {de}
}