@inproceedings{Meier, author = {Meier, Hans-Rudolf}, title = {„MULTITUDE" VERSUS „IDENTIT{\"A}T"}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3046}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30464}, pages = {13}, abstract = {Geb. 1956 in Z{\"u}rich; nach Berufslehre und -t{\"a}tigkeit in der Chemischen Industrie Studium der Kunstwissenschaft, Geschichte, Ur- und Fr{\"u}hgeschichte und Mittelalterarch{\"a}ologie. 1992 Promotion zum Dr. phil., danach Oberassistent am Institut f{\"u}r Denkmalpflege der Architekturabteilung der ETH Z{\"u}rich, unterbrochen durch Forschungsaufenthalt als Mitglied des Istituto Svizzero in Rom. Lehrauftr{\"a}ge an den Universit{\"a}ten Basel, Bern und Z{\"u}rich sowie an der ETH Z{\"u}rich. 2000 Habilitation an der Philosophisch-Historischen Fakult{\"a}t der Universit{\"a}t Basel, ebd. bis 2007 Privatdozent f{\"u}r Kunstwissenschaft. Wissenschaftlicher Mitarbeiter und Leiter von Nationalfonds-Projekten. 2003 Berufung auf die Professur f{\"u}r Denkmalkunde und angewandte Bauforschung an der Fakult{\"a}t Architektur der Technischen Universit{\"a}t Dresden. Seit Januar 2008 Professor f{\"u}r Denkmalpflege und Baugeschichte an der Fakult{\"a}t Architektur der Bauhaus-Universit{\"a}t Weimar. Forschungen und Publikation zur Architektur- und Kunstgeschichte haupts{\"a}chlich des Mittelalters, zur Rezeptions- und Fachgeschichte sowie zur Geschichte und Theorie der Denkmalpflege. (Mit-)Organisator zahlreicher internationaler Tagungen. Mitglied zahlreicher Denkmalpflegerischer Arbeitskreise und Gremien.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Peschken, author = {Peschken, Martin}, title = {WORLD STAGES FOR LADY JUSTICE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3069}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30691}, pages = {18}, abstract = {Martin Peschken studied History of Art and Literature in Berlin and Madrid. In 2005 he completed his doctoral studies in comparative literature at Freie Universit{\"a}t Berlin. He worked then as a curator of the gallery "Laden V-17" in Berlin. In 2005 he joined the project-team of International Building Exhibition "Stadtumbau 2010" in Saxony-Anhalt based at Stiftung Bauhaus Dessau, where he curated several exhibitions and urban projects. He currently works as Scientific Assistant at Technische Universit{\"a}t Braunschweig in the department of "History and Theory of Architecture and Urbanism".}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Sanz, author = {Sanz, Yolanda Ortega}, title = {WELFARE STATE. SOCIOLOGICAL AESTHETICS}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3074}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30748}, pages = {16}, abstract = {Yolanda Ortega Sanz is an architect and associate professor at Polytechnic School, Universitat de Girona, Catalonia, Spain; where she teaches architectural design. Ortega was educated at School of architecture in Barcelona and Arkitektskolen i Aarhus, Denmark. Later on, she received a grant to be a young researcher at Danmarks Kunstbibliotek, Copenhagen. Currently, she is PhD Candidate in the research group FORM where she develops her thesis entitled "Nordic assembly" focus on Modern Architecture in Nordic countries. Her research has been published and presented in several conferences as: 1st International Conference on contemporary architects: J{\o}rn Utzon, Sevilla, Spain; 1st Conference on architectural competition, Nordic Symposium, KTH, Stockholm, Sweden; or Responsibilities and Opportunities in Architectural Conservation, CSAAR, Amman, Jordan.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{deRudder, author = {de Rudder, Steffen}, title = {WECHSELNDE ZUSCHREIBUNGEN}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3072}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30721}, pages = {11}, abstract = {Steffen de Rudder, Dr.-Ing., ist Architekt und wissenschaftlicher Mitarbeiter an der Bauhaus-Universit{\"a}t Weimar. Er lehrt st{\"a}dtebauliches Entwerfen und forscht zu Themen der Architektur- und Stadtbaugeschichte. 1996 Lehrbeauftragter am Kunsthistorischen Institut der Humboldt-Universit{\"a}t zu Berlin, 1990 bis 2001 selbstst{\"a}ndiger Architekt in Potsdam und Berlin (Neubau, Sanierung, Denkmalpflege). Ver{\"o}ffentlichungen zur Bauhaus-Rezeption, zur amerikanischen Architekturgeschichte der Moderne und zur Stadtentwicklung in Berlin und in Th{\"u}ringen. 2007 erschien: „Der Architekt Hugh Stubbins. Amerikanische Moderne der F{\"u}nfziger Jahre in Berlin".}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Richter, author = {Richter, Katharina}, title = {TRANSFORMING TO EXPERT}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3086}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30864}, pages = {10}, abstract = {Katharina Richter holds a degree in Architecture, Urban- and Regional Planning from the Bauhaus-University Weimar, where she is appointed as Assistant Professor at the Chair of Computer Science in Architecture since 2000. She teaches architecture studio in undergraduate and graduate programs and has been supervising several international teaching projects. In Fall 2004 she was teaching and researching at the Washington Alexandria Architecture Consortium - Virginia Polytechnic and State University, Alexandria, VA. Her current research focuses on the investigation of the potential of computer based exchange of experiential knowledge in architecture. Between 2000 and 2006 she coordinated third party verification procedures at the Collaborative Research Center SFB 524 „Materials and Structures in Revitalization of Buildings", Bauhaus-University Weimar, Germany. Her work has been published at various international conferences as well as in related reviewed journals.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Ammon, author = {Ammon, Sabine}, title = {TRANSFORMING TACIT KNOWLEDGE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3084}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30849}, pages = {12}, abstract = {Sabine Ammon studied architecture and philosophy at the Technische Universit{\"a}t Berlin. Study and research visits led her to the University of London, Harvard University and ETH Z{\"u}rich. Furthermore, she practised building design as a freelance architect. Her dissertation "Wissen verstehen. Perspektiven einer prozessualen Theorie der Erkenntnis", Weilerswist 2009, develops a theory of knowledge, based on the philosophy of symbols. In her current research project she explores the epistemic dimension of architectural design processes.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Rendell, author = {Rendell, Jane}, title = {TRAFALGAR SQUARE: D{\´E}TOURNEMENTS}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3060}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30604}, pages = {18}, abstract = {Professor Jane Rendell is Director of Architectural Research at the Bartlett, UCL. An architectural designer and historian, art critic and writer, her work has explored various interdisciplinary intersections: feminist theory and architectural history, ne art and architectural design, autobiographical writing and criticism. She is author of Site-Writing: The Architecture of Art Criticism (2010), Art and Architecture (2006), The Pursuit of Pleasure (2002) and co-editor of Pattern (2007), Critical Architecture (2007), Spatial Imagination (2005), The Unknown City (2001), Intersections (2000), Gender Space Architecture (1999) and Strangely Familiar (1995). Her talks and texts have been commissioned by artists such as Daniel Arsham and Bik Van Der Pol, and galleries, as the Baltic, the Hayward, Kunstmuseum Thon, the Serpentine, the Tate and the Whitechapel. She is on the Editorial Board for ARQ (Architectural Research Quarterly), Haecceity, The Happy Hypocrite, The Issues and the Journal of Visual Culture in Britain.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Kavanaugh, author = {Kavanaugh, Leslie}, title = {TOWARD A NEO-MARXIST THEORY OF SPATIO-TEMPORALITY}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3045}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30456}, pages = {10}, abstract = {Leslie Kavanaugh is both an architect and a philosopher. She is a licensed architect in America and the Netherlands, as well as a member of the AIA, but studied philosophy from undergraduate to doctorate at the University of Amsterdam. She has taught philosophy and design at various institutions, including twelve years at TUDelft, and as a guest professor at the Tokyo Science University and Milano Politecnico. Her publications include The Architectonic of Philosophy: Plato, Aristotle, Leibniz (Amsterdam: University of Amsterdam Press, 2007), Crossovers (with A.Graafland), Meditations on Space (2010), Aggregates (2010), and Chronotopologies: Hybrid Spatialities and Multiple Temporalities (Amsterdam: Rodopi Press, forthcoming). Presently she is the founder and director of studiokav.com in Amsterdam, a multi-disciplinary and collaborative atelier. In addition, Kavanaugh is an affiliated Senior Scholar at the Philosophy Institute, Leiden University, the Netherlands.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Narath, author = {Narath, Albert}, title = {THREE NOTES AROUND THE BAROQUE SENSATION}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3078}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30789}, pages = {22}, abstract = {Albert Narath is a doctoral candidate in modern architectural history at Columbia University in New York and a Paul Mellon Pre-doctoral Fellow at the Center for Advanced Research in the Visual Arts at the National Gallery of Art in Washington, DC. He holds an MA degree from the Architectural Association in London. His dissertation concerns architectural and art historical debates surrounding the Neo-baroque at the end of the nineteenth century in Germany.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Stavagna, author = {Stavagna, Michele}, title = {THE HERPICH AFFAIR OF 1924}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3073}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30732}, pages = {13}, abstract = {Michele Stavagna is an architect and architectural historian, who lives and works in Berlin, and is the correspondent from Italy for the magazine "der architekt - BDA". He was educated at the Universit{\`a} IUAV of Venice (Italy), holds a degree in architectural design and a PhD in history of architecture and urban design, and has taught Theory and History of Industrial Design at the Universit{\`a} degli Studi of Triest (Italy). Stavagna translated and edited the first Italian edition of "Die Baukunst der neuesten Zeit" by G. A. Platz. His research themes focus on the birth and affirmation of Modernism within the broader context of the mass public and economic development of the modern society.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Jormakka, author = {Jormakka, Kari}, title = {THE EMPIRE AND ITS AMAZING TECHNICOLOR DREAMCOAT}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3047}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30473}, pages = {22}, abstract = {Kari Jormakka has been teaching architectural theory at the Bauhaus University in Weimar since 2007. In addition, he has been an Ordinarius Professor of architectural theory at Vienna University of Technology since 1998. Previously, he has taught at the Knowlton School of Architecture at the Ohio State University, the University of Illinois at Chicago, Tampere University of Technology as well as Harvard University. Author of ten books and many papers on architectural history and theory, he studied architecture at Otaniemi University in Helsinki and at Tampere University of Technology, as well as philosophy at Helsinki University.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Danielmeier, author = {Danielmeier, Tobias}, title = {THE ARCHITECTURE OF POST-CONSUMERISM}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3077}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30773}, pages = {8}, abstract = {Tobias Danielmeier teaches design at the Otago Polytechnic as well as at the University of Otago in Dunedin, New Zealand. He holds a Masters of Arts in Architecture from the M{\"u}nster School of Architecture and is currently completing his PhD at the University of Otago. His research investigates the art, business and science of winery architecture and their interrelation with place and technology. Tobias Danielmeier's practical experience includes projects for Reichardt Architekten, Essen, and Bolles+Wilson, M{\"u}nster.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{OPUS4-1578, title = {The Architecture in the Age of Empire : 11th International Bauhaus-Colloquium}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.1578}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20120314-15784}, pages = {554 S.}, abstract = {Eine neue, kopflose Gewalt hat den Imperialismus vergangener Zeiten abgel{\"o}st. Die neue Weltordnung, das »Empire«, {\"u}berschreitet alle Grenzen unserer althergebrachten politischen Begriffe - Staat und Gesellschaft, Krieg und Frieden, Kontrolle und Freiheit. Das dezentralisierte und deterritorialisierte Empire beherrscht uns, indem es durch die Medien, die Technik und durch soziale Praktiken unmittelbaren Einfluss auf uns Menschen nimmt. Architektur und Raumplanung haben sich in den letzten Jahrzehnten radikal gewandelt. Die alten, modernistischen Bestrebungen nach erschwinglichen Wohnungen und einer rationalen Organisation der St{\"a}dte sind ebenso in den Hintergrund ger{\"u}ckt wie die postmodernen Obsessionen der Kommunikation, der Nutzerbeteiligung und des {\"o}ffentlichen Raumes. Stattdessen stehen nun {\"a}sthetische und entschieden unpolitischere Belange im Vordergrund: Diskussionen zwischen einer kritischen und einer projektiven Praxis, zwischen Blobs und Kisten, zwischen Atmosph{\"a}re und Ornament. Doch das ist noch lange nicht das Ende der Geschichte, wie im vorliegenden Band deutlich wird. Die Beitr{\"a}ge des 11. Bauhaus-Kolloquiums umspannen einen Zeitraum, der von der Gr{\"u}ndung des Bauhauses in Weimar bis zur globalen Architektur unserer Zeit reicht, und verfolgen dabei die Entwicklung des Empires zur{\"u}ck, um gleichzeitig nach Konsequenzen und Alternativen zu fragen, denen die Architektur sich heute gegen{\"u}bergestellt sieht.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Wilhelm, author = {Wilhelm, Karin}, title = {TERRITORIALIT{\"A}T UND INTERNATIONAL STYLE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3050}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30501}, pages = {14}, abstract = {Dr. phil., seit 2001 Professorin f{\"u}r Geschichte und Theorie der Architektur und der Stadt; zuvor Professorin f{\"u}r Kunstgeschichte an der TU Graz; Gastprofessuren f{\"u}r Kunst-, Architektur- und Designgeschichte an der UdK Berlin, Universit{\"a}t Kassel, Oldenburg und Bonn; Studium der Kunstgeschichte, Soziologie, Psychologie und Philosophie. Karin Wilhelm ist Organisatorin mehrerer internationaler Ausstellungen zur modernen Architektur und zum Design (Berlin, London, Stock olm) und war wissenschaftlicher Beirat der Stiftung Bauhaus Dessau und des Deutschen Architekturmuseums (DAM). Zahlreiche Ver{\"o}ffentlichungen, zuletzt: Bauhaus Weimar 1919 -1924 (1996); Kunst als Revolte? Von der F{\"a}higkeit der K{\"u}nste, Nein zu sagen (1996); Visionen vom Gl{\"u}ck - Visionen vom Untergang: Zeichen und Diskurse zur „sch{\"o}nen neuen Welt" (1998); Sehen - Gehen - Denken: der Entwurf des Bauhausgeb{\"a}udes, in: ‚Das Bauhausgeb{\"a}ude in Dessau 1926 -1999' (1998); City-Lights - Zentren, Peripherien, Regionen: interdisziplin{\"a}re Positionen f{\"u}r eine urbane Kultur (2002), Idea and form: H{\"a}user von Szyszkowitz + Kowalski (2003); Formationen der Stadt. Camillo Sitte weitergelesen (2005).}, subject = {Architekturtheorie}, language = {de} } @inproceedings{OPUS4-1470, title = {SYSWELD Forum 2011}, editor = {Hildebrand, J{\"o}rg}, doi = {10.25643/bauhaus-universitaet.1470}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20111213-15694}, year = {2011}, abstract = {Am 25. und 26. Oktober 2011 trafen sich an der Bauhaus-Universit{\"a}t Weimar 70 nationale und internationale Fachleute aus Forschung und Praxis, um sich im Rahmen des vierten SYSWELD Forums {\"u}ber aktuelle Entwicklungen der numerischen Simulation auf dem Gebiet der W{\"a}rmebehandlung und des Schweißens auszutauschen. Die numerische Simulation im Bereich des Schweißens und der W{\"a}rmebehandlung hat sich in den letzten Jahren beachtlich weiterentwickelt und bietet ein zukunftsweisendes und innovatives Arbeitsfeld f{\"u}r Ingenieure.}, subject = {Schweißen}, language = {de} } @inproceedings{Hillier, author = {Hillier, Bill}, title = {SPACE SYNTAX}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3055}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30555}, pages = {18}, abstract = {Bill Hillier ist Professor f{\"u}r architektonische und urbane Morphologie an der University of London, Vorsitzender der Bartlett School of Graduate Studies und Leiter des Space Syntax Laboratorys an der University of London. Er besitzt einen DSc (gehobene Doktorenw{\"u}rde) an der University of London. Als urspr{\"u}nglicher Wegbereiter der Methode zur Analyse r{\"a}umliche Muster, die unter dem Namen "Space Syntax" bekannt wurde, ist er auch Verfasser von The Social Logic of Space (Cambridge University Press, 1984, 1990), das eine allgemeine Theorie {\"u}ber das Verh{\"a}ltnis von Menschen zu dem sie umgebenden, gebauten Raum darlegt, 'Space is the Machine' (CUP 1996) das den grundlegenden Untersuchungsstand zu dieser Theorie beeinhaltet, sowie zahlreicher Artikel, die sich mit dem Raum und dessen Wirken befassen. Auch {\"u}ber andere Aspekte der Architekturtheorie hat er ausgiebig geschrieben.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Shusterman, author = {Shusterman, Richard M.}, title = {SOMAESTHETICS AND ARCHITECTURE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3061}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30614}, pages = {18}, abstract = {Richard Shusterman received a B.A. and M.A. in Philosophy from the Hebrew University of Jerusalem, and completed his doctoral studies in Philosophy at Oxford University. In Israel he taught at the Hebrew University and the University of the Negev, and then moved to the United States, where he was Professor of Philosophy at Temple University, and chaired its department from 1998-2004. He then was awarded the Dorothy F. Schmidt Eminent Scholar Chair in the Humanities at Florida Atlantic University, where he also directs the Center for Body, Mind, and Culture. His authored books include Surface and Depth (2002); Performing Live (2000); Practicing Philosophy: Pragmatism and the Philosophical Life (1997); Sous l'interpr{\´e}tation (1994), Pragmatist Aesthetics: Living Beauty, Rethinking Art (1992, 2nd edition 2000); T.S. Eliot and the Philosophy of Criticism (1988); and The Object of Criticism (1984). His most recent book, Body Consciousness: A Philosophy of Mindfulness and Somaesthetics was published by Cambridge University Press. It provides the most detailed formulation of his project of somaesthetics.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Brasil, author = {Brasil, Daniela}, title = {SENSUAL IS POLITICAL}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3083}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30835}, pages = {11}, abstract = {Daniela Brasil is currently a PhD candidate at the professorship of Spatial Planning and Research at Architecture Faculty of the Bauhaus-Universit{\"a}t Weimar, where she has also been teaching since 2007. Her seminars foster bodily experiments and critical thinking on "city's sensuality", where discussions on city marketing and affectivity are central. She was educated in architecture and urbanism in Brazil and Portugal and holds a Master of Fine Arts in Public Art and new artistic strategies. Idealizing and realizing artistic-oriented projects that intervene in relations between bodies and cities is her main concern since the mid-nineties; where she preferably works in transdisciplinary groups, as in "Lisbon Capital of Nothing: create, debate and intervene in public space, Marvila 2001". Daniela currently runs the project "Baustelle M10 > gallery for contemporary experiments" within a collective of artists and students in Weimar.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Brodrueck, author = {Brodr{\"u}ck, Ralph}, title = {SENSORY TECTONICS}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3082}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30829}, pages = {7}, abstract = {Ralph Brodruck studied architecture at the Technical University of Eindhoven and Jan van Eyck Academie in Maastricht. He currently teaches architecture and morpholgy at the Technical University of Eindhoven and the Academie voor Bouwkunst in Arnhem.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Godel, author = {Godel, Addison}, title = {REVISITING 1923}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3070}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30707}, pages = {16}, abstract = {Addison Godel is a student at the Knowlton School of Architecture at Ohio State, working towards a three-year Master of Architecture. He is a teaching assistant for a variety of history and theory courses, as well as two of the school's European travel-abroad programs. His interests include the relationship between style and larger cultural forces, and the efforts of architecture to symbolically adapt and represent contemporary technology.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Anderson, author = {Anderson, Stanford}, title = {RATIONAL RECONSTRUCTIONS AND ARCHITECTURAL KNOWLEDGE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3053}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30535}, pages = {14}, abstract = {Stanford Anderson is Professor of History and Architecture and was Head of the Department of Architecture from 1991 through 2004. He was director of MIT's PhD program in History, Theory and Criticism of Architecture, Art and Urban Form from its founding in 1974 to 1991 and in 1995-96. Anderson's research and writing concern architectural theory, early modern architecture in northern Europe, American architecture and urbanism, and epistemology and historiography. He has organized numerous professional conferences and served on the editorial boards of Assemblage, Journal of Architectural Education, Places, and The MIT Press. In addition to numerous articles, his books are Planning for Diversity and Choice, On Streets, and Hermann Muthesius: Style-Architecture and Building Art. He is co-author of Kay Fisker. Peter Behrens and a New Architecture for the Twentieth Century appeared in 2000 and Eladio Dieste: Innovation in Structural Art in 2004. In 1997, The MIT Press published a collection of essays in his honor, edited by Martha Pollak: The Education of the Architect: Historiography, Urbanism, and the Growth of Knowledge. He was a Fulbright fellow at the Technische Hochschule in Munich and subsequently a fellow of the John Simon Guggenheim Foundation and the American Council of Learned Societies. Anderson received his bachelor's degree from the University of Minnesota, his master's in architecture from the University of California at Berkeley, and his doctoral degree in the history of art from Columbia University in New York City.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Oswalt, author = {Oswalt, Philipp}, title = {PR{\"A}- UND POST-ARCHITEKTUR}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3057}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30579}, pages = {10}, abstract = {1988-1994 Redakteur bei Arch+. Gastprofessur an der TU Cottbus 2000-02. Initiator und Co-Leiter des Europ{\"a}ischen Forschungsprojekt Urban Catalyst 2001-03. Mitinitiator von ZwischenPalastNutzung und K{\"u}nstlerischer Co-Leiter von Volkspalast 2004. Leitender Kurator des Projektes Schrumpfende St{\"a}dte f{\"u}r die Kulturstiftung des Bundes 2002-08. Autor und Herausgeber mehrerer B{\"u}cher und Schriften, u.a. Wohltemperierte Architektur und Berlin_Stadt ohne Form. Seit Herbst 2006 Professor f{\"u}r Architekturtheorie und Entwerfen an der Universit{\"a}t Kassel, seit M{\"a}rz 2009 Leiter der Stiftung Bauhaus Dessau.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Quiroga, author = {Quiroga, Grace}, title = {PANTS ON FIRE?}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3068}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30684}, pages = {16}, abstract = {Grace Quiroga studied architecture at the University of Michigan and at the Vienna University of Technology. Her ongoing architectural projects include the design of a housing project in the Chinese province of Sichuan for a thousand families displaced by the earthquake of 2008. In addition, she is working on a doctoral dissertation titled "Rem Koolhaas and the architecture culture of the AA in the 1970's".}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Hennig, author = {Hennig, Ralf}, title = {O{\´I}DA OUK EID{\´O}S}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3088}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30885}, pages = {11}, abstract = {Ralf Hennig is a PhD-candidate at the chair of Theory and History of Modern Architecture at the Bauhaus-University Weimar. His prior research interests are focused on historical and current interaction between media, architecture and the city as well as the influence of the alliance of these entities on traditional principles of dwelling. In 2004-2005 he was responsible for the conception and constitution of the postgraduate Master's degree programme MediaArchitecture at the Bauhaus-University Weimar. In 2007-2008 he worked there as a scientific associate at the chair of Sociology of Globalisation, involved in various activities such as the research project MEDIACITY.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Ursprung, author = {Ursprung, Philip}, title = {OUT OF EMPIRE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3044}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30446}, pages = {12}, abstract = {Philip Ursprung studierte Kunstgeschichte, Allgemeine Geschichte und Germanistik in Genf, Wien und Berlin. Er wurde 1993 an der FU Berlin promoviert und 1999 an der ETH Z{\"u}rich habilitiert. Er unterrichtete an den Universit{\"a}ten Genf, Basel und Z{\"u}rich, an der ETH Z{\"u}rich, der Kunsthochschule Berlin-Weissensee und der Universit{\"a}t der K{\"u}nste Berlin. 2001-2005 war er Nationalfonds- F{\"o}rderungsprofessor f{\"u}r Geschichte der Gegenwartskunst am Departement Architektur der ETH Z{\"u}rich. Seit 2005 ist er Professor f{\"u}r Moderne und zeitgen{\"o}ssische Kunst an der Universit{\"a}t Z{\"u}rich. 2007 war er Gastprofessor an der Graduate School of Architecture, Planning and Preservation der Columbia University New York. Er war Gastkurator am Museum f{\"u}r Gegenwartskunst in Basel, am Canadian Centre for Architecture in Montreal und der Graduate School for Architecture, Planning and Preservation der Columbia University New York. Er ist Autor von Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art (M{\"u}nchen, 2003), Herausgeber von Herzog \& de Meuron: Naturgeschichte (Montreal und Baden 2002), sowie Ko-autor von Images: A Picture Book of Architecture (M{\"u}nchen 2004), Minimal Architecture (M{\"u}nchen, 2003) und Studio Olafur Eliasson: An Encyclopedia (K{\"o}ln, 2008). Zuletzt erschien Caruso St John: Almost Everything (Barcelona, 2008).}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Rumpfhuber, author = {Rumpfhuber, Andreas}, title = {NON-PLACES OF IMMATERIAL LABOUR}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3066}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30669}, pages = {15}, abstract = {Andreas Rumpfhuber is Architect and Researcher and currently based in Vienna, Austria. He studied architecture at University of Technology in Graz and the Bartlett School of Architecture in London. He is member of the research collective roundtable.kein.org at the Centre for Research Architecture at Goldsmiths College in London. He has taught and lectured at architecture schools in Europe and is a regular contributor to the Vienna street newspaper Augustin and architecture journals like deriv{\´e}, UmBau, Monu, Arkitekten. In his office he is currently working on small scale projects.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Speaks, author = {Speaks, Michael}, title = {NEUE WERTE EINES NEUEN DESIGNS}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3056}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30562}, pages = {7}, abstract = {Michael Speaks ist Dekan an der Universit{\"a}t des Kentuck Collge of Design und ehemaliger Gr{\"u}ndungsvorstand des Metropolitan Research and Design Postgraduate Program der Sci-Arc in Los Angeles. Er leitet ebenfalls Big Soft Orange, eine niederl{\"a}ndisch-amerikanische Stadtforschungsgruppe mit Standorten in Rotterdam und Los Angeles. Er war Herausgeber und Gr{\"u}nder des Kulturjournals Polygraph, sowie Mitherausgeber von Architecture New York und a+u (Tokyo), und arbeitet derzeit als beitragender Herausgeber f{\"u}r das Architecutral Record. Als Lehrer, Forscher und Herausgeber hat Speaks in zahlreichen Institutionen innerhalb der Vereinigten Staaten wie auch im Ausland mitgewirkt, darunter die Technischen Universit{\"a}t Delft, die Yale School of Arts, die Harvard University, die Columbia University, die University of Michigan, das Berlage Institut in Rotterdam und die University of California, Los Angeles. Außerhalb des H{\"o}rsaals hat der in Los Angeles lebende Schriftsteller und Kritiker sich in Vortr{\"a}gen und Ver{\"o}ffentlichungen zur Kunst, Architektur, der Stadt- und Szenarienplanung ge{\"a}ußert. In j{\"u}ngeren Diskussionen um die Rolle von Innovation und Prototypenentwicklung f{\"u}r das Design nimmt er eine zentrale Position ein und hat eine vielzahl einflussreicher Aufs{\"a}tze geschrieben, welche auf die Bedeutung dessen verweisen, was er eine „Design Intelligence" nennt.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Pehnt, author = {Pehnt, Wolfgang}, title = {MODELLWECHSEL}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3052}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30526}, pages = {17}, abstract = {Wolfgang Pehnt lehrte Baugeschichte an der Ruhr-Universit{\"a}t Bochum. Er hat zahllose Arbeiten zur Architekturgeschichte der Moderne ver{\"o}ffentlicht und Monographien {\"u}ber Baumeister wie Gottfried B{\"o}hm, Hans Poelzig, Rudolf Schwarz und Karljosef Schattner geschrieben; er war Autor bei der Propyl{\"a}en-Kunstgeschichte und Mitarbeiter von Fachzeitschriften, Katalogb{\"u}chern, Tageszeitungen und Rundfunkanstalten. Seine B{\"u}cher „Die Architektur des Expressionismus" und „Deutsche Architektur seit 1900" gelten als Standardwerke. Er wurde vielfach ausgezeichnet, zuletzt mit dem Deutschen Preis f{\"u}r Denkmalschutz (Karl Friedrich Schinkel-Ring).}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Czech, author = {Czech, Hermann}, title = {KANN ARCHITEKTUR VON DER KONSUMTION HER GEDACHT WERDEN?}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3058}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30588}, pages = {13}, abstract = {Hermann Czech studierte Architektur an der Technischen Hochschule und in der Meisterschule von Ernst Plischke an der Akademie der bildenden K{\"u}nste in Wien. 1958 und 1959 war er Seminarteilnehmer bei Konrad Wachsmann an der Sommerakademie in Salzburg. An der Akademie f{\"u}r angewandte Kunst in Wien war er von 1974 bis 1980 Assistent bei Hans Hollein und Johannes Spalt, 1985/86 Gastprofessor an derselben Hochschule. 1988/89 und 1993/94 war er Gastprofessor an der Harvard University in Cambridge/USA, 2004-07 Gastprofessor an der ETH Z{\"u}rich. Sein ungleichartiges architektonisches Werk umfasst Planungen, Wohn-, Schul- und Hotelbauten ebenso wie Interventionen in kleinem Maßstab und Ausstellungsgestaltungen. Seine Projekte haben starken Bezug zum Kontext und beinhalten bewusst die vorhandenen Widerspr{\"u}che. Ab den 1970er Jahren (»Architektur ist Hintergrund«) wurde Hermann Czech zum Protagonisten einer neuen, »stillen« Architektur, die »nur spricht, wenn sie gefragt wird«. Er ist Autor zahlreicher kritischer und theoretischer Publikationen zur Architektur. In seiner Theorie spielen die Begriffe Umbau und Manierismus eine zentrale Rolle. Ver{\"o}ffentlichungen (Auswahl): ‚Zur Abwechslung. Ausgew{\"a}hlte Schriften zur Architektur. Wien', Wien 1996, ‚Das Looshaus', Wien 1976 (mit Wolfgang Mistelbauer), ‚Komfort - ein Gegenstand der Architekturtheorie?', in: werk,bauen+wohnen, Z{\"u}rich, 3/2003, S. 10-15.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Maldonado, author = {Maldonado, Tom{\´a}s}, title = {IST DAS BAUHAUS AKTUELL?}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3043}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30432}, pages = {11}, abstract = {Geboren 1922 in Buenos Aires, ist Tom{\´a}s Maldonado heute Professor Emeritus f{\"u}r Umweltplanung am Politecnico in Mailand. Er studierte an der Academia Nacional de Bellas Artes in Buenos Aires. 1954 bis 1967 war er Dozent an der Hochschule f{\"u}r Gestaltung (HfG) Ulm, 1955-1956 Prorektor, bis 1960 Rektor der HfG. 1965: Lethaby Lecturer am Royal College of Arts, London. 1966 wurde er zum Fellow des Council of Humanities an der University Princeton (USA) ernannt, von 1968 bis 1970 lehrte er an der School of Architecture dieser Universit{\"a}t. Die Society of Industrial Artists and Designers (GB) verleih ihm 1968 die „Design Medal". Er war von 1967 bis 1969 Vorsitzender des Pr{\"a}sidiums des International Council of Societies of Industrial Design (ICSID). Von 1971 bis 1983 lehrte er zus{\"a}tzlich an der Universit{\"a}t von Bologna. 1976 bis 1981 war er der Herausgeber der Zeitschrift Casabella in Mailand. 1979 Research Fellow an der Graduate School of Design der Harvard University. Ausgew{\"a}hlte Schriften erschienen 2007 unter dem Titel „Digitale Welt und Gestaltung" in Z{\"u}rich.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Boeck, author = {B{\"o}ck, Ingrid}, title = {IMMERSIVE SPACES AND THE AIR CONDITIONING PROJECT}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3080}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30800}, pages = {13}, abstract = {Studium der Architektur an der Technischen Universit{\"a}t Wien. Von 2001 bis 2002 Lehrbeauftragte am Institut f{\"u}r k{\"u}nstlerische Gestaltung der TU Wien. Im Zeitraum 1997-2002 Wettbewerbe, Planungen und Realisationen in den Architekturb{\"u}ros „the unit" und „ckp", 2002-2007 „limit architects", Wien. Seit 2008 querkraft architekten wien. Dissertationsprojekt seit 2004: Design Strategies: Case Study of Six Projects of Rem Koohaas/ OMA. Seit 2008 wissenschaftliche Assistentin am Institut f{\"u}r Architekturtheorie, Kunst- und Kulturwissenschaften der TU Graz. Forschungsschwerpunkte: Architekturtheorie, Gegenwartsarchitektur, Entwurfsmethoden, Architectural Research/Design Studies, Wahrnehmung und Architektur.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Hoekstra, author = {Hoekstra, Rixt}, title = {HOW CRITICAL IS CRITICALITY?}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3064}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30648}, pages = {7}, abstract = {Rixt Hoekstra is an architectural historian and a Wissenschaftliche Mitarbeiterin at the Leopold Franzens University of Innsbruck, where she teaches theory and history of architecture. Hoekstra studied architectural history in Groningen, the Netherlands, and received her PhD in architectural history in 2005. Her publications include: Building versus Bildung, Manfredo Tafuri and the construction of a historical discipline (2005) and Lost in Translation? Tafuri on Germany, Tafuri in Germany, a history of reception (2008). Currently, her research interests focus on the status of criticality in architecture in relationship to the legacy of the Venice School and on genderstudies in architecture.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Homsi, author = {Homsi, Eymen}, title = {GENUFLECTION AND EMPIRE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3062}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30624}, pages = {15}, abstract = {Eymen Homsi has degrees in architecture from the Ohio State University and biology/botany from the University of Southern Colorado. He taught design and theory at the Ohio State University (1991-99), worked at the Atelier Jose Oubrerie (1991-1995), and was Director of Design at the Columbus Neighborhood Design Centre (1998-99), where he designed the Salvation Army Transitional Housing, Friends of the Homeless Dormitory, and other public projects. He established Studio Noni in Helsinki (2000-04) for experimental projects, speculative works, competitions. He was coordinator of Habitation Studio at the Chinese University of Hong Kong (2004-09). He returned to Istanbul in 2009 after an absence of thirty five years to teach studio at Mimar Sinan University of Fine Arts (2009-10). Currently he teaches studio at Istanbul Technical University, and theory at K{\"u}lt{\"u}r University. His research concerns the relationship between rites of worship in Islam and the space of the mosque.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Schuerkamp, author = {Sch{\"u}rkamp, Bettina}, title = {GENERIC REALISM}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3087}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30879}, pages = {8}, abstract = {Bettina Sch{\"u}rkamp completed her diploma in architecture at the State Academy of Fine Arts Stuttgart in 1995 and attended the graduate course „Histories and Theories of Architecture" at the Architectural Association in London. For more than five years she worked as a practising architect for architectural firms in England and Germany such as Bolles+Wilson, M{\"u}nster and Peter Kulka, K{\"o}ln. From 2001 until 2007 she held a research and teaching position at the Institute for History and Theory of Architecture at Wuppertal University. Currently she is completing her dissertation on the Dutch architectural firm OMA*AMO She writes as a freelance journalist for architectural magazines in Germany and Switzerland and has been publishing in magazines such as Archithese, Arch+, Bauwelt and Deutsche Bauzeitung.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Werckmeister, author = {Werckmeister, Otto Karl}, title = {FRAGEN ZU HANNES MEYER}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3051}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30517}, pages = {8}, abstract = {Otto Karl Werckmeister war, neben Forschungsauftr{\"a}gen am Warburg Institute, London und dem Deutschen Arch{\"a}ologischen Institut, Professor f{\"u}r Kunstgeschichte an der UCLA und der Northwestern University in Evanstown/Illinois, sowie Gastprofessor an den Universit{\"a}ten Marburg und Hamburg. Die Strategien von K{\"u}nstlern des 20. Jahrhunderts auf dem Weg zum Ruhm hat er ebenso untersucht wie das Bildrepertoire fr{\"u}hmittelalterlicher Buchillustrationen oder der japanischen Manga-Comics. Walter Benjamins Forderung nach einer „Aktualit{\"a}t des Denkens" hat ihm als Motto seiner Untersuchungen gedient. Zu seinen wichtigsten Ver{\"o}ffentlichungen geh{\"o}ren: Ende der {\"A}sthetik (1971), Ideologie und Kunst bei Marx (1974), Versuche {\"u}ber Paul Klee (1981), The Making of Paul Klee's Career, 1914-1920 (1988), Zitadellenkultur. Die sch{\"o}ne Kunst des Untergangs in der Kultur der Achtziger Jahre (1989); Linke Ikonen: Benjamin, Eisenstein, Picasso - nach dem Fall des Kommunismus (1997), Der Medusa-Effekt - Politische Bildstrategien seit dem 11. September 2001 (2005).}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Graf, author = {Graf, Douglas}, title = {FORM'S FALLOW FUNCTION}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3054}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30547}, pages = {26}, abstract = {Douglas Graf received an A.B. in architecture and urban planning from Princeton and a M.Arch. from Harvard and currently teaches courses in design and architectural theory at the Knowlton School of Architecture at the Ohio State University. His teaching career has included the Kentucky, Washington, and Yale, as well as positions in Britain, Germany, and Finland, where he first went on a Fulbright to study the work of Alvar Aalto. He has received five teaching awards. His interest in design theory has a primary focus on formal analysis, which is applied not only to architecture but also to urban form, landscape, photography, painting, product design, and graphics. One of his signature investigations has been into the structure and use of diagrams as tools for 'close reading.' Many of his investigations have explored 'metaphoric time' as a central design strategy. He has written about the idea of the 'encyclopedic set' as a persistent means of modeling complexity and the use of 'fictive landscapes' to derive narratives for the city. He currently divides his time between Columbus (the one in Ohio) and London (not the one in Ohio), where he has been researching the design strategies in English gardens and the formal structure of the pre-industrial village. He is one of the principals in Mid-Ohio Design, a firm of architects and urban designers whose work elides from the real to the academic and who have won a number of urban design competitions.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Easterling, author = {Easterling, Keller}, title = {EXTRA-STATECRAFT}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3048}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30482}, pages = {14}, abstract = {Keller Easterling is an architect, urbanist, and writer. Her latest book, Enduring Innocence: Global Architecture and Its Political Masquerades (MIT, 2005), researches familiar spatial products that have landed in difficult or hyperbolic political situations around the world. Her previous book, Organization Space: Landscapes, Highways and Houses in America, applies network theory to a discussion of American infrastructure and development formats. A forthcoming book, Extrastatecraft, researches global infrastructure as a medium of polity. Ms. Easterling is also the author of Call It Home, a laser disc history of suburbia, and American Town Plans. She has recently completed two research installations on the Web: "Wildcards: A Game of Orgman" and "Highline: Plotting NYC." Her work has been widely published in journals such as Grey Room, Volume, Cabinet, Assemblage, Log, Praxis, Harvard Design Magazine, Perspecta, Metalocus, and ANY. Her work is also included as chapters in numerous publications. She has lectured widely in the United States as well as internationally. Ms. Easterling's work has been exhibited at the Queens Museum, the Architectural League, the Municipal Arts Society, and the Wexner Center. Easterling is a professor at Yale's School of Architecture.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Oetsch, author = {{\"O}tsch, Silke}, title = {EXPLAINING JUNKSPACE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3067}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30676}, pages = {8}, abstract = {Dr. Silke {\"O}tsch is currently working on a research project on the role of architects as intermediaries in financialization founded by the Austrian Research Found (FWF) at the Department of Sociology at the University of Innsbruck. She worked as scientific employee at the Institute of Construction and Design at the Innsbruck University, as lecturer at the Institute for Architecture Theory at the University of Innsbruck (Austria), in the architectural offices of Arets Architekten in Maastricht as well as Haid und Partner in N{\"u}rnberg and for Attac Germany. Silke {\"O}tsch received her doctoral degree at the Bauhaus-University Weimar and studied architecture in Weimar and Paris. She published books in the field of architecture theory with the title "Stripping las Vegas" (with K. Jaschke) and "{\"U}berw{\"a}ltigen und Schmeicheln", and articels in the review GAM and others, and published in the field of political economy, among others the book "Das Casino schließen" (together with T. Sauer and P. Wahl) on the financial crisis and "R{\"a}ume der Offshore-Welt" (together with Celia Di Pauli), which is a publication on concrete spaces of tax havens and offshore centres in Europe and their implications. Her main research interest is globalization and financial architecture.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Schmedding, author = {Schmedding, Anne}, title = {DIE MODERNE ALS TRADITION}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3075}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30752}, pages = {13}, abstract = {Anne Schmedding ist als freie Kunst- und Architekturhistorikerin in Berlin t{\"a}tig, unter anderem bei Urbanizers, B{\"u}ro f{\"u}r st{\"a}dtische Konzepte. Von 2005 bis 2009 war sie wissenschaftliche Mitarbeiterin an der TU Braunschweig im Fachbereich Geschichte und Theorie der Architektur und Stadt. Sie ist Mitherausgeberin des Kataloges „Gesetz und Freiheit" zu Leben und Werk des Architekten Friedrich Wilhelm Kraemers (Berlin 2007). Sie war von 1996-1999 Redakteurin der Zeitschrift Daidalos und ist Mitherausgeberin des Buches „Architektur in Berlin" (Berlin 1999). Sie war wissenschaftliche Kuratorin und Mitarbeiterin der Ausstellung „Stadt der Architektur. Architektur der Stadt", die im Jahr 2000 im Neuen Museum in Berlin zu sehen war. Momentaner Forschungsschwerpunkt ist Architektur und Kunst der westdeutschen Nachkriegszeit. Vor kurzem schloß sie ihre Dissertation {\"u}ber Dieter Oesterlen ab.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Stoecklmayr, author = {St{\"o}cklmayr, Nicole E.}, title = {DIAGRAMMATISCHE VISUALISIERUNG ALS {\"A}STHETISCHE INFORMATION}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3085}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30851}, pages = {12}, abstract = {Nicole E. St{\"o}cklmayr ist Post-Doc-Stipendiatin im Research-Fellow Programm „Werkzeuge des Entwerfens" am Internationalen Kolleg f{\"u}r Kulturtechnikforschung und Medienphilosophie (IKKM) der Bauhaus-Universit{\"a}t Weimar. St{\"o}cklmayr promovierte an der Universit{\"a}t f{\"u}r angewandte Kunst Wien an der sie auch Architektur in den Meisterklassen Hans Hollein, Greg Lynn sowie Zaha Hadid studierte. In ihrer von Gabriele Werner betreuten und von der {\"O}sterreichischen Akademie der Wissenschaften gef{\"o}rderten Dissertation mit dem Titel „Das Architekturbild im digitalen Paradigmenwechsel" untersuchte sie den Status des Bildes im digitalen Prozess des Architekturentwurfs. Ver{\"o}ffentlichungen: „Architektur ohne Maßstab. Digitale Visualisierungen im Entwurfsprozess", in: Ingeborg Reichle, Steffen Siegel (Hg.), Maßlose Bilder. Visuelle {\"A}sthetik der Transgression, M{\"u}nchen 2009, S. 279 - 294; „Das digitale Bild des Architekturentwurfs", in: Gerald Bast, Florian Bettel, Barbara Hollendonner (Hg.), uni*vers. Junge Forschung in Wissenschaft und Kunst, Wien 2010; S. 59 - 69.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Yansong, author = {Yansong, Ma}, title = {DESIGNING THE REALIZABLE UTOPIA}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {MAD Architects}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3059}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30598}, pages = {7}, abstract = {MAD is a Beijing-based architectural design studio. In their work, they are examining and developing a unique concept of futurism through current theoretical practice in architectural design, landscape design, and urban planning. In 2006, MAD was awarded the Architectural League Young Architects Forum Award. In the same year, MAD was shown at the 'MAD in China' exhibition in Venice during the Architecture Bienniale, and the 'MAD Under Construction' exhibition at the Tokyo Gallery in Beijing. MAD's conceptual proposal, Super Star - A mobile China Town was exhibited in the Uneternal City of the 11th Architecture Biennale in Venice. Ma Yansong received his Master of Architecture from the Yale University School of Architecture in 2002. Prior to founding MAD in 2004, Mr. Ma worked as a project designer with Zaha Hadid Architects and Eisenman Architects. He also taught architecture at the Central Academy of Fine Arts in Beijing. In 2008, one of his built works, Hongluo Clubhouse, was nominated as one of the 100 designs by the London Design Museum. He was also nominated as one of the 20 most influential young architects today by ICON.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Zimmermann, author = {Zimmermann, Gerd}, title = {DAS KOLLOQUIUM}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3042}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30428}, pages = {6}, abstract = {Geb.1946 in Luckenwalde, nach dem Studium der Architektur in Weimar Promotion 1974 auf dem Gebiet der Architekturtheorie, 1973 bis 1980 Abteilung Theorie und Geschichte der Architektur am Institut f{\"u}r St{\"a}dtebau und Architektur der Bauakademie in Berlin. Arbeiten zur Architekturpsychologie und Architektursemiotik sowie Beitr{\"a}ge zur empirischen Wirkungsforschung in der Architektur. Ab 1980 Lehrt{\"a}tigkeit an der Hochschule f{\"u}r Architektur und Bauwesen (HAB) Weimar. 1992 Berufung zum Universit{\"a}tsprofessor an der HAB f{\"u}r das Fach „Entwerfen und Architekturtheorie", im gleichen Jahr Wahl zum Rektor der Hochschule, 1996 Wiederwahl f{\"u}r weitere vier Jahre. Publikationen zur Architekturtheorie, Konzeption und Veranstaltung der Internationalen Bauhaus-Kolloquien, internationale Programme mit der WASEDA Universit{\"a}t Tokyo, dem IIT Chicago, seit Mitte der 90er Jahre j{\"a}hrliche Entwurfsakademie in Rom. 2003 Wahl zum Dekan der Fakult{\"a}t Architektur und 2004 erneute Wahl zum Rektor der Bauhaus-Universit{\"a}t Weimar.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{BargstaedtAilland2011, author = {Bargst{\"a}dt, Hans-Joachim and Ailland, Karin}, title = {CONVR 2011 : Proceedings of the 11th International Conference on Construction Applications of Virtual Reality}, isbn = {978-3-86068-458-0}, doi = {10.25643/bauhaus-universitaet.1468}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20111102-15603}, year = {2011}, abstract = {Proceedings of the 11th International Conference on Construction Applications of Virtual Reality}, subject = {Plant Simulation }, language = {en} } @inproceedings{Boyer, author = {Boyer, M. Christine}, title = {COLLECTIVE MEMORY UNDER SIEGE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3049}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30495}, pages = {16}, abstract = {M. Christine Boyer is an urban historian whose interests include the history of the American city, city planning, preservation planning, and computer science. Before coming to Princeton University in 1991, Boyer was professor and chair of the City and Regional Planning Program at Pratt Institute. She was a visiting professor in the Ph.D. program at TU Deflt School of Design for Spring 2005. She has written extensively about American urbanism. Her publications include Dreaming the Rational City: The Myth of American City Planning 1890 -1945 (Cambridge: The MIT Press, 1983), Manhattan Manners: Architecture and Style 1850-1900 (New York: Rizzoli, 1985), The City of Collective Memory (Cambridge: The MIT Press, 1994), and CyberCities (New York: Princeton Architectural Press, 1996).}, subject = {Architekturtheorie}, language = {en} } @inproceedings{BolchoverLin, author = {Bolchover, Joshua and Lin, John}, title = {CLOSING THE WORLD'S FACTORY}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3076}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30767}, pages = {12}, abstract = {Joshua Bolchover is an urban researcher, academic and architectural designer. He is an Assistant Professor at the University of Hong Kong, focusing on researching and designing buildings in rural China. In 2010 he exhibited Rural Urban Ecology at the Venice Biennale 2010. He has curated, designed and contributed to several international exhibitions including: Utopia Now: Opening the Closed Area, a research project on the Hong Kong and Shenzhen border at the Venice Biennale 2008; Get it Louder, a touring exhibition in China; Airspace: What Skyline does London want; Hydan; Can Buildings Curate and has exhibited at the HK-SZ Biennale. Joshua was a local curator for the Manchester-Liverpool section of Shrinking Cities between 2003 and 2005. He has collaborated with Raoul Bunschoten, Chora, researching strategic urban projects and has worked with Diller + Scofidio in New York. Joshua has previously taught architecture at the Chinese University of Hong Kong, London Metropolitan University, Cambridge University and the Architectural Association. He was educated at Cambridge University and at the Bartlett School of Architecture. John Lin is an architect based in Hong Kong and a graduate of The Cooper Union in New York City. His experimental constructions have been published in FRAME magazine (2003) and exhibited in the Kolonihaven (Architecture Park) at the Louisiana Museum of Modern Art in Copenhagen (2004) and the Venice Biennale (2008). Current projects include the design of several school buildings in China. He has taught at the Royal Danish Academy of Fine Arts, School of Architecture, and The Chinese University of Hong Kong and is currently an Assistant Professor at the University of Hong Kong.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{LippertVieira, author = {Lippert-Vieira, Sandra}, title = {BAUHAUS, GEMEINSCHAFT, BIOPOLITIK UND WEITER?}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3071}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30710}, pages = {16}, abstract = {Sandra Lippert-Vieira, 1971 in Lissabon, Portugal geboren, schloss 1995 ihr Architekturstudium an der Universidade Lus{\´i}ada in Lissabon ab. Bis 2003 arbeitete sie als Freie Architektin in Lissabon und war Entwurfsassistentin an der Universidade Moderne und Universidade Lus{\´o}fona in Lissabon bei Prof. em. Am{\^a}ncio d'Alpoim Guedes, Lehrstuhl f{\"u}r Entwurf. Derzeit ist sie wissenschaftliche Mitarbeiterin im Fachgebiet Geb{\"a}udelehre bei Prof. Daniele Marques, Institut f{\"u}r Entwerfen, Kunst und Theorie, KIT - Karlsruher Institut f{\"u}r Technologie. Sie promovierte an der BTU Cottbus, Prof. F{\"u}hr, zum Thema „Dissoziative Architektur. Zwischen Teufelskralle und Scheinriese. Wege zu einem weiteren Verst{\"a}ndnis der Architektur des Expressionismus." Bisherige Ver{\"o}ffentlichungen: „Wege zu einer Rezeptions{\"a}sthetik in der Architektur: das implizite Leben der gebauten Welt," in: Wolkenkuckucksheim (Heft 2/08); „Texte und Kontexte" von J{\"u}rgen Habermas und „Martin Heidegger. Unterwegs zu seiner Biographie" von Hugo Ott. Forschungsschwerpunkte: Expressionistische Architektur, Outsider Architektur, Architekturinterpretationsmethoden, Avantgarde und Postanarchismus.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Schrijver, author = {Schrijver, Lara}, title = {ARCHITECTURE: PROJECTIVE, CRITICAL OR CRAFT?}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3065}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30654}, pages = {16}, abstract = {Lara Schrijver is an assistant professor at the Faculty of Architecture of the TU Delft. She is one of three program leaders for a new research program in the department of architecture, 'The Architectural Project and its Foundations'. Schrijver holds degrees in architecture from Princeton University and the TU Delft. She received her Ph.D. from the TU Eindhoven in 2005. Schrijver has taught design and theory courses, and contributed to conferences in the Netherlands as well as abroad. She was an editor for OASE, journal for architecture, for ten years, and was co-organizer of the 2006 conference 'The Projective Landscape'. Her current work revolves around the role of architecture in the city, and its responsibility in defining the public domain. Her first book, Radical Games, on the influence of the 1960s on contemporary discourse, is forthcoming in the spring of 2009.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{OPUS4-3089, title = {ARCHITECTURE IN TIMES OF NEED}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {GRAFT}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3089}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30897}, pages = {6}, abstract = {GRAFT is an architectural firm located in Los Angeles, Berlin, and Beijing. Their collective professional experience encompasses a wide array of building types including Fine Arts, Educational, Institutional, Commercial and Residential facilities. The firm has won numerous awards in Europe as well as in the United States. GRAFT was established in 1998 in Los Angeles by Lars Kr{\"u}ckeberg, Wolfram Putz and Thomas Willemeit and opened an office in Berlin in 2001. In 2003 GRAFT opened an office in Beijing with Gregor Hoheisel as partner for the asian market. In 2007 Alejandra Lillo became Partner for the office in Los Angeles. GRAFT was conceived as a 'Label' for Architecture, Urban Planning, Design, Music, and the "pursuit of happiness". Since the firm was established, it has been commissioned to design and manage a wide range of projects in multiple disciplines and locations. With the core of the firm's enterprises gravitating around the field of architecture and the built environment, GRAFT has always maintained an interest in crossing the boundaries between disciplines and "grafting" the creative potentials and methodologies of different realities. This is reflected in the firm's expansion into the fields of exhibition design and product design, art installations, academic projects and "events" as well as in the variety of project locations in Germany, China, UAE, Russia, Georgia, in the U.S. and Mexico, to name a few.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Schneider, author = {Schneider, Tatjana}, title = {ARCHITECTURE FIDDLES WHILE THE WORLD BURNS}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3063}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30639}, pages = {9}, abstract = {Tatjana Schneider is lecturer at the School of Architecture, University of Sheffield. She holds a PhD in architecture. She worked in architectural practice in Germany and the UK, and has taught, lectured and published widely (including 'Flexible Housing' with Jeremy Till). She was a member of the worker's cooperative G.L.A.S. (Glasgow Letters on Architecture and Space), which undertook agit-prop works, educational workshops, community based design consultancy and produced the quarterly journal glaspaper. Her work focuses on the production and political economy of the built environment. Current work includes the research 'Spatial Agency'.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Bredella, author = {Bredella, Nathalie}, title = {ARCHITECTURE AND ATMOSPHERE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3079}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30794}, pages = {10}, abstract = {Nathalie Bredella is an architect. She was educated at the TU Berlin and Cooper Union, New York. She received a PhD in Architectural Theory. She taught architectural design at the TU Berlin. She ist the author of Architekturen des Zuschauens. Imagin{\"a}re und reale R{\"a}ume im Film (transcript-verlag). The work is based on an interdisciplinary approach incorporating architecture, film theory and philosophy. Her interests in architectural practice focus on the relationship between spatial strategies, film and media on an urban and architectural scale.}, subject = {Architekturtheorie}, language = {en} }