@inproceedings{Brodrueck,
  author    = {Brodr{\"u}ck, Ralph},
  title     = {SENSORY TECTONICS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3082},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30829},
  pages     = {7},
  abstract  = {Ralph Brodruck studied architecture at the Technical University of Eindhoven and Jan van Eyck Academie in Maastricht. He currently teaches architecture and morpholgy at the Technical University of Eindhoven and the Academie voor Bouwkunst in Arnhem.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Jormakka,
  author    = {Jormakka, Kari},
  title     = {THE EMPIRE AND ITS AMAZING TECHNICOLOR DREAMCOAT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3047},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30473},
  pages     = {22},
  abstract  = {Kari Jormakka has been teaching architectural theory at the Bauhaus University in Weimar since 2007. In addition, he has been an Ordinarius Professor of architectural theory at Vienna University of Technology since 1998. Previously, he has taught at the Knowlton School of Architecture at the Ohio State University, the University of Illinois at Chicago, Tampere University of Technology as well as Harvard University. Author of ten books and many papers on architectural history and theory, he studied architecture at Otaniemi University in Helsinki and at Tampere University of Technology, as well as philosophy at Helsinki University.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Boyer,
  author    = {Boyer, M. Christine},
  title     = {COLLECTIVE MEMORY UNDER SIEGE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3049},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30495},
  pages     = {16},
  abstract  = {M. Christine Boyer is an urban historian whose interests include the history of the American city, city planning, preservation planning, and computer science. Before coming to Princeton University in 1991, Boyer was professor and chair of the City and Regional Planning Program at Pratt Institute. She was a visiting professor in the Ph.D. program at TU Deflt School of Design for Spring 2005. She has written extensively about American urbanism. Her publications include Dreaming the Rational City: The Myth of American City Planning 1890 -1945 (Cambridge: The MIT Press, 1983), Manhattan Manners: Architecture and Style 1850-1900 (New York: Rizzoli, 1985), The City of Collective Memory (Cambridge: The MIT Press, 1994), and CyberCities (New York: Princeton Architectural Press, 1996).},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Meier,
  author    = {Meier, Hans-Rudolf},
  title     = {„MULTITUDE" VERSUS „IDENTIT{\"A}T"},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3046},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30464},
  pages     = {13},
  abstract  = {Geb. 1956 in Z{\"u}rich; nach Berufslehre und -t{\"a}tigkeit in der Chemischen Industrie Studium der Kunstwissenschaft, Geschichte, Ur- und Fr{\"u}hgeschichte und Mittelalterarch{\"a}ologie. 1992 Promotion zum Dr. phil., danach Oberassistent am Institut f{\"u}r Denkmalpflege der Architekturabteilung der ETH Z{\"u}rich, unterbrochen durch Forschungsaufenthalt als Mitglied des Istituto Svizzero in Rom. Lehrauftr{\"a}ge an den Universit{\"a}ten Basel, Bern und Z{\"u}rich sowie an der ETH Z{\"u}rich. 2000 Habilitation an der Philosophisch-Historischen Fakult{\"a}t der Universit{\"a}t Basel, ebd. bis 2007 Privatdozent f{\"u}r Kunstwissenschaft. Wissenschaftlicher Mitarbeiter und Leiter von Nationalfonds-Projekten. 2003 Berufung auf die Professur f{\"u}r Denkmalkunde und angewandte Bauforschung an der Fakult{\"a}t Architektur der Technischen Universit{\"a}t Dresden. Seit Januar 2008 Professor f{\"u}r Denkmalpflege und Baugeschichte an der Fakult{\"a}t Architektur der Bauhaus-Universit{\"a}t Weimar. Forschungen und Publikation zur Architektur- und Kunstgeschichte haupts{\"a}chlich des Mittelalters, zur Rezeptions- und Fachgeschichte sowie zur Geschichte und Theorie der Denkmalpflege. (Mit-)Organisator zahlreicher internationaler Tagungen. Mitglied zahlreicher Denkmalpflegerischer Arbeitskreise und Gremien.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Schrijver,
  author    = {Schrijver, Lara},
  title     = {ARCHITECTURE: PROJECTIVE, CRITICAL OR CRAFT?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3065},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30654},
  pages     = {16},
  abstract  = {Lara Schrijver is an assistant professor at the Faculty of Architecture of the TU Delft. She is one of three program leaders for a new research program in the department of architecture, 'The Architectural Project and its Foundations'. Schrijver holds degrees in architecture from Princeton University and the TU Delft. She received her Ph.D. from the TU Eindhoven in 2005. Schrijver has taught design and theory courses, and contributed to conferences in the Netherlands as well as abroad. She was an editor for OASE, journal for architecture, for ten years, and was co-organizer of the 2006 conference 'The Projective Landscape'. Her current work revolves around the role of architecture in the city, and its responsibility in defining the public domain. Her first book, Radical Games, on the influence of the 1960s on contemporary discourse, is forthcoming in the spring of 2009.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Easterling,
  author    = {Easterling, Keller},
  title     = {EXTRA-STATECRAFT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3048},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30482},
  pages     = {14},
  abstract  = {Keller Easterling is an architect, urbanist, and writer. Her latest book, Enduring Innocence: Global Architecture and Its Political Masquerades (MIT, 2005), researches familiar spatial products that have landed in difficult or hyperbolic political situations around the world. Her previous book, Organization Space: Landscapes, Highways and Houses in America, applies network theory to a discussion of American infrastructure and development formats. A forthcoming book, Extrastatecraft, researches global infrastructure as a medium of polity. Ms. Easterling is also the author of Call It Home, a laser disc history of suburbia, and American Town Plans. She has recently completed two research installations on the Web: "Wildcards: A Game of Orgman" and "Highline: Plotting NYC." Her work has been widely published in journals such as Grey Room, Volume, Cabinet, Assemblage, Log, Praxis, Harvard Design Magazine, Perspecta, Metalocus, and ANY. Her work is also included as chapters in numerous publications. She has lectured widely in the United States as well as internationally. Ms. Easterling's work has been exhibited at the Queens Museum, the Architectural League, the Municipal Arts Society, and the Wexner Center. Easterling is a professor at Yale's School of Architecture.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Ursprung,
  author    = {Ursprung, Philip},
  title     = {OUT OF EMPIRE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3044},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30446},
  pages     = {12},
  abstract  = {Philip Ursprung studierte Kunstgeschichte, Allgemeine Geschichte und Germanistik in Genf, Wien und Berlin. Er wurde 1993 an der FU Berlin promoviert und 1999 an der ETH Z{\"u}rich habilitiert. Er unterrichtete an den Universit{\"a}ten Genf, Basel und Z{\"u}rich, an der ETH Z{\"u}rich, der Kunsthochschule Berlin-Weissensee und der Universit{\"a}t der K{\"u}nste Berlin. 2001-2005 war er Nationalfonds- F{\"o}rderungsprofessor f{\"u}r Geschichte der Gegenwartskunst am Departement Architektur der ETH Z{\"u}rich. Seit 2005 ist er Professor f{\"u}r Moderne und zeitgen{\"o}ssische Kunst an der Universit{\"a}t Z{\"u}rich. 2007 war er Gastprofessor an der Graduate School of Architecture, Planning and Preservation der Columbia University New York. Er war Gastkurator am Museum f{\"u}r Gegenwartskunst in Basel, am Canadian Centre for Architecture in Montreal und der Graduate School for Architecture, Planning and Preservation der Columbia University New York. Er ist Autor von Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art (M{\"u}nchen, 2003), Herausgeber von Herzog \& de Meuron: Naturgeschichte (Montreal und Baden 2002), sowie Ko-autor von Images: A Picture Book of Architecture (M{\"u}nchen 2004), Minimal Architecture (M{\"u}nchen, 2003) und Studio Olafur Eliasson: An Encyclopedia (K{\"o}ln, 2008). Zuletzt erschien Caruso St John: Almost Everything (Barcelona, 2008).},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Maldonado,
  author    = {Maldonado, Tom{\´a}s},
  title     = {IST DAS BAUHAUS AKTUELL?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3043},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30432},
  pages     = {11},
  abstract  = {Geboren 1922 in Buenos Aires, ist Tom{\´a}s Maldonado heute Professor Emeritus f{\"u}r Umweltplanung am Politecnico in Mailand. Er studierte an der Academia Nacional de Bellas Artes in Buenos Aires. 1954 bis 1967 war er Dozent an der Hochschule f{\"u}r Gestaltung (HfG) Ulm, 1955-1956 Prorektor, bis 1960 Rektor der HfG. 1965: Lethaby Lecturer am Royal College of Arts, London. 1966 wurde er zum Fellow des Council of Humanities an der University Princeton (USA) ernannt, von 1968 bis 1970 lehrte er an der School of Architecture dieser Universit{\"a}t. Die Society of Industrial Artists and Designers (GB) verleih ihm 1968 die „Design Medal". Er war von 1967 bis 1969 Vorsitzender des Pr{\"a}sidiums des International Council of Societies of Industrial Design (ICSID). Von 1971 bis 1983 lehrte er zus{\"a}tzlich an der Universit{\"a}t von Bologna. 1976 bis 1981 war er der Herausgeber der Zeitschrift Casabella in Mailand. 1979 Research Fellow an der Graduate School of Design der Harvard University. Ausgew{\"a}hlte Schriften erschienen 2007 unter dem Titel „Digitale Welt und Gestaltung" in Z{\"u}rich.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Kavanaugh,
  author    = {Kavanaugh, Leslie},
  title     = {TOWARD A NEO-MARXIST THEORY OF SPATIO-TEMPORALITY},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3045},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30456},
  pages     = {10},
  abstract  = {Leslie Kavanaugh is both an architect and a philosopher. She is a licensed architect in America and the Netherlands, as well as a member of the AIA, but studied philosophy from undergraduate to doctorate at the University of Amsterdam. She has taught philosophy and design at various institutions, including twelve years at TUDelft, and as a guest professor at the Tokyo Science University and Milano Politecnico. Her publications include The Architectonic of Philosophy: Plato, Aristotle, Leibniz (Amsterdam: University of Amsterdam Press, 2007), Crossovers (with A.Graafland), Meditations on Space (2010), Aggregates (2010), and Chronotopologies: Hybrid Spatialities and Multiple Temporalities (Amsterdam: Rodopi Press, forthcoming). Presently she is the founder and director of studiokav.com in Amsterdam, a multi-disciplinary and collaborative atelier. In addition, Kavanaugh is an affiliated Senior Scholar at the Philosophy Institute, Leiden University, the Netherlands.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Anderson,
  author    = {Anderson, Stanford},
  title     = {RATIONAL RECONSTRUCTIONS AND ARCHITECTURAL KNOWLEDGE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3053},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30535},
  pages     = {14},
  abstract  = {Stanford Anderson is Professor of History and Architecture and was Head of the Department of Architecture from 1991 through 2004. He was director of MIT's PhD program in History, Theory and Criticism of Architecture, Art and Urban Form from its founding in 1974 to 1991 and in 1995-96. Anderson's research and writing concern architectural theory, early modern architecture in northern Europe, American architecture and urbanism, and epistemology and historiography. He has organized numerous professional conferences and served on the editorial boards of Assemblage, Journal of Architectural Education, Places, and The MIT Press. In addition to numerous articles, his books are Planning for Diversity and Choice, On Streets, and Hermann Muthesius: Style-Architecture and Building Art. He is co-author of Kay Fisker. Peter Behrens and a New Architecture for the Twentieth Century appeared in 2000 and Eladio Dieste: Innovation in Structural Art in 2004. In 1997, The MIT Press published a collection of essays in his honor, edited by Martha Pollak: The Education of the Architect: Historiography, Urbanism, and the Growth of Knowledge. He was a Fulbright fellow at the Technische Hochschule in Munich and subsequently a fellow of the John Simon Guggenheim Foundation and the American Council of Learned Societies. Anderson received his bachelor's degree from the University of Minnesota, his master's in architecture from the University of California at Berkeley, and his doctoral degree in the history of art from Columbia University in New York City.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{OPUS4-1578,
  title     = {The Architecture in the Age of Empire : 11th International Bauhaus-Colloquium},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.1578},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20120314-15784},
  pages     = {554 S.},
  abstract  = {Eine neue, kopflose Gewalt hat den Imperialismus vergangener Zeiten abgel{\"o}st. Die neue Weltordnung, das »Empire«, {\"u}berschreitet alle Grenzen unserer althergebrachten politischen Begriffe - Staat und Gesellschaft, Krieg und Frieden, Kontrolle und Freiheit. Das dezentralisierte und deterritorialisierte Empire beherrscht uns, indem es durch die Medien, die Technik und durch soziale Praktiken unmittelbaren Einfluss auf uns Menschen nimmt. Architektur und Raumplanung haben sich in den letzten Jahrzehnten radikal gewandelt. Die alten, modernistischen Bestrebungen nach erschwinglichen Wohnungen und einer rationalen Organisation der St{\"a}dte sind ebenso in den Hintergrund ger{\"u}ckt wie die postmodernen Obsessionen der Kommunikation, der Nutzerbeteiligung und des {\"o}ffentlichen Raumes. Stattdessen stehen nun {\"a}sthetische und entschieden unpolitischere Belange im Vordergrund: Diskussionen zwischen einer kritischen und einer projektiven Praxis, zwischen Blobs und Kisten, zwischen Atmosph{\"a}re und Ornament. Doch das ist noch lange nicht das Ende der Geschichte, wie im vorliegenden Band deutlich wird. Die Beitr{\"a}ge des 11. Bauhaus-Kolloquiums umspannen einen Zeitraum, der von der Gr{\"u}ndung des Bauhauses in Weimar bis zur globalen Architektur unserer Zeit reicht, und verfolgen dabei die Entwicklung des Empires zur{\"u}ck, um gleichzeitig nach Konsequenzen und Alternativen zu fragen, denen die Architektur sich heute gegen{\"u}bergestellt sieht.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Godel,
  author    = {Godel, Addison},
  title     = {REVISITING 1923},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3070},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30707},
  pages     = {16},
  abstract  = {Addison Godel is a student at the Knowlton School of Architecture at Ohio State, working towards a three-year Master of Architecture. He is a teaching assistant for a variety of history and theory courses, as well as two of the school's European travel-abroad programs. His interests include the relationship between style and larger cultural forces, and the efforts of architecture to symbolically adapt and represent contemporary technology.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Zimmermann,
  author    = {Zimmermann, Gerd},
  title     = {DAS KOLLOQUIUM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3042},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30428},
  pages     = {6},
  abstract  = {Geb.1946 in Luckenwalde, nach dem Studium der Architektur in Weimar Promotion 1974 auf dem Gebiet der Architekturtheorie, 1973 bis 1980 Abteilung Theorie und Geschichte der Architektur am Institut f{\"u}r St{\"a}dtebau und Architektur der Bauakademie in Berlin. Arbeiten zur Architekturpsychologie und Architektursemiotik sowie Beitr{\"a}ge zur empirischen Wirkungsforschung in der Architektur. Ab 1980 Lehrt{\"a}tigkeit an der Hochschule f{\"u}r Architektur und Bauwesen (HAB) Weimar. 1992 Berufung zum Universit{\"a}tsprofessor an der HAB f{\"u}r das Fach „Entwerfen und Architekturtheorie", im gleichen Jahr Wahl zum Rektor der Hochschule, 1996 Wiederwahl f{\"u}r weitere vier Jahre. Publikationen zur Architekturtheorie, Konzeption und Veranstaltung der Internationalen Bauhaus-Kolloquien, internationale Programme mit der WASEDA Universit{\"a}t Tokyo, dem IIT Chicago, seit Mitte der 90er Jahre j{\"a}hrliche Entwurfsakademie in Rom. 2003 Wahl zum Dekan der Fakult{\"a}t Architektur und 2004 erneute Wahl zum Rektor der Bauhaus-Universit{\"a}t Weimar.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Speaks,
  author    = {Speaks, Michael},
  title     = {NEUE WERTE EINES NEUEN DESIGNS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3056},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30562},
  pages     = {7},
  abstract  = {Michael Speaks ist Dekan an der Universit{\"a}t des Kentuck Collge of Design und ehemaliger Gr{\"u}ndungsvorstand des Metropolitan Research and Design Postgraduate Program der Sci-Arc in Los Angeles. Er leitet ebenfalls Big Soft Orange, eine niederl{\"a}ndisch-amerikanische Stadtforschungsgruppe mit Standorten in Rotterdam und Los Angeles. Er war Herausgeber und Gr{\"u}nder des Kulturjournals Polygraph, sowie Mitherausgeber von Architecture New York und a+u (Tokyo), und arbeitet derzeit als beitragender Herausgeber f{\"u}r das Architecutral Record. Als Lehrer, Forscher und Herausgeber hat Speaks in zahlreichen Institutionen innerhalb der Vereinigten Staaten wie auch im Ausland mitgewirkt, darunter die Technischen Universit{\"a}t Delft, die Yale School of Arts, die Harvard University, die Columbia University, die University of Michigan, das Berlage Institut in Rotterdam und die University of California, Los Angeles. Außerhalb des H{\"o}rsaals hat der in Los Angeles lebende Schriftsteller und Kritiker sich in Vortr{\"a}gen und Ver{\"o}ffentlichungen zur Kunst, Architektur, der Stadt- und Szenarienplanung ge{\"a}ußert. In j{\"u}ngeren Diskussionen um die Rolle von Innovation und Prototypenentwicklung f{\"u}r das Design nimmt er eine zentrale Position ein und hat eine vielzahl einflussreicher Aufs{\"a}tze geschrieben, welche auf die Bedeutung dessen verweisen, was er eine „Design Intelligence" nennt.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Hillier,
  author    = {Hillier, Bill},
  title     = {SPACE SYNTAX},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3055},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30555},
  pages     = {18},
  abstract  = {Bill Hillier ist Professor f{\"u}r architektonische und urbane Morphologie an der University of London, Vorsitzender der Bartlett School of Graduate Studies und Leiter des Space Syntax Laboratorys an der University of London. Er besitzt einen DSc (gehobene Doktorenw{\"u}rde) an der University of London. Als urspr{\"u}nglicher Wegbereiter der Methode zur Analyse r{\"a}umliche Muster, die unter dem Namen "Space Syntax" bekannt wurde, ist er auch Verfasser von The Social Logic of Space (Cambridge University Press, 1984, 1990), das eine allgemeine Theorie {\"u}ber das Verh{\"a}ltnis von Menschen zu dem sie umgebenden, gebauten Raum darlegt, 'Space is the Machine' (CUP 1996) das den grundlegenden Untersuchungsstand zu dieser Theorie beeinhaltet, sowie zahlreicher Artikel, die sich mit dem Raum und dessen Wirken befassen. Auch {\"u}ber andere Aspekte der Architekturtheorie hat er ausgiebig geschrieben.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Boeck,
  author    = {B{\"o}ck, Ingrid},
  title     = {IMMERSIVE SPACES AND THE AIR CONDITIONING PROJECT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3080},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30800},
  pages     = {13},
  abstract  = {Studium der Architektur an der Technischen Universit{\"a}t Wien. Von 2001 bis 2002 Lehrbeauftragte am Institut f{\"u}r k{\"u}nstlerische Gestaltung der TU Wien. Im Zeitraum 1997-2002 Wettbewerbe, Planungen und Realisationen in den Architekturb{\"u}ros „the unit" und „ckp", 2002-2007 „limit architects", Wien. Seit 2008 querkraft architekten wien. Dissertationsprojekt seit 2004: Design Strategies: Case Study of Six Projects of Rem Koohaas/ OMA. Seit 2008 wissenschaftliche Assistentin am Institut f{\"u}r Architekturtheorie, Kunst- und Kulturwissenschaften der TU Graz. Forschungsschwerpunkte: Architekturtheorie, Gegenwartsarchitektur, Entwurfsmethoden, Architectural Research/Design Studies, Wahrnehmung und Architektur.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Ammon,
  author    = {Ammon, Sabine},
  title     = {TRANSFORMING TACIT KNOWLEDGE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3084},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30849},
  pages     = {12},
  abstract  = {Sabine Ammon studied architecture and philosophy at the Technische Universit{\"a}t Berlin. Study and research visits led her to the University of London, Harvard University and ETH Z{\"u}rich. Furthermore, she practised building design as a freelance architect. Her dissertation "Wissen verstehen. Perspektiven einer prozessualen Theorie der Erkenntnis", Weilerswist 2009, develops a theory of knowledge, based on the philosophy of symbols. In her current research project she explores the epistemic dimension of architectural design processes.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Richter,
  author    = {Richter, Katharina},
  title     = {TRANSFORMING TO EXPERT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3086},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30864},
  pages     = {10},
  abstract  = {Katharina Richter holds a degree in Architecture, Urban- and Regional Planning from the Bauhaus-University Weimar, where she is appointed as Assistant Professor at the Chair of Computer Science in Architecture since 2000. She teaches architecture studio in undergraduate and graduate programs and has been supervising several international teaching projects. In Fall 2004 she was teaching and researching at the Washington Alexandria Architecture Consortium - Virginia Polytechnic and State University, Alexandria, VA. Her current research focuses on the investigation of the potential of computer based exchange of experiential knowledge in architecture. Between 2000 and 2006 she coordinated third party verification procedures at the Collaborative Research Center SFB 524 „Materials and Structures in Revitalization of Buildings", Bauhaus-University Weimar, Germany. Her work has been published at various international conferences as well as in related reviewed journals.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schuerkamp,
  author    = {Sch{\"u}rkamp, Bettina},
  title     = {GENERIC REALISM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3087},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30879},
  pages     = {8},
  abstract  = {Bettina Sch{\"u}rkamp completed her diploma in architecture at the State Academy of Fine Arts Stuttgart in 1995 and attended the graduate course „Histories and Theories of Architecture" at the Architectural Association in London. For more than five years she worked as a practising architect for architectural firms in England and Germany such as Bolles+Wilson, M{\"u}nster and Peter Kulka, K{\"o}ln. From 2001 until 2007 she held a research and teaching position at the Institute for History and Theory of Architecture at Wuppertal University. Currently she is completing her dissertation on the Dutch architectural firm OMA*AMO She writes as a freelance journalist for architectural magazines in Germany and Switzerland and has been publishing in magazines such as Archithese, Arch+, Bauwelt and Deutsche Bauzeitung.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{OPUS4-3089,
  title     = {ARCHITECTURE IN TIMES OF NEED},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {GRAFT},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3089},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30897},
  pages     = {6},
  abstract  = {GRAFT is an architectural firm located in Los Angeles, Berlin, and Beijing. Their collective professional experience encompasses a wide array of building types including Fine Arts, Educational, Institutional, Commercial and Residential facilities. The firm has won numerous awards in Europe as well as in the United States. GRAFT was established in 1998 in Los Angeles by Lars Kr{\"u}ckeberg, Wolfram Putz and Thomas Willemeit and opened an office in Berlin in 2001. In 2003 GRAFT opened an office in Beijing with Gregor Hoheisel as partner for the asian market. In 2007 Alejandra Lillo became Partner for the office in Los Angeles. GRAFT was conceived as a 'Label' for Architecture, Urban Planning, Design, Music, and the "pursuit of happiness". Since the firm was established, it has been commissioned to design and manage a wide range of projects in multiple disciplines and locations. With the core of the firm's enterprises gravitating around the field of architecture and the built environment, GRAFT has always maintained an interest in crossing the boundaries between disciplines and "grafting" the creative potentials and methodologies of different realities. This is reflected in the firm's expansion into the fields of exhibition design and product design, art installations, academic projects and "events" as well as in the variety of project locations in Germany, China, UAE, Russia, Georgia, in the U.S. and Mexico, to name a few.},
  subject      = {Architekturtheorie},
  language  = {en}
}