@phdthesis{Yuli,
  author    = {Yuli, Nensi Golda},
  title     = {The Spatial Concept at Moslem Settlements in Current Context of Modern Indonesia Using Phenomenology Method . Case Study: Pathok Negoro Area in Yogyakarta, Indonesia},
  doi       = {10.25643/bauhaus-universitaet.3125},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170419-31257},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {206},
  abstract  = {Settlement is human place to live and do various activities (Finch, 1980). Concept of settlement layout is closely associated with human and a set of thoughts and behaviors. In this case, idea of pattern of activities in a society that is core of a culture becomes main factor in process of formation of houses and environment in a settlement. Factors which affecting form (physical) of architecture in a settlement environment are socio-cultural, economic, and religious determinant factor that manifested architectural realization (Rapoport, 1969). Yogyakarta as the continuation of kingdom city in the Java Island finally exists as an Islamic kingdom that still remain to survive up to now. Impacts of this issue is appearance of various Moslem settlements to support typical character of an Islamic Kingdom. Mlangi is an area of oldest Moslem settlements in Yogyakarta has not been explored in details for progress especially in physical glasses recently. Everything basic group and individual who arrange houses and residences, starts from how it has spatial concept alone. Although concept is a very abstract thing to explain in details, but its existence can be detected by how they created their physical environment. This research conducted by these research questions: (1) What are spatial concepts owned by people in Mlangi and (2) How do spatial concepts owned by the people affect the settlements pattern? Process to search spatial concept owned by the people in Moslem residence, making Mlangi as study area, was approached by using phenomenological research method. The researcher have to self-involved directly in unstructured interviews, but remained in guideline framework of in interviews to make research process effective. Fistly, the researcher interviewed the key person, they are the head of Mlangi administration (pak Dukuh) in Mlangi and Sawahan. They were then give advices to who was capable person that could draw the spatial concept and had many story and knew the history of the settlements. Step by step of interview guided from one informant to next informant when the information had been told repeatedly. The next informant based on the last informant advice or who had close relationship with the last theme appeared. To complete the narration and draw the result of interview, researcher have to add additional information with photograph and descriptive picture that can be draw the settlement empirically. In process, 17 information units which found in field were consistent with sequence of interview events and flowing of theme to theme associated with Moslem residence of residence. Finally the interviews succeeded in abstracting 16 themes that may be classified into historic, socio-cultural, and spatial-concept dimensions in Mlangi. Process of analysis to find spatial concept owned by the people in Moslem settlements was carried out by dialogue of themes to find available substantive relationship. Four concepts successfully analyzed consist of concepts of personage, concept of religious implementation, concept of Jero-Jaba and concept of Interest. The four concepts are really associated with one and others in understanding how spatial concept owned by the people affects residence they occupy. Yet, concept of Jero-Jaba bases all concepts of people in Mlangi . This concept can be used to draw red yarn on how they utilize communal spaces in residence and layout rooms of their individual houses. This concept also eternalize residence patterns existing in Mlangi now where residence does not experience many changes from starting of this residence existence (from detection of generation currently still living), namely residence patterns concentrate on orientation to Masjid Pathok Negoro of Mlangi. This research was opening the potential research area, at least for the sociology, anthropology and demography research interest. So many unique character in Mlangi if looked at from how they maintain their spatial concept and manifested in their daily activities. How the people will concern only for the religious activities and the economic concern only for survival aspect in live. Keywords: spatial concept, moslem settlements, phenomenology method, Indonesia,},
  subject      = {Siedlung},
  language  = {en}
}
@phdthesis{Staeudel,
  author    = {St{\"a}udel, J{\"u}rgen},
  title     = {Development, Implementation and Operation of Integrated Sanitation Systems Based on Material-Flows - Integrated Sanitation in the City of Darkhan, Mongolia - A Practicable Example},
  doi       = {10.25643/bauhaus-universitaet.3179},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170512-31794},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  abstract  = {The world society faces a huge challenge to implement the human right of "access to sanitation". More and more it is accepted that the conventional approach towards providing sanitation services is not suitable to solve this problem. This dissertation examines the possibility to enhance "access to sanitation" for people who are living in areas with underdeveloped water and wastewater infrastructure systems. The idea hereby is to follow an integrated approach for sanitation, which allows for a mutual completion of existing infrastructure with resource-based sanitation systems. The notion "integrated sanitation system (iSaS)" is defined in this work and guiding principles for iSaS are formulated. Further on the implementation of iSaS is assessed at the example of a case study in the city of Darkhan in Mongolia. More than half of Mongolia's population live in settlements where yurts (tents of Nomadic people) are predominant. In these settlements (or "ger areas") sanitation systems are not existent and the hygienic situation is precarious. An iSaS has been developed for the ger areas in Darkhan and tested over more than two years. Further on a software-based model has been developed with the goal to describe and assess different variations of the iSaS. The results of the assessment of material-flows, monetary-flows and communication-flows within the iSaS are presented in this dissertation. The iSaS model is adaptable and transferable to the socio-economic conditions in other regions and climate zones.},
  subject      = {Abwasser},
  language  = {en}
}
@phdthesis{Podlaszewska,
  author    = {Podlaszewska, Rizky Suci Ammalia},
  title     = {The Placemaking of Destination. Localization and Commoditization process of Urban Tourism. Study case Palembang Indonesia},
  doi       = {10.25643/bauhaus-universitaet.3699},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20171201-36995},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  abstract  = {This research addresses the discourse of tourism as a tool for place-making of urban destination. Relevant to the study of place-making is the analysis of the commoditization and localization process dependent upon the appropriation of urban landscape and local cultures. In the research, localization is interpreted as the act of determining the attributes of locality, while commoditization is defined as the process by which local attributes that have commercial potential end up in becoming tourism commodity. Following this, the commoditization of intrinsic cultural value is disseminated within a branding strategy and intervention reflecting social and political relations. Therefore, the research suggests that tourism place-making has not only been constructed through the top-down regulatory body, but has been also generated through the attributes of its locality. By utilizing the critical and constructivist paradigm, the research depicts the conditions of the localization and commoditization process in establishing the base line of its realization within the symbolic economy. Thus, a qualitative case study approach was adopted. The study area of this dissertation is Palembang, as one of the capital cities in Indonesia advancing in its overall urban development. To investigate urban tourism as a tool for development strategy, it is useful to investigate the role of tourism which embodies (1) spatial transformation; how tourism gives significant impacts on urban form, and (2) the socio-cultural aspect; how neighbourhood is related to tourism industry. The findings suggest that tourism place-making involves the reciprocity of urban dynamics: cities take on tourism as a reference model of development, and tourist areas adopt the proliferation of cultural lifestyle to meet the industry's demands.},
  subject      = {Urbanistik},
  language  = {en}
}
@phdthesis{Hahn,
  author    = {Hahn, S{\"o}nke},
  title     = {Bunker—TV, TV—Bunker: Heterotope Mechanismen am Beispiel von Schutzbauwerken und (Fernseh-)Serien},
  doi       = {10.25643/bauhaus-universitaet.3711},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20171205-37116},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {376 + 256},
  abstract  = {Die vorliegende Dissertation widmet sich anhand eines kurios anmutenden, aber auf einer Metaebene fruchtbaren Vergleichs von Schutzbauwerken und Fernsehserien historischen und aktuellen Mechanismen menschlichen Denkens und Handelns. Als theoretische Basis dieser Abhandlung fungiert die Heterotopie - ein Konzept des franz{\"o}sischen Philosophen Michel Foucault. Die Heterotopie ist ein inflation{\"a}r gebrauchtes, oft nur oberfl{\"a}chlich betrachtetes Theorem. Das Konzept wird hier nun mit Blick auf das Gesamtwerk Foucaults en d{\´e}tail untersucht sowie um korrelierende Ans{\"a}tze (Aug{\´e}, Lefebvre, Soja ...) erg{\"a}nzt. Aus dieser Betrachtung l{\"a}sst sich ein {\"u}ber Foucault hinausgehender, analytisch nutzbarer Katalog ableiten. Verk{\"u}rzt wird die Heterotopie folgendermaßen bestimmt: Neben der Definition der Heterotopie als Raum des Anderen, als (gesellschaftskritischer) Gegenraum kann sie dem wie auch immer bestimmten Normalraum unterstellt sein. Die Heterotopie ist m{\"o}glicherweise eine bauliche Manifestation schwarz-weißen Denkens, von Ausgrenzung und sichtbarer Unsichtbarkeit, sie wird zur Realisation wie auch immer definierter Ideale oder Stereotypen. Die Heterotopie ist allerdings auch als ein (hybrides) Dazwischen denkbar, welches sich als katalytischer Raum, im dialektischen Sinne als Ort der Synthese {\"a}ußert. Es k{\"o}nnte als Niemandsland oder als Phase (im Leben) charakterisiert werden. Analog zum letzten Beispiel l{\"a}sst sich die Heterotopie als progressiv-seriell beschreiben. Ihre stagnierend bis variierende Serialit{\"a}t kann sich im Betreten identischer R{\"a}ume {\"a}ußern - mal als verl{\"a}sslich oder erm{\"u}dend empfunden. Nicht nur die einem entsprechenden Raum entgegengebrachten Konnotationen sind vielf{\"a}ltig bis ambivalent, die Heterotopie ist neben real-r{\"a}umlicher auch virtueller Fasson: Betonmauer finden bisweilen eine Entsprechung im einfachen Harmoniefernsehen. Einander heterotop gegen{\"u}berstehenden R{\"a}umen wird etwa mit der Figur Walter White in der komplexen Fernsehserie "Breaking Bad" entsprochen - ist er doch hin und her gerissen zwischen seiner biederen, aber geliebten Familie einerseits und der abstoßend gewaltt{\"a}tigen, aber extrovertierende Potentiale bergenden Drogenproduktion andererseits. Die sogenannte Leihk{\"o}rperschaft bzw. die Immersion lassen sich zur Beschreibung verschiedener Heterotopie-Erfahrungen nutzen. Dieses Eintauchen/Betreten wird hier als Rezeptionsph{\"a}nomen zwischen sensomotorischer Illusion und inhaltlich-narrativem Sog, zw. Fixierung des K{\"o}rpers und Einbezug desselbigen definiert. Die beiden Untersuchungsfelder werden jeweils f{\"u}r sich historisch und theoretisch umrissen. Zum noch jungen Feld serieller Theorie/der Definition narrativer Typen (im TV bzw. dem Qualit{\"a}tsfernsehen) wird ein einf{\"u}hrender {\"U}berblick geboten. Die praktischen Arbeiten setzen sich {\"a}sthetisch, narrativ und inhaltlich mit der Heterotopie auseinander: In "Habitat" und "Habitat 2" werden serielle Konzepte audiovisuell (u. a. als Fulldome-Version) erprobt. Dabei wird insbesondere das Heterotope im Konzept "Autor" untersucht - der Autor als distinkte und gleichsam konfliktbehaftete, in zahlreiche Subjekte zerlegte Figur. "Habitat 3" ist ein Publikationskonzept, welches mit etablierten (heterotopen) Strukturen des Sammelbands bricht und zugleich die heterotopen Facetten des fiktionalen Fernsehens simuliert. Band I beinhaltet sowohl den theoretischen Teil der Promotion als auch die Erl{\"a}uterung der praktischen Arbeiten. Band II erm{\"o}glicht einen Einblick in die konzeptionellen Prozesse hinter den drei k{\"u}nstlerischen Projekten.},
  subject      = {Heterotopie},
  language  = {de}
}
@phdthesis{Conrad,
  author    = {Conrad, Lisa},
  title     = {Organisation im soziotechnischen Gemenge - Mediale Umschichtungen durch die Einf{\"u}hrung von SAP},
  publisher = {transcript Verlag},
  address   = {Bielefeld},
  isbn      = {978-3-8376-3784-7},
  doi       = {10.25643/bauhaus-universitaet.3107},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20180503-31079},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {211},
  abstract  = {Der Alltag in Organisationen besteht vor allem aus den Medien und Technologien, mit denen die Koordination zwischen einzelnen Arbeitsabl{\"a}ufen hergestellt wird. Diese ethnografische Studie begleitet den Prozess der Einf{\"u}hrung eines SAP-Systems in einem mittelst{\"a}ndischen Unternehmen und zeigt, wie das bestehende Geflecht aus Praktiken und Technologien eine Neuanordnung erf{\"a}hrt. Dabei tritt das komplexe soziotechnische Gemenge zutage, auf dem Koordination und Organisation beruhen. Es geht um Hardware, ebenso wie Software, um mechanische und elektronische Medien, um Papiere, Drucker, Akten, Interfaces und Tastaturen, aber auch um die jahrzehntelang eingespielten Routinen und das Erfahrungswissen der Angestellten.},
  subject      = {Organisationsforschung},
  language  = {de}
}
@phdthesis{Arboleda,
  author    = {Arboleda, Pablo},
  title     = {Reckoning with Incompiuto Siciliano: Unfinished Public Works as Modern Ruins and All which it Entails},
  doi       = {10.25643/bauhaus-universitaet.3265},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170715-32656},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {150},
  abstract  = {Since the end of the 1950s, Italy has focused part of its modernization on the erection of public works. Due to corruption, mafia, and further malpractice, this form of development has occasionally failed, producing a high number of constructions that have remained unfinished for decades. In 2007, the group of artists Alterazioni Video constructed an informal survey in the form of an on-line tool open to public contributions, which revealed that there are 395 unfinished public works in Italy from which 156, approximately 39.5\%, are located in Sicily alone. In view of such a statistic, Alterazioni Video opted to coin the term 'Incompiuto Siciliano' - literally 'Sicilian Incompletion' - to refer to unfinished public works as a formal architectural style. This re-interpretation, which aims to convey the recovered dignity of these 'modern ruins', considers unfinished public works a type of heritage with the potential to represent the entirety of Italian society. Furthermore, it goes as far as to say an unfinished public work is 'Incompiuto Siciliano' despite being located in another of the Italian regions. This doctoral dissertation embraces the artists' argument to develop a complete study of Incompiuto Siciliano by embedding this architectural style/artistic project within the main debates on modern ruins at present. This is important because it is expected to contribute to the revalorization and eventual recommissioning of unfinished sites by validating Incompiuto Siciliano in the realm of academia. Furthermore, this work aspires to be a worthwhile source of information for future investigations dealing with cultural interpretations of incompletion in any other context - a not unreasonable goal considering how unfinished works are one of the key urban topics after the 2008 financial crisis. Hence, this doctoral dissertation uses Incompiuto Siciliano to discuss a different perspective in each of the five chapters and, though these can be read as independent contributions, the objective is that all chapters read together, form a clear, concise, continuous unit. And so it must be said this is not a dissertation about unfinished public works in Italy; this is a dissertation about Incompiuto Siciliano as an artistic response to unfinished public works in Italy - which clearly requires an interdisciplinary analysis involving Urban Studies, Cultural Geography, Contemporary Archaeology, Critical Heritage and Visual Arts.},
  subject      = {Kulturerbe},
  language  = {en}
}