@inproceedings{Hillier,
  author    = {Hillier, Bill},
  title     = {SPACE SYNTAX},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3055},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30555},
  pages     = {18},
  abstract  = {Bill Hillier ist Professor f{\"u}r architektonische und urbane Morphologie an der University of London, Vorsitzender der Bartlett School of Graduate Studies und Leiter des Space Syntax Laboratorys an der University of London. Er besitzt einen DSc (gehobene Doktorenw{\"u}rde) an der University of London. Als urspr{\"u}nglicher Wegbereiter der Methode zur Analyse r{\"a}umliche Muster, die unter dem Namen "Space Syntax" bekannt wurde, ist er auch Verfasser von The Social Logic of Space (Cambridge University Press, 1984, 1990), das eine allgemeine Theorie {\"u}ber das Verh{\"a}ltnis von Menschen zu dem sie umgebenden, gebauten Raum darlegt, 'Space is the Machine' (CUP 1996) das den grundlegenden Untersuchungsstand zu dieser Theorie beeinhaltet, sowie zahlreicher Artikel, die sich mit dem Raum und dessen Wirken befassen. Auch {\"u}ber andere Aspekte der Architekturtheorie hat er ausgiebig geschrieben.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Boeck,
  author    = {B{\"o}ck, Ingrid},
  title     = {IMMERSIVE SPACES AND THE AIR CONDITIONING PROJECT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3080},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30800},
  pages     = {13},
  abstract  = {Studium der Architektur an der Technischen Universit{\"a}t Wien. Von 2001 bis 2002 Lehrbeauftragte am Institut f{\"u}r k{\"u}nstlerische Gestaltung der TU Wien. Im Zeitraum 1997-2002 Wettbewerbe, Planungen und Realisationen in den Architekturb{\"u}ros „the unit" und „ckp", 2002-2007 „limit architects", Wien. Seit 2008 querkraft architekten wien. Dissertationsprojekt seit 2004: Design Strategies: Case Study of Six Projects of Rem Koohaas/ OMA. Seit 2008 wissenschaftliche Assistentin am Institut f{\"u}r Architekturtheorie, Kunst- und Kulturwissenschaften der TU Graz. Forschungsschwerpunkte: Architekturtheorie, Gegenwartsarchitektur, Entwurfsmethoden, Architectural Research/Design Studies, Wahrnehmung und Architektur.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Ammon,
  author    = {Ammon, Sabine},
  title     = {TRANSFORMING TACIT KNOWLEDGE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3084},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30849},
  pages     = {12},
  abstract  = {Sabine Ammon studied architecture and philosophy at the Technische Universit{\"a}t Berlin. Study and research visits led her to the University of London, Harvard University and ETH Z{\"u}rich. Furthermore, she practised building design as a freelance architect. Her dissertation "Wissen verstehen. Perspektiven einer prozessualen Theorie der Erkenntnis", Weilerswist 2009, develops a theory of knowledge, based on the philosophy of symbols. In her current research project she explores the epistemic dimension of architectural design processes.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Richter,
  author    = {Richter, Katharina},
  title     = {TRANSFORMING TO EXPERT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3086},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30864},
  pages     = {10},
  abstract  = {Katharina Richter holds a degree in Architecture, Urban- and Regional Planning from the Bauhaus-University Weimar, where she is appointed as Assistant Professor at the Chair of Computer Science in Architecture since 2000. She teaches architecture studio in undergraduate and graduate programs and has been supervising several international teaching projects. In Fall 2004 she was teaching and researching at the Washington Alexandria Architecture Consortium - Virginia Polytechnic and State University, Alexandria, VA. Her current research focuses on the investigation of the potential of computer based exchange of experiential knowledge in architecture. Between 2000 and 2006 she coordinated third party verification procedures at the Collaborative Research Center SFB 524 „Materials and Structures in Revitalization of Buildings", Bauhaus-University Weimar, Germany. Her work has been published at various international conferences as well as in related reviewed journals.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schuerkamp,
  author    = {Sch{\"u}rkamp, Bettina},
  title     = {GENERIC REALISM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3087},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30879},
  pages     = {8},
  abstract  = {Bettina Sch{\"u}rkamp completed her diploma in architecture at the State Academy of Fine Arts Stuttgart in 1995 and attended the graduate course „Histories and Theories of Architecture" at the Architectural Association in London. For more than five years she worked as a practising architect for architectural firms in England and Germany such as Bolles+Wilson, M{\"u}nster and Peter Kulka, K{\"o}ln. From 2001 until 2007 she held a research and teaching position at the Institute for History and Theory of Architecture at Wuppertal University. Currently she is completing her dissertation on the Dutch architectural firm OMA*AMO She writes as a freelance journalist for architectural magazines in Germany and Switzerland and has been publishing in magazines such as Archithese, Arch+, Bauwelt and Deutsche Bauzeitung.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{OPUS4-3089,
  title     = {ARCHITECTURE IN TIMES OF NEED},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {GRAFT},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3089},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30897},
  pages     = {6},
  abstract  = {GRAFT is an architectural firm located in Los Angeles, Berlin, and Beijing. Their collective professional experience encompasses a wide array of building types including Fine Arts, Educational, Institutional, Commercial and Residential facilities. The firm has won numerous awards in Europe as well as in the United States. GRAFT was established in 1998 in Los Angeles by Lars Kr{\"u}ckeberg, Wolfram Putz and Thomas Willemeit and opened an office in Berlin in 2001. In 2003 GRAFT opened an office in Beijing with Gregor Hoheisel as partner for the asian market. In 2007 Alejandra Lillo became Partner for the office in Los Angeles. GRAFT was conceived as a 'Label' for Architecture, Urban Planning, Design, Music, and the "pursuit of happiness". Since the firm was established, it has been commissioned to design and manage a wide range of projects in multiple disciplines and locations. With the core of the firm's enterprises gravitating around the field of architecture and the built environment, GRAFT has always maintained an interest in crossing the boundaries between disciplines and "grafting" the creative potentials and methodologies of different realities. This is reflected in the firm's expansion into the fields of exhibition design and product design, art installations, academic projects and "events" as well as in the variety of project locations in Germany, China, UAE, Russia, Georgia, in the U.S. and Mexico, to name a few.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Quiroga,
  author    = {Quiroga, Grace},
  title     = {PANTS ON FIRE?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3068},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30684},
  pages     = {16},
  abstract  = {Grace Quiroga studied architecture at the University of Michigan and at the Vienna University of Technology. Her ongoing architectural projects include the design of a housing project in the Chinese province of Sichuan for a thousand families displaced by the earthquake of 2008. In addition, she is working on a doctoral dissertation titled "Rem Koolhaas and the architecture culture of the AA in the 1970's".},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Narath,
  author    = {Narath, Albert},
  title     = {THREE NOTES AROUND THE BAROQUE SENSATION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3078},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30789},
  pages     = {22},
  abstract  = {Albert Narath is a doctoral candidate in modern architectural history at Columbia University in New York and a Paul Mellon Pre-doctoral Fellow at the Center for Advanced Research in the Visual Arts at the National Gallery of Art in Washington, DC. He holds an MA degree from the Architectural Association in London. His dissertation concerns architectural and art historical debates surrounding the Neo-baroque at the end of the nineteenth century in Germany.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Stoecklmayr,
  author    = {St{\"o}cklmayr, Nicole E.},
  title     = {DIAGRAMMATISCHE VISUALISIERUNG ALS {\"A}STHETISCHE INFORMATION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3085},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30851},
  pages     = {12},
  abstract  = {Nicole E. St{\"o}cklmayr ist Post-Doc-Stipendiatin im Research-Fellow Programm „Werkzeuge des Entwerfens" am Internationalen Kolleg f{\"u}r Kulturtechnikforschung und Medienphilosophie (IKKM) der Bauhaus-Universit{\"a}t Weimar. St{\"o}cklmayr promovierte an der Universit{\"a}t f{\"u}r angewandte Kunst Wien an der sie auch Architektur in den Meisterklassen Hans Hollein, Greg Lynn sowie Zaha Hadid studierte. In ihrer von Gabriele Werner betreuten und von der {\"O}sterreichischen Akademie der Wissenschaften gef{\"o}rderten Dissertation mit dem Titel „Das Architekturbild im digitalen Paradigmenwechsel" untersuchte sie den Status des Bildes im digitalen Prozess des Architekturentwurfs. Ver{\"o}ffentlichungen: „Architektur ohne Maßstab. Digitale Visualisierungen im Entwurfsprozess", in: Ingeborg Reichle, Steffen Siegel (Hg.), Maßlose Bilder. Visuelle {\"A}sthetik der Transgression, M{\"u}nchen 2009, S. 279 - 294; „Das digitale Bild des Architekturentwurfs", in: Gerald Bast, Florian Bettel, Barbara Hollendonner (Hg.), uni*vers. Junge Forschung in Wissenschaft und Kunst, Wien 2010; S. 59 - 69.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Brasil,
  author    = {Brasil, Daniela},
  title     = {SENSUAL IS POLITICAL},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3083},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30835},
  pages     = {11},
  abstract  = {Daniela Brasil is currently a PhD candidate at the professorship of Spatial Planning and Research at Architecture Faculty of the Bauhaus-Universit{\"a}t Weimar, where she has also been teaching since 2007. Her seminars foster bodily experiments and critical thinking on "city's sensuality", where discussions on city marketing and affectivity are central. She was educated in architecture and urbanism in Brazil and Portugal and holds a Master of Fine Arts in Public Art and new artistic strategies. Idealizing and realizing artistic-oriented projects that intervene in relations between bodies and cities is her main concern since the mid-nineties; where she preferably works in transdisciplinary groups, as in "Lisbon Capital of Nothing: create, debate and intervene in public space, Marvila 2001". Daniela currently runs the project "Baustelle M10 > gallery for contemporary experiments" within a collective of artists and students in Weimar.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Bredella,
  author    = {Bredella, Nathalie},
  title     = {ARCHITECTURE AND ATMOSPHERE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3079},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30794},
  pages     = {10},
  abstract  = {Nathalie Bredella is an architect. She was educated at the TU Berlin and Cooper Union, New York. She received a PhD in Architectural Theory. She taught architectural design at the TU Berlin. She ist the author of Architekturen des Zuschauens. Imagin{\"a}re und reale R{\"a}ume im Film (transcript-verlag). The work is based on an interdisciplinary approach incorporating architecture, film theory and philosophy. Her interests in architectural practice focus on the relationship between spatial strategies, film and media on an urban and architectural scale.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Hennig,
  author    = {Hennig, Ralf},
  title     = {O{\´I}DA OUK EID{\´O}S},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3088},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30885},
  pages     = {11},
  abstract  = {Ralf Hennig is a PhD-candidate at the chair of Theory and History of Modern Architecture at the Bauhaus-University Weimar. His prior research interests are focused on historical and current interaction between media, architecture and the city as well as the influence of the alliance of these entities on traditional principles of dwelling. In 2004-2005 he was responsible for the conception and constitution of the postgraduate Master's degree programme MediaArchitecture at the Bauhaus-University Weimar. In 2007-2008 he worked there as a scientific associate at the chair of Sociology of Globalisation, involved in various activities such as the research project MEDIACITY.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{LippertVieira,
  author    = {Lippert-Vieira, Sandra},
  title     = {BAUHAUS, GEMEINSCHAFT, BIOPOLITIK UND WEITER?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3071},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30710},
  pages     = {16},
  abstract  = {Sandra Lippert-Vieira, 1971 in Lissabon, Portugal geboren, schloss 1995 ihr Architekturstudium an der Universidade Lus{\´i}ada in Lissabon ab. Bis 2003 arbeitete sie als Freie Architektin in Lissabon und war Entwurfsassistentin an der Universidade Moderne und Universidade Lus{\´o}fona in Lissabon bei Prof. em. Am{\^a}ncio d'Alpoim Guedes, Lehrstuhl f{\"u}r Entwurf. Derzeit ist sie wissenschaftliche Mitarbeiterin im Fachgebiet Geb{\"a}udelehre bei Prof. Daniele Marques, Institut f{\"u}r Entwerfen, Kunst und Theorie, KIT - Karlsruher Institut f{\"u}r Technologie. Sie promovierte an der BTU Cottbus, Prof. F{\"u}hr, zum Thema „Dissoziative Architektur. Zwischen Teufelskralle und Scheinriese. Wege zu einem weiteren Verst{\"a}ndnis der Architektur des Expressionismus." Bisherige Ver{\"o}ffentlichungen: „Wege zu einer Rezeptions{\"a}sthetik in der Architektur: das implizite Leben der gebauten Welt," in: Wolkenkuckucksheim (Heft 2/08); „Texte und Kontexte" von J{\"u}rgen Habermas und „Martin Heidegger. Unterwegs zu seiner Biographie" von Hugo Ott. Forschungsschwerpunkte: Expressionistische Architektur, Outsider Architektur, Architekturinterpretationsmethoden, Avantgarde und Postanarchismus.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Graf,
  author    = {Graf, Douglas},
  title     = {FORM'S FALLOW FUNCTION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3054},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30547},
  pages     = {26},
  abstract  = {Douglas Graf received an A.B. in architecture and urban planning from Princeton and a M.Arch. from Harvard and currently teaches courses in design and architectural theory at the Knowlton School of Architecture at the Ohio State University. His teaching career has included the Kentucky, Washington, and Yale, as well as positions in Britain, Germany, and Finland, where he first went on a Fulbright to study the work of Alvar Aalto. He has received five teaching awards. His interest in design theory has a primary focus on formal analysis, which is applied not only to architecture but also to urban form, landscape, photography, painting, product design, and graphics. One of his signature investigations has been into the structure and use of diagrams as tools for 'close reading.' Many of his investigations have explored 'metaphoric time' as a central design strategy. He has written about the idea of the 'encyclopedic set' as a persistent means of modeling complexity and the use of 'fictive landscapes' to derive narratives for the city. He currently divides his time between Columbus (the one in Ohio) and London (not the one in Ohio), where he has been researching the design strategies in English gardens and the formal structure of the pre-industrial village. He is one of the principals in Mid-Ohio Design, a firm of architects and urban designers whose work elides from the real to the academic and who have won a number of urban design competitions.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Pehnt,
  author    = {Pehnt, Wolfgang},
  title     = {MODELLWECHSEL},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3052},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30526},
  pages     = {17},
  abstract  = {Wolfgang Pehnt lehrte Baugeschichte an der Ruhr-Universit{\"a}t Bochum. Er hat zahllose Arbeiten zur Architekturgeschichte der Moderne ver{\"o}ffentlicht und Monographien {\"u}ber Baumeister wie Gottfried B{\"o}hm, Hans Poelzig, Rudolf Schwarz und Karljosef Schattner geschrieben; er war Autor bei der Propyl{\"a}en-Kunstgeschichte und Mitarbeiter von Fachzeitschriften, Katalogb{\"u}chern, Tageszeitungen und Rundfunkanstalten. Seine B{\"u}cher „Die Architektur des Expressionismus" und „Deutsche Architektur seit 1900" gelten als Standardwerke. Er wurde vielfach ausgezeichnet, zuletzt mit dem Deutschen Preis f{\"u}r Denkmalschutz (Karl Friedrich Schinkel-Ring).},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Shusterman,
  author    = {Shusterman, Richard M.},
  title     = {SOMAESTHETICS AND ARCHITECTURE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3061},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30614},
  pages     = {18},
  abstract  = {Richard Shusterman received a B.A. and M.A. in Philosophy from the Hebrew University of Jerusalem, and completed his doctoral studies in Philosophy at Oxford University. In Israel he taught at the Hebrew University and the University of the Negev, and then moved to the United States, where he was Professor of Philosophy at Temple University, and chaired its department from 1998-2004. He then was awarded the Dorothy F. Schmidt Eminent Scholar Chair in the Humanities at Florida Atlantic University, where he also directs the Center for Body, Mind, and Culture. His authored books include Surface and Depth (2002); Performing Live (2000); Practicing Philosophy: Pragmatism and the Philosophical Life (1997); Sous l'interpr{\´e}tation (1994), Pragmatist Aesthetics: Living Beauty, Rethinking Art (1992, 2nd edition 2000); T.S. Eliot and the Philosophy of Criticism (1988); and The Object of Criticism (1984). His most recent book, Body Consciousness: A Philosophy of Mindfulness and Somaesthetics was published by Cambridge University Press. It provides the most detailed formulation of his project of somaesthetics.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Rumpfhuber,
  author    = {Rumpfhuber, Andreas},
  title     = {NON-PLACES OF IMMATERIAL LABOUR},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3066},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30669},
  pages     = {15},
  abstract  = {Andreas Rumpfhuber is Architect and Researcher and currently based in Vienna, Austria. He studied architecture at University of Technology in Graz and the Bartlett School of Architecture in London. He is member of the research collective roundtable.kein.org at the Centre for Research Architecture at Goldsmiths College in London. He has taught and lectured at architecture schools in Europe and is a regular contributor to the Vienna street newspaper Augustin and architecture journals like deriv{\´e}, UmBau, Monu, Arkitekten. In his office he is currently working on small scale projects.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Oetsch,
  author    = {{\"O}tsch, Silke},
  title     = {EXPLAINING JUNKSPACE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3067},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30676},
  pages     = {8},
  abstract  = {Dr. Silke {\"O}tsch is currently working on a research project on the role of architects as intermediaries in financialization founded by the Austrian Research Found (FWF) at the Department of Sociology at the University of Innsbruck. She worked as scientific employee at the Institute of Construction and Design at the Innsbruck University, as lecturer at the Institute for Architecture Theory at the University of Innsbruck (Austria), in the architectural offices of Arets Architekten in Maastricht as well as Haid und Partner in N{\"u}rnberg and for Attac Germany. Silke {\"O}tsch received her doctoral degree at the Bauhaus-University Weimar and studied architecture in Weimar and Paris. She published books in the field of architecture theory with the title "Stripping las Vegas" (with K. Jaschke) and "{\"U}berw{\"a}ltigen und Schmeicheln", and articels in the review GAM and others, and published in the field of political economy, among others the book "Das Casino schließen" (together with T. Sauer and P. Wahl) on the financial crisis and "R{\"a}ume der Offshore-Welt" (together with Celia Di Pauli), which is a publication on concrete spaces of tax havens and offshore centres in Europe and their implications. Her main research interest is globalization and financial architecture.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Czech,
  author    = {Czech, Hermann},
  title     = {KANN ARCHITEKTUR VON DER KONSUMTION HER GEDACHT WERDEN?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3058},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30588},
  pages     = {13},
  abstract  = {Hermann Czech studierte Architektur an der Technischen Hochschule und in der Meisterschule von Ernst Plischke an der Akademie der bildenden K{\"u}nste in Wien. 1958 und 1959 war er Seminarteilnehmer bei Konrad Wachsmann an der Sommerakademie in Salzburg. An der Akademie f{\"u}r angewandte Kunst in Wien war er von 1974 bis 1980 Assistent bei Hans Hollein und Johannes Spalt, 1985/86 Gastprofessor an derselben Hochschule. 1988/89 und 1993/94 war er Gastprofessor an der Harvard University in Cambridge/USA, 2004-07 Gastprofessor an der ETH Z{\"u}rich. Sein ungleichartiges architektonisches Werk umfasst Planungen, Wohn-, Schul- und Hotelbauten ebenso wie Interventionen in kleinem Maßstab und Ausstellungsgestaltungen. Seine Projekte haben starken Bezug zum Kontext und beinhalten bewusst die vorhandenen Widerspr{\"u}che. Ab den 1970er Jahren (»Architektur ist Hintergrund«) wurde Hermann Czech zum Protagonisten einer neuen, »stillen« Architektur, die »nur spricht, wenn sie gefragt wird«. Er ist Autor zahlreicher kritischer und theoretischer Publikationen zur Architektur. In seiner Theorie spielen die Begriffe Umbau und Manierismus eine zentrale Rolle. Ver{\"o}ffentlichungen (Auswahl): ‚Zur Abwechslung. Ausgew{\"a}hlte Schriften zur Architektur. Wien', Wien 1996, ‚Das Looshaus', Wien 1976 (mit Wolfgang Mistelbauer), ‚Komfort - ein Gegenstand der Architekturtheorie?', in: werk,bauen+wohnen, Z{\"u}rich, 3/2003, S. 10-15.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Yansong,
  author    = {Yansong, Ma},
  title     = {DESIGNING THE REALIZABLE UTOPIA},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {MAD Architects},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3059},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30598},
  pages     = {7},
  abstract  = {MAD is a Beijing-based architectural design studio. In their work, they are examining and developing a unique concept of futurism through current theoretical practice in architectural design, landscape design, and urban planning. In 2006, MAD was awarded the Architectural League Young Architects Forum Award. In the same year, MAD was shown at the 'MAD in China' exhibition in Venice during the Architecture Bienniale, and the 'MAD Under Construction' exhibition at the Tokyo Gallery in Beijing. MAD's conceptual proposal, Super Star - A mobile China Town was exhibited in the Uneternal City of the 11th Architecture Biennale in Venice. Ma Yansong received his Master of Architecture from the Yale University School of Architecture in 2002. Prior to founding MAD in 2004, Mr. Ma worked as a project designer with Zaha Hadid Architects and Eisenman Architects. He also taught architecture at the Central Academy of Fine Arts in Beijing. In 2008, one of his built works, Hongluo Clubhouse, was nominated as one of the 100 designs by the London Design Museum. He was also nominated as one of the 20 most influential young architects today by ICON.},
  subject      = {Architekturtheorie},
  language  = {en}
}