@phdthesis{Arganaraz, author = {Arga{\~n}araz, Cecilia Magdalena}, title = {Tiempos imaginados y espacios {\´a}ridos: controversias en torno al agua en el Valle de Catamarca (siglos XIX-XX)}, doi = {10.25643/bauhaus-universitaet.4681}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20220803-46817}, school = {Bauhaus-Universit{\"a}t Weimar}, abstract = {The thesis addresses journalistic, administrative and judicial historical documentation to analyze the links between aridity and geographical imaginaries in the province of Catamarca (Argentina), from a historical point of view. The research aims to contribute to the understanding of the "non-hegemonic" versions of Modernity, its territoriality and the productions of geographic imaginaries that they involve. To provide a broad purpose, it raises as an object of study the ways in which "modern" practices, actors, links, discourses and expectations about the territory are mobilized when they are located in a space in "other" water conditions. those that are intended to "civilize" it. The general objective of the research is to analyze time-space controversies around water in the city and valley of Catamarca towards 19th and 20th centuries. The specific objectives derived are a) analyzing how various actors are related to waters behavior - in other words, the local water regime - in Catamarca and the meanings built around it. b) to analyze the controversies about the place of Catamarca and its water regime in the local and national geographic imaginary. c) analyze controversies in which the relationships between actors and materialities involved in modernization projects are put into discussion. These concerns by the experience of the actors and by the historical-spatial imagination of the territory, combined, led to the construction of an interdisciplinary methodology based on tools from anthropology, sociology, geography and history.}, subject = {Anthologie}, language = {es} } @inproceedings{OPUS4-4304, title = {Second urbanHIST Conference. Interpreting 20th Century European Urbanism}, editor = {Abarkan, Abdellah and Bihlmaier, Helene and Gimeno S{\´a}nchez, Andrea and Blaga, Andreea}, address = {Karlskrona}, organization = {urbanHIST}, doi = {10.25643/bauhaus-universitaet.4304}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20201218-43046}, pages = {135}, abstract = {urbanHIST (2019). Second urbanHIST Conference. Interpreting 20th Century European Urbanism. Stockholm, 21-23 October 2019 Conference Booklet}, subject = {St{\"a}dtebau}, language = {en} } @phdthesis{Arboleda, author = {Arboleda, Pablo}, title = {Reckoning with Incompiuto Siciliano: Unfinished Public Works as Modern Ruins and All which it Entails}, doi = {10.25643/bauhaus-universitaet.3265}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170715-32656}, school = {Bauhaus-Universit{\"a}t Weimar}, pages = {150}, abstract = {Since the end of the 1950s, Italy has focused part of its modernization on the erection of public works. Due to corruption, mafia, and further malpractice, this form of development has occasionally failed, producing a high number of constructions that have remained unfinished for decades. In 2007, the group of artists Alterazioni Video constructed an informal survey in the form of an on-line tool open to public contributions, which revealed that there are 395 unfinished public works in Italy from which 156, approximately 39.5\%, are located in Sicily alone. In view of such a statistic, Alterazioni Video opted to coin the term 'Incompiuto Siciliano' - literally 'Sicilian Incompletion' - to refer to unfinished public works as a formal architectural style. This re-interpretation, which aims to convey the recovered dignity of these 'modern ruins', considers unfinished public works a type of heritage with the potential to represent the entirety of Italian society. Furthermore, it goes as far as to say an unfinished public work is 'Incompiuto Siciliano' despite being located in another of the Italian regions. This doctoral dissertation embraces the artists' argument to develop a complete study of Incompiuto Siciliano by embedding this architectural style/artistic project within the main debates on modern ruins at present. This is important because it is expected to contribute to the revalorization and eventual recommissioning of unfinished sites by validating Incompiuto Siciliano in the realm of academia. Furthermore, this work aspires to be a worthwhile source of information for future investigations dealing with cultural interpretations of incompletion in any other context - a not unreasonable goal considering how unfinished works are one of the key urban topics after the 2008 financial crisis. Hence, this doctoral dissertation uses Incompiuto Siciliano to discuss a different perspective in each of the five chapters and, though these can be read as independent contributions, the objective is that all chapters read together, form a clear, concise, continuous unit. And so it must be said this is not a dissertation about unfinished public works in Italy; this is a dissertation about Incompiuto Siciliano as an artistic response to unfinished public works in Italy - which clearly requires an interdisciplinary analysis involving Urban Studies, Cultural Geography, Contemporary Archaeology, Critical Heritage and Visual Arts.}, subject = {Kulturerbe}, language = {en} } @phdthesis{Torres, author = {Torres, C{\´e}sar}, title = {El paisaje de la Cuenca Lechera Central Argentina: la huella de la producci{\´o}n sobre el territorio}, doi = {10.25643/bauhaus-universitaet.4683}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20220803-46835}, school = {Bauhaus-Universit{\"a}t Weimar}, pages = {427}, abstract = {In recent times, the study of landscape heritage acquires value by virtue of becoming an alternative to rethink regional development, especially from the point of view of territorial planning. In this sense, the Central Argentine Dairy Basin (CADB) is presented as a space where the traces of different human projects have accumulated over centuries of occupation, which can be read as heritage. The impact of dairy farming and other productive activities has shaped the configuration of its landscape. The main hypothesis assumed that a cultural landscape would have been formed in the CADB, whose configuration would have depended to a great extent on the history of productive activities and their deployment over the territory, and this same history would hide the keys to its alternative. The thesis approached the object of study from descriptive and cartographic methods that placed the narration of the history of territory and the resources of the landscape as a discursive axis. A series of intentional readings of the territory and its constituent parts pondered the layers of data that have accumulated on it in the form of landscape traces, with the help of an approach from complementary dimensions (natural, sociocultural, productive, planning). Furthermore, the intersection of historical sources was used in order to allow the construction of the territorial story and the detection of the origin of the landscape components. A meticulous cartographic work also helped to spatialise the set of phenomena and elements studied, and was reflected in a multiscalar scanning.}, subject = {Landschaft}, language = {es} } @phdthesis{Tomadoni, author = {Tomadoni, Claudia Elizabeth}, title = {DESARROLLO URBANO POSFORDISTA EN UN TERRITORIO POSSOCIALISTA : Una ciudad-regi{\´o}n en una regi{\´o}n de ciudades: Weimar}, doi = {10.25643/bauhaus-universitaet.2031}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20130904-20312}, school = {Bauhaus-Universit{\"a}t Weimar}, pages = {324}, abstract = {Abstract Die Forschungsfrage der Arbeit lautet: Wie gestaltet sich die urbane Reproduktionslogik einer mittleren Stadt im Kontext postfordistischer Territorien? Und warum l{\"a}sst sich diese Logik als postfordistische Stadtentwicklung bezeichnen? Was mit dieser Forschung erkl{\"a}rt werden soll, ist, wie die besondere Form der {\"U}berschneidung der Territorialit{\"a}ten - Faktoren und Strategien der Agenten - und die Synergien, die sich daraus ableiten, die Stadtentwicklung Weimars charakterisieren. Das allgemeine Ziel der Arbeit ist, das Typus der erreichten postfordistischen Stadtentwicklung, einer mittlere Stadt am Beispiel der Stadt Weimar zu interpretieren. Die spezifischen Ziele sind: die geohistorische Kontextualisierung der Stadtregion Weimar; die Analyse der Faktoren und Strategien, die die Stadtentwicklung erm{\"o}glichen, aber auch bedingen; die Konstellation der sozialen Agenten zu identifizieren, die im Governance-Prozess mitwirken, und die resultierenden urbanen Synergien zu erforschen. F{\"u}r diese Arbeit wurde eine qualitative Forschungsmethodologie angewendet, die auf Sekund{\"a}rliteraturrecherche, lokalen Ver{\"o}ffentlichungen (Regionalpresse und Brosch{\"u}ren), Feldbeobachtungen, Lebensraumanalyse und Interviews basiert. Diese Methodologie wurde quantitativ mit der Analyse von Statistiken erg{\"a}nzt. Ein wichtiger Beitrag dieser Arbeit ist die Definition der postfordistische Stadtentwicklung als eine Modalit{\"a}t der urbanen Reproduktion im Kontext der kapitalistischen Produktionsbeziehungen, die charakterisiert durch flexible Produktion, Tertiarisierung der {\"o}ffentlichen Dienstleistungen, Erschaffung neuer territorialen Regulierungsebenen, Flexibilisierung der urbanen Arbeitsm{\"a}rkte, und Pr{\"a}karisierung der Lebensbedingungen. Diesen Typus von St{\"a}dten weisen tiefwirkende Ver{\"a}nderungen auf. Es sind St{\"a}dte im {\"U}bergang, dessen sozialen Agenten sich versuchen anzupassen und/oder zu reagieren auf die Herausforderungen die diese Ver{\"a}nderungen aufzwingen. Diese Ver{\"a}nderungen, Ergebnis der schnellen Prozesse der Deindustrialisierung und/oder Reindustrialisierung, haben der Teilverlust der urbanen {\"o}konomischen Grundlage bedeutet, und in einer Restrukturierung, die sich auf eine Dienstleistungs{\"o}konomie basiert.}, subject = {Stadtentwicklung}, language = {es} }