@article{Assmann,
  author    = {Assmann, Aleida},
  title     = {Welche Zuk{\"u}nfte?},
  doi       = {10.25643/bauhaus-universitaet.3613},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20171130-36136},
  abstract  = {Vortrag, gehalten am 20.04.2017 zur Einf{\"u}hrung von Prof. Dr. Winfried Speitkamp in das Amt des Pr{\"a}sidenten der Bauhaus-Universit{\"a}t Weimar},
  subject      = {Fortschritt},
  language  = {de}
}
@phdthesis{PuentesRivera,
  author    = {Puentes-Rivera, Yomayra},
  title     = {WHISPERS OF MEMORY, MURMURS OF HISTORY ACOUSTIC MONU-MEMORIALS IN PUBLIC SPACES. Exploratory research of strategies used to create acoustic experiences of commemoration, remembrance, mourning and memory},
  doi       = {10.25643/bauhaus-universitaet.3932},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20190603-39323},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {265},
  abstract  = {This research seeks to make an exploratory study of the strategies used by the creators of monuments, memorials, and commemorative places located in the public spaces that use sound as one of the primary raw material in their design. The term acoustic monu-memorials was coined in this research to encircle these structures and places. In order to achieve the goal of this research, it was necessary to compile a number of samples, primarily after the digital recording era of captured sound around 1971 to the present. The compilation was relevant because such a compendium was not found in the literature, and to the author's knowledge, a comprehensive investigation of the strategies used in planning acoustic monu-memorials in the urban spaces does not exist. The method used to create such compendium was to send a question to people with different background identities, such as visual and sound artists, musicians, art curators, and heritage scholars among others. This question produced a selection of 51 examples of acoustic monu-memorials located in public spaces. Subsequently, the examples were classified into four major categories according to their form and nature. Additionally, two examples from the main categories were chosen as case studies: The Sinti and Roma Memorial in Berlin, Germany and the Niche monument in Cali, Colombia. These study cases were presented, described, and analysed in detail as they represent the type of what could be defined as an acoustic monu-memorial in general. Lynch's (1960) five elements that help individuals build the image of the city were transferred and used as a tool to help to build this image into acoustic terms. A thorough analysis of the acquired data yielded found the strategies used by the designers to shape, modify, transform, and structure public space. These strategies are entitled Sound Spaces. Moreover, a list entitled Urban Acoustic Commemoration Code was compiled. This list of suggestions addresses urban planners, architects, artists, designers, and general public interested in the aspects involved when creating acoustic commemoration phenomena in public spaces.},
  subject      = {Stadtentwicklung},
  language  = {en}
}
@misc{Pessoa,
  type      = {Master Thesis},
  author    = {Pessoa, Suelen},
  title     = {Why do the Archives archive? A journey from the hunko to the counter-ethnography and back},
  doi       = {10.25643/bauhaus-universitaet.4328},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20210112-43280},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  abstract  = {A complex artistic research on the theme of cultural heritage and (neo)colonial processes of material and immaterial expropriation. Starting from the encounter with a phonographic relic at the Berliner Phonogramm-Archiv, the artist embarks on a journey to her own roots embodied in the practice of the Afro-Brazilian religion Candombl{\´e}. In the form of a theoretical treatise, an archive (photos, diagrams, maps, newspaper clippings, letters, documents), as well as a sound performance in the public space of the city of Weimar, several theoretical and performative elements are brought together in this transmedia artistic research that proposes a true decolonial practice.},
  subject      = {K{\"u}nstlerische Forschung},
  language  = {en}
}
@misc{MendoncadeAlmeida,
  type      = {Master Thesis},
  author    = {Mendon{\c{c}}a de Almeida, Karina},
  title     = {Why isn't Google welcome in Kreuzberg? Social movement and the effects of Internet on urban space},
  doi       = {10.25643/bauhaus-universitaet.4244},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20200924-42446},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {132},
  abstract  = {Advances in information and communication technologies such as the Internet have driven a great transformation in the interactions between individuals and the urban environment. As the use of the Internet in cities becomes more intense and diverse, there is also a restructuring of urban space, which is experienced by groups in society in various ways, according to the specificity of each context. Accordingly, large Internet companies have emerged as new players in the processes of urbanization, either through partnerships with the public administration or through various services offered directly to urban residents. Once these corporations are key actors in the digitalization of urban services, their operations can affect the patterns of urban inequality and generate a series of new struggles over the production of space. Interested in analyzing this phenomena from the perspective of civil society, the present Master Thesis examined a social movement that prevented Google to settle a new startup campus in the district of Kreuzberg, in Berlin. By asking why Google was not welcome in that context, this study also sought to understand how internet, as well as its main operators, has affected everyday life in the city. Thus, besides analyzing the movement, I investigated the particularities of the urban context where it arose and the elements that distinguish the mobilization's opponent. In pursuit of an interdisciplinary approach, I analyzed and discussed the results of empirical research in dialogue with critical theories in the fields of urban studies and the Internet, with emphasis on Castells' definitions of urban social movements and network society (1983, 2009, 2015), Couldry's and Mejias' (2019) idea of data colonialism, Lef{\`e}bvre's (1991, 1996) concepts of abstract space and the right to the city, as well as Zuboff's (2019) theory of surveillance capitalism. The case at hand has exposed that Google plays a prominent role in the way the Internet has been developed and deployed in cities. From the perspective accessed, the current appropriation of Internet technologies has been detrimental to individual autonomy and has contributed to intensifying existing inequalities in the city. The alternative vision to this relies mainly on the promotion of decentralized solidarity networks.},
  subject      = {Soziale Bewegung},
  language  = {en}
}
@phdthesis{Ciesla,
  author    = {Ciesla, Agnieszka},
  title     = {"Shrinking city" in Eastern Germany. The Term in the context of urban development in Poland},
  doi       = {10.25643/bauhaus-universitaet.1869},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20130325-18694},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {170},
  abstract  = {The aim of this doctoral thesis was to investigate whether the German term "shrinking city" is appropriate to depopulating Polish cities. In order to do so an attempt to define the currently still vague notion of "shrinking city" was made. The urban development of Eastern Germany was thoroughly examined both in a short term perspective and in a wide historical as well as international context, with the Polish urban development used as reference. 25 cities (kreisfreie St{\"a}dte) in Eastern Germany and depopulating Polish cities: Ł{\´o}d{\'{z}} and the Metropolis Silesia were chosen as case studies. On the basis of the gathered information a "shrinking city" in Eastern Germany was defined as a city with a long-lasting population decrease coupled with over-dimensioned, growth-oriented development policies carried out for decades. Such a development path is triggering negative consequences in the spatial, economic and also demographic dimension, which tend to intensify each other. The thesis postulates that the definition of the "shrinking city in Eastern Germany" is not appropriate to depopulating cities in Poland. Polish cities are characterized by a short-lasting population decrease and this trend is not triggering negative spatial and economic consequences. Oversized growth development policies were never present in the cities and they still suffer from great deficiencies in housing and other basic infrastructure, which derive from the socialist period. Furthermore, radical de-economization, known from Eastern German cities, did not occur in the Polish cities. Both Ł{\´o}d{\'{z}} and the Metropolis Silesia remain main production centers of the country. This doctoral thesis presents a contradictory view to contemporary publications on "shrinking cities", in which this phenomenon is regarded as having occurred suddenly after the collapse of the socialism. It proved that "shrinking cities" in Eastern Germany are not the outcome of short-lasting processes, but are deeply rooted in the past. Moreover, they represent a very distinct development pattern that highly differentiates from the one found in Central Eastern Europe and the one in Western Europe. In this way the doctoral thesis provided a new, critical approach to the discourse on "shrinking cities" in Germany. It also draws attention to the importance of the historical analysis in cities' development research, particularly in cross border studies. In time of European integration peculiarities resulting from centuries of different spatial, economic and social development paths should not be underestimated.},
  subject      = {Stadtplanung},
  language  = {en}
}
@misc{Lenz,
  type      = {Master Thesis},
  author    = {Lenz, Juliane},
  title     = {„Baus{\"u}nde" oder Denkmal? Zur Diskussion {\"u}ber den Umgang mit verschm{\"a}hten Bauwerken},
  doi       = {10.25643/bauhaus-universitaet.6397},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20230606-63979},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {187},
  abstract  = {F{\"u}r die einen also „Baus{\"u}nde", f{\"u}r die anderen ein erhaltenswertes Bauwerk - wie geht man damit um? F{\"u}r wen gilt wann etwas als „Baus{\"u}nde" und wann als erhaltenswert, welche Ziele werden damit verfolgt und Konzepte aufgezeigt? Inwieweit spielen beispielsweise Aspekte wie {\"A}sthetik, Funktionalit{\"a}t oder der allgemeine gesellschaftliche Kontext bzw. Wandel sowie das jeweils aktuelle und bauzeitliche planerische Leitbild bzw. Verst{\"a}ndnis eine Rolle bei der Verwendung des Begriffs und den Umgang f{\"u}r konkrete Bauwerke? Und inwieweit steht der Erhaltungswert bzw. eine Denkmalw{\"u}rdigkeit damit im Verh{\"a}ltnis und wie kann damit planerisch umgegangen werden? Der Diskussion {\"u}ber den Umgang mit verschm{\"a}hten Bauwerken will sich die vorliegende Abschlussarbeit n{\"a}hern. Als Bauwerke werden hierbei sowohl Geb{\"a}ude und Pl{\"a}tze als auch zur Erinnerung gesetzte Objekte wie Statuen verstanden.},
  subject      = {Denkmalpflege},
  language  = {de}
}