@book{deOliveiraPinto,
  author    = {de Oliveira Pinto, Tiago},
  title     = {Music as living heritage},
  publisher = {Edition EMVAS},
  address   = {Berlin},
  isbn      = {978-3-9817865-2-1},
  doi       = {10.25643/bauhaus-universitaet.4071},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20200123-40713},
  publisher      = {Hochschule f{\"u}r Musik FRANZ LISZT},
  pages     = {211},
  abstract  = {What is cultural heritage, and why has it received so much public interest in recent years? Almost three decades after the World Organization UNESCO defined and established international recognition of Cultural and Natural Heritage sites and devised ways of protecting them, a completely new approach to cultural heritage emerged with the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage in 2003. This global agreement for the maintenance, protection and dissemination of cultural manifestations and achievements that are not tangible objects or immobile monuments, like previous items classified as World Heritage, was a remarkable milestone of international cultural politics. This new understanding of cultural heritage owes much to representatives from Asian, African, and Latin American countries. In fact, just a few years after the promulgation of the 2003 Convention, the world cultural heritage map had already lost much of its European predominance. Asian countries such as China, Japan, South Korea, and India very soon showed up with lists of manifestations of their centenary (in some cases even millenary) national cultural heritages.},
  subject      = {Musik},
  language  = {en}
}
@book{BlasiusBeenenBrandtetal.,
  author    = {Blasius, Clara Maria and Beenen, Paul and Brandt, Marvin and Bulic, Selma and Chen, Mu and Claus, Leon and Ellguth, Fabian and Elshani, Diellza and Hainich, Jakob and Kolbe, Simon and Oehler, Louis and Pullmann, Isabella and Ratz, Rosalie and Regueiro Candina, Andoni and Reusch, Marco and Thurow, Katharina and Weski, Lennart and Wittke, Katharina},
  title     = {TIRANA. Architecture as Political Actor},
  editor    = {Adam, Tobias and Kuch, Ulrike},
  doi       = {10.25643/bauhaus-universitaet.3995},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20191014-39951},
  publisher      = {Bauhaus-Universit{\"a}t Weimar},
  abstract  = {This book on the architecture of Tirana contains findings of the interdisciplinary seminar "TIRANA. Architecture as Political Actor" at Bauhaus-Universit{\"a}t Weimar. In photographs, texts and diagrams it shows the approach to an unknown city that was explored following the ideas of the Actor Network Theory (ANT). Thus, the book gives an insight into scientific as well as artistic works, both mirroring the attempt to grasp the role of architecture within political processes in the 20th century and today. In this compilation of the architectural-political networks, an image of the city of Tirana emerges that gives an idea of specific built structures as well as of the architecture as political actor on a meta-level. In doing so, the book itself becomes an actor in the discussion of the relationship of architecture and politics in Albania and an example for the use of ANT as scientific-artistic tool for the research on architectural "things" in the context of a city.},
  subject      = {Architektur},
  language  = {en}
}
@book{PfleidererZaddach,
  author    = {Pfleiderer, Martin and Zaddach, Wolf-Georg},
  title     = {Jazzforschung heute},
  editor    = {Pfleiderer, Martin and Zaddach, Wolf-Georg},
  publisher = {Edition EMVAS},
  address   = {Berlin},
  isbn      = {978-3-9817865-3-8},
  doi       = {10.25643/bauhaus-universitaet.3868},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20190604-38682},
  publisher      = {Hochschule f{\"u}r Musik FRANZ LISZT},
  pages     = {320},
  abstract  = {Die internationale Jazzforschung hat sich in den vergangenen Jahrzehnten zahlreiche neue Fragestellungen und Forschungsans{\"a}tze erschlossen. So sind etwa die globalen Dimensionen des Jazz, die Rolle von Frauen im Jazz oder seine mannigfaltigen kulturellen Bedeutungen in Geschichte und Gegenwart ins Zentrum der Forschung ger{\"u}ckt. Die dreizehn Beitr{\"a}ge des Tagungsbandes widmen sich Themen, Methoden und Desideraten der gegenw{\"a}rtigen wissenschaftlichen Auseinandersetzung mit dem Jazz. Zudem werden Perspektiven des k{\"u}nstlerischen Forschens im Jazz und der Ausbildung von Jazzmusikern und -forschern diskutiert.},
  subject      = {Jazz},
  language  = {de}
}