@inproceedings{Massaretti, author = {Massaretti, Pier Giorgio}, title = {La ri-fondazione della Libia balbiana (1933-1939). Il poderoso racconto fotografico dei "Ventimila"}, series = {Citt{\`a} mediterranee in trasformazione}, booktitle = {Citt{\`a} mediterranee in trasformazione}, doi = {10.25643/bauhaus-universitaet.3223}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170529-32234}, pages = {14}, abstract = {La prima edizione di questo testo {\`e} apparsa negli atti del VI Convegno Internazionale di Studi del CIRICE - Centro Interdipartimentale di Ricerca sull'Iconografia della Citt{\`a} Europea - Universit{\`a} di Napoli Federico II, (Napoli, 13-15 marzo 2014), dal titolo: Citt{\`a} mediterranee in trasformazione. Identit{\`a} e immagine del paesaggio urbano tra Sette e Novecento, a cura di A. Buccaro e C. de Seta (Collana: Polis, 6; Napoli: Edizioni Scientifiche Italiane, 2014; pp. 1216; ISBN 9788849528145), all'interno della sessione 7, Le trasformazioni del paesaggio urbano nella fotografia e nella cinematografia, coordinatori: F. Capano, M. Iuliano, pp. 1085-1098. Il Convegno, aperto a studiosi di ambito nazionale e internazionale, si poneva l'obiettivo di fare il punto sulla storiografia riguardante la citt{\`a} mediterranea in et{\`a} contemporanea, con particolare riferimento alla sua identit{\`a}, struttura e immagine, dall'inizio dell'industrializzazione all'et{\`a} post-illuminista e borghese, fino ai temi inerenti l'evoluzione/involuzione del territorio e del paesaggio post-industriale, nonch{\´e} lo sviluppo del modello turistico tra Otto e Novecento.}, subject = {St{\"a}dtebau}, language = {it} } @inproceedings{Neri, author = {Neri, Maria Luisa}, title = {Landscape and City during Fascism: Enrico del Debbio's Foro Mussolini}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2387}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150504-23877}, pages = {1 -- 16}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{d’Almeida, author = {d'Almeida, Patr{\´i}cia Bento}, title = {Restelo Neighbourhood: Expanding the Capital of the Empire with the First Portuguese Urban Planner}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2380}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150416-23802}, pages = {1 -- 13}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{Dattomo, author = {Dattomo, Nicla}, title = {Planning the Industrialization. The Technical and Theoretical Toolbox for the Post-War Program for the Industrial Development Areas of Southern Italy}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2439}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150731-24398}, pages = {1 -- 9}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{Cravo, author = {Cravo, Salete A. F.}, title = {Restelo in Lisbon - The Non-implementation of the Original Urban Design by Faria da Costa during the Dictatorship of Ant{\´o}nio de Oliveira Salazar}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2411}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150619-24111}, pages = {1 -- 17}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{Cabrita, author = {Cabrita, Maria Am{\´e}lia}, title = {Portuguese Social Housing under Dictatorship. A Morphological Analysis of Some Residential Agglomerations in Lisbon (1933-1950)}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2440}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150731-24407}, pages = {1 -- 10}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{Beese, author = {Beese, Christine}, title = {About the Internationality of Urbanism: The Influence of International Town Planning Ideas upon Marcello Piacentini's Work}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2409}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150619-24093}, pages = {1 -- 22}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{Birkholz, author = {Birkholz, Marie Luise}, title = {Granite on the Ground: Former Nazi Party Rally Grounds, Nuremberg/Germany. A brief introduction}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2458}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150925-24587}, pages = {1 -- 12}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @phdthesis{Hunger, author = {Hunger, Francis}, title = {Die Form der Datenbank}, doi = {10.25643/bauhaus-universitaet.4936}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20230306-49362}, school = {Bauhaus-Universit{\"a}t Weimar}, pages = {424}, abstract = {Datenbanken sind heute die wichtigste Technik zur Organisation und Verarbeitung von Daten. Wie wurden sie zu einer der allgegenw{\"a}rtigsten und gleichzeitig unsichtbarsten Praxis, die menschliche Zusammenarbeit erm{\"o}glicht? Diese Studie beginnt mit einer historiographischen Erkundung der zentralen medialen Konzepte von Datenbanken und m{\"u}ndet in das praxeologische Konzept der "Daten als Formation", kurz: In-Formation. Der erste Hauptteil befasst sich mit der Formatierung von Daten durch die Verarbeitung strukturierter Daten mittels relationaler Algebra. Es wird erarbeitet, auf welche Weise Struktur neues Wissen schafft. Im zweiten Teil wird er{\"o}rtert, wie Datenbanken durch den diagrammatisch-epistemischen Raum der Tabelle operationalisiert werden. Drittens untersucht die Studie Transaktionen als Erkl{\"a}rungen daf{\"u}r, wie Daten und reale Handlungen koordiniert und synchronisiert werden k{\"o}nnen. Im zweiten Hauptteil wird untersucht, wie relationale Datenbanken zunehmend zum Zentrum von Softwareanwendungen und Infrastrukturen wurden, wobei der Schwerpunkt auf wirtschaftlichen Praktiken liegt. In einem vergleichenden Ansatz wird anhand von Fallstudien in der DDR der 1970er bis 1990er Jahren die Frage gestellt, ob es eine „sozialistische" Datenbankmanagement-Software gegeben hat. Dabei werden die „westlichen" Produktionsdatenbanken BOMP, COPICS und MAPICS (IBM) sowie R2 (SAP) im Zusammenspiel mit den ostdeutschen Sachgebietsorientierten Programmiersystemen (SOPS) von Robotron diskutiert. Schließlich untersucht dieser Teil, wie die DDR ihr eigenes relationales Datenbankmanagementsystem, DABA 1600, entwickelte und dabei „westliche" Technologie neu interpretierte. Das abschließende Kapitel fasst die Konzepte der relationalen Datenbanken als heute wichtigsten Datenorganisationstechnik zusammen. Es er{\"o}rtert, inwiefern es m{\"o}glich ist, die historiographische Erz{\"a}hlung {\"u}ber die Entstehung von Datenbankmanagementsystemen und ihre Folgen f{\"u}r die Geschichte der Informatik zu dezentrieren. Es schließt mit der Erkenntnis, dass {\"o}stliche und westliche Medien der Kooperation sich in Form und Funktion erstaunlich {\"a}hnlich sind, beide wurzeln in den tiefen Genealogien von organisatorischen und wissensbildenden Datenpraktiken. Neben dieser medienwissenschaftlichen Arbeit besteht die Dissertation aus einem k{\"u}nstlerischen Teil, der dokumentiert wird: Anhand einer Reihe von Vlogs erkundet die fiktionale Figur „Data Proxy" aktuelle Daten{\"o}kologien.}, subject = {Medientheorie}, language = {de} }