@inproceedings{Anderson,
  author    = {Anderson, Stanford},
  title     = {RATIONAL RECONSTRUCTIONS AND ARCHITECTURAL KNOWLEDGE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3053},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30535},
  pages     = {14},
  abstract  = {Stanford Anderson is Professor of History and Architecture and was Head of the Department of Architecture from 1991 through 2004. He was director of MIT's PhD program in History, Theory and Criticism of Architecture, Art and Urban Form from its founding in 1974 to 1991 and in 1995-96. Anderson's research and writing concern architectural theory, early modern architecture in northern Europe, American architecture and urbanism, and epistemology and historiography. He has organized numerous professional conferences and served on the editorial boards of Assemblage, Journal of Architectural Education, Places, and The MIT Press. In addition to numerous articles, his books are Planning for Diversity and Choice, On Streets, and Hermann Muthesius: Style-Architecture and Building Art. He is co-author of Kay Fisker. Peter Behrens and a New Architecture for the Twentieth Century appeared in 2000 and Eladio Dieste: Innovation in Structural Art in 2004. In 1997, The MIT Press published a collection of essays in his honor, edited by Martha Pollak: The Education of the Architect: Historiography, Urbanism, and the Growth of Knowledge. He was a Fulbright fellow at the Technische Hochschule in Munich and subsequently a fellow of the John Simon Guggenheim Foundation and the American Council of Learned Societies. Anderson received his bachelor's degree from the University of Minnesota, his master's in architecture from the University of California at Berkeley, and his doctoral degree in the history of art from Columbia University in New York City.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Oswalt,
  author    = {Oswalt, Philipp},
  title     = {PR{\"A}- UND POST-ARCHITEKTUR},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3057},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30579},
  pages     = {10},
  abstract  = {1988-1994 Redakteur bei Arch+. Gastprofessur an der TU Cottbus 2000-02. Initiator und Co-Leiter des Europ{\"a}ischen Forschungsprojekt Urban Catalyst 2001-03. Mitinitiator von ZwischenPalastNutzung und K{\"u}nstlerischer Co-Leiter von Volkspalast 2004. Leitender Kurator des Projektes Schrumpfende St{\"a}dte f{\"u}r die Kulturstiftung des Bundes 2002-08. Autor und Herausgeber mehrerer B{\"u}cher und Schriften, u.a. Wohltemperierte Architektur und Berlin_Stadt ohne Form. Seit Herbst 2006 Professor f{\"u}r Architekturtheorie und Entwerfen an der Universit{\"a}t Kassel, seit M{\"a}rz 2009 Leiter der Stiftung Bauhaus Dessau.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Quiroga,
  author    = {Quiroga, Grace},
  title     = {PANTS ON FIRE?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3068},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30684},
  pages     = {16},
  abstract  = {Grace Quiroga studied architecture at the University of Michigan and at the Vienna University of Technology. Her ongoing architectural projects include the design of a housing project in the Chinese province of Sichuan for a thousand families displaced by the earthquake of 2008. In addition, she is working on a doctoral dissertation titled "Rem Koolhaas and the architecture culture of the AA in the 1970's".},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Hennig,
  author    = {Hennig, Ralf},
  title     = {O{\´I}DA OUK EID{\´O}S},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3088},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30885},
  pages     = {11},
  abstract  = {Ralf Hennig is a PhD-candidate at the chair of Theory and History of Modern Architecture at the Bauhaus-University Weimar. His prior research interests are focused on historical and current interaction between media, architecture and the city as well as the influence of the alliance of these entities on traditional principles of dwelling. In 2004-2005 he was responsible for the conception and constitution of the postgraduate Master's degree programme MediaArchitecture at the Bauhaus-University Weimar. In 2007-2008 he worked there as a scientific associate at the chair of Sociology of Globalisation, involved in various activities such as the research project MEDIACITY.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Ursprung,
  author    = {Ursprung, Philip},
  title     = {OUT OF EMPIRE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3044},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30446},
  pages     = {12},
  abstract  = {Philip Ursprung studierte Kunstgeschichte, Allgemeine Geschichte und Germanistik in Genf, Wien und Berlin. Er wurde 1993 an der FU Berlin promoviert und 1999 an der ETH Z{\"u}rich habilitiert. Er unterrichtete an den Universit{\"a}ten Genf, Basel und Z{\"u}rich, an der ETH Z{\"u}rich, der Kunsthochschule Berlin-Weissensee und der Universit{\"a}t der K{\"u}nste Berlin. 2001-2005 war er Nationalfonds- F{\"o}rderungsprofessor f{\"u}r Geschichte der Gegenwartskunst am Departement Architektur der ETH Z{\"u}rich. Seit 2005 ist er Professor f{\"u}r Moderne und zeitgen{\"o}ssische Kunst an der Universit{\"a}t Z{\"u}rich. 2007 war er Gastprofessor an der Graduate School of Architecture, Planning and Preservation der Columbia University New York. Er war Gastkurator am Museum f{\"u}r Gegenwartskunst in Basel, am Canadian Centre for Architecture in Montreal und der Graduate School for Architecture, Planning and Preservation der Columbia University New York. Er ist Autor von Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art (M{\"u}nchen, 2003), Herausgeber von Herzog \& de Meuron: Naturgeschichte (Montreal und Baden 2002), sowie Ko-autor von Images: A Picture Book of Architecture (M{\"u}nchen 2004), Minimal Architecture (M{\"u}nchen, 2003) und Studio Olafur Eliasson: An Encyclopedia (K{\"o}ln, 2008). Zuletzt erschien Caruso St John: Almost Everything (Barcelona, 2008).},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Rumpfhuber,
  author    = {Rumpfhuber, Andreas},
  title     = {NON-PLACES OF IMMATERIAL LABOUR},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3066},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30669},
  pages     = {15},
  abstract  = {Andreas Rumpfhuber is Architect and Researcher and currently based in Vienna, Austria. He studied architecture at University of Technology in Graz and the Bartlett School of Architecture in London. He is member of the research collective roundtable.kein.org at the Centre for Research Architecture at Goldsmiths College in London. He has taught and lectured at architecture schools in Europe and is a regular contributor to the Vienna street newspaper Augustin and architecture journals like deriv{\´e}, UmBau, Monu, Arkitekten. In his office he is currently working on small scale projects.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Speaks,
  author    = {Speaks, Michael},
  title     = {NEUE WERTE EINES NEUEN DESIGNS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3056},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30562},
  pages     = {7},
  abstract  = {Michael Speaks ist Dekan an der Universit{\"a}t des Kentuck Collge of Design und ehemaliger Gr{\"u}ndungsvorstand des Metropolitan Research and Design Postgraduate Program der Sci-Arc in Los Angeles. Er leitet ebenfalls Big Soft Orange, eine niederl{\"a}ndisch-amerikanische Stadtforschungsgruppe mit Standorten in Rotterdam und Los Angeles. Er war Herausgeber und Gr{\"u}nder des Kulturjournals Polygraph, sowie Mitherausgeber von Architecture New York und a+u (Tokyo), und arbeitet derzeit als beitragender Herausgeber f{\"u}r das Architecutral Record. Als Lehrer, Forscher und Herausgeber hat Speaks in zahlreichen Institutionen innerhalb der Vereinigten Staaten wie auch im Ausland mitgewirkt, darunter die Technischen Universit{\"a}t Delft, die Yale School of Arts, die Harvard University, die Columbia University, die University of Michigan, das Berlage Institut in Rotterdam und die University of California, Los Angeles. Außerhalb des H{\"o}rsaals hat der in Los Angeles lebende Schriftsteller und Kritiker sich in Vortr{\"a}gen und Ver{\"o}ffentlichungen zur Kunst, Architektur, der Stadt- und Szenarienplanung ge{\"a}ußert. In j{\"u}ngeren Diskussionen um die Rolle von Innovation und Prototypenentwicklung f{\"u}r das Design nimmt er eine zentrale Position ein und hat eine vielzahl einflussreicher Aufs{\"a}tze geschrieben, welche auf die Bedeutung dessen verweisen, was er eine „Design Intelligence" nennt.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Pehnt,
  author    = {Pehnt, Wolfgang},
  title     = {MODELLWECHSEL},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3052},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30526},
  pages     = {17},
  abstract  = {Wolfgang Pehnt lehrte Baugeschichte an der Ruhr-Universit{\"a}t Bochum. Er hat zahllose Arbeiten zur Architekturgeschichte der Moderne ver{\"o}ffentlicht und Monographien {\"u}ber Baumeister wie Gottfried B{\"o}hm, Hans Poelzig, Rudolf Schwarz und Karljosef Schattner geschrieben; er war Autor bei der Propyl{\"a}en-Kunstgeschichte und Mitarbeiter von Fachzeitschriften, Katalogb{\"u}chern, Tageszeitungen und Rundfunkanstalten. Seine B{\"u}cher „Die Architektur des Expressionismus" und „Deutsche Architektur seit 1900" gelten als Standardwerke. Er wurde vielfach ausgezeichnet, zuletzt mit dem Deutschen Preis f{\"u}r Denkmalschutz (Karl Friedrich Schinkel-Ring).},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Czech,
  author    = {Czech, Hermann},
  title     = {KANN ARCHITEKTUR VON DER KONSUMTION HER GEDACHT WERDEN?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3058},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30588},
  pages     = {13},
  abstract  = {Hermann Czech studierte Architektur an der Technischen Hochschule und in der Meisterschule von Ernst Plischke an der Akademie der bildenden K{\"u}nste in Wien. 1958 und 1959 war er Seminarteilnehmer bei Konrad Wachsmann an der Sommerakademie in Salzburg. An der Akademie f{\"u}r angewandte Kunst in Wien war er von 1974 bis 1980 Assistent bei Hans Hollein und Johannes Spalt, 1985/86 Gastprofessor an derselben Hochschule. 1988/89 und 1993/94 war er Gastprofessor an der Harvard University in Cambridge/USA, 2004-07 Gastprofessor an der ETH Z{\"u}rich. Sein ungleichartiges architektonisches Werk umfasst Planungen, Wohn-, Schul- und Hotelbauten ebenso wie Interventionen in kleinem Maßstab und Ausstellungsgestaltungen. Seine Projekte haben starken Bezug zum Kontext und beinhalten bewusst die vorhandenen Widerspr{\"u}che. Ab den 1970er Jahren (»Architektur ist Hintergrund«) wurde Hermann Czech zum Protagonisten einer neuen, »stillen« Architektur, die »nur spricht, wenn sie gefragt wird«. Er ist Autor zahlreicher kritischer und theoretischer Publikationen zur Architektur. In seiner Theorie spielen die Begriffe Umbau und Manierismus eine zentrale Rolle. Ver{\"o}ffentlichungen (Auswahl): ‚Zur Abwechslung. Ausgew{\"a}hlte Schriften zur Architektur. Wien', Wien 1996, ‚Das Looshaus', Wien 1976 (mit Wolfgang Mistelbauer), ‚Komfort - ein Gegenstand der Architekturtheorie?', in: werk,bauen+wohnen, Z{\"u}rich, 3/2003, S. 10-15.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Maldonado,
  author    = {Maldonado, Tom{\´a}s},
  title     = {IST DAS BAUHAUS AKTUELL?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3043},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30432},
  pages     = {11},
  abstract  = {Geboren 1922 in Buenos Aires, ist Tom{\´a}s Maldonado heute Professor Emeritus f{\"u}r Umweltplanung am Politecnico in Mailand. Er studierte an der Academia Nacional de Bellas Artes in Buenos Aires. 1954 bis 1967 war er Dozent an der Hochschule f{\"u}r Gestaltung (HfG) Ulm, 1955-1956 Prorektor, bis 1960 Rektor der HfG. 1965: Lethaby Lecturer am Royal College of Arts, London. 1966 wurde er zum Fellow des Council of Humanities an der University Princeton (USA) ernannt, von 1968 bis 1970 lehrte er an der School of Architecture dieser Universit{\"a}t. Die Society of Industrial Artists and Designers (GB) verleih ihm 1968 die „Design Medal". Er war von 1967 bis 1969 Vorsitzender des Pr{\"a}sidiums des International Council of Societies of Industrial Design (ICSID). Von 1971 bis 1983 lehrte er zus{\"a}tzlich an der Universit{\"a}t von Bologna. 1976 bis 1981 war er der Herausgeber der Zeitschrift Casabella in Mailand. 1979 Research Fellow an der Graduate School of Design der Harvard University. Ausgew{\"a}hlte Schriften erschienen 2007 unter dem Titel „Digitale Welt und Gestaltung" in Z{\"u}rich.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Boeck,
  author    = {B{\"o}ck, Ingrid},
  title     = {IMMERSIVE SPACES AND THE AIR CONDITIONING PROJECT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3080},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30800},
  pages     = {13},
  abstract  = {Studium der Architektur an der Technischen Universit{\"a}t Wien. Von 2001 bis 2002 Lehrbeauftragte am Institut f{\"u}r k{\"u}nstlerische Gestaltung der TU Wien. Im Zeitraum 1997-2002 Wettbewerbe, Planungen und Realisationen in den Architekturb{\"u}ros „the unit" und „ckp", 2002-2007 „limit architects", Wien. Seit 2008 querkraft architekten wien. Dissertationsprojekt seit 2004: Design Strategies: Case Study of Six Projects of Rem Koohaas/ OMA. Seit 2008 wissenschaftliche Assistentin am Institut f{\"u}r Architekturtheorie, Kunst- und Kulturwissenschaften der TU Graz. Forschungsschwerpunkte: Architekturtheorie, Gegenwartsarchitektur, Entwurfsmethoden, Architectural Research/Design Studies, Wahrnehmung und Architektur.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Hoekstra,
  author    = {Hoekstra, Rixt},
  title     = {HOW CRITICAL IS CRITICALITY?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3064},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30648},
  pages     = {7},
  abstract  = {Rixt Hoekstra is an architectural historian and a Wissenschaftliche Mitarbeiterin at the Leopold Franzens University of Innsbruck, where she teaches theory and history of architecture. Hoekstra studied architectural history in Groningen, the Netherlands, and received her PhD in architectural history in 2005. Her publications include: Building versus Bildung, Manfredo Tafuri and the construction of a historical discipline (2005) and Lost in Translation? Tafuri on Germany, Tafuri in Germany, a history of reception (2008). Currently, her research interests focus on the status of criticality in architecture in relationship to the legacy of the Venice School and on genderstudies in architecture.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Homsi,
  author    = {Homsi, Eymen},
  title     = {GENUFLECTION AND EMPIRE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3062},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30624},
  pages     = {15},
  abstract  = {Eymen Homsi has degrees in architecture from the Ohio State University and biology/botany from the University of Southern Colorado. He taught design and theory at the Ohio State University (1991-99), worked at the Atelier Jose Oubrerie (1991-1995), and was Director of Design at the Columbus Neighborhood Design Centre (1998-99), where he designed the Salvation Army Transitional Housing, Friends of the Homeless Dormitory, and other public projects. He established Studio Noni in Helsinki (2000-04) for experimental projects, speculative works, competitions. He was coordinator of Habitation Studio at the Chinese University of Hong Kong (2004-09). He returned to Istanbul in 2009 after an absence of thirty five years to teach studio at Mimar Sinan University of Fine Arts (2009-10). Currently he teaches studio at Istanbul Technical University, and theory at K{\"u}lt{\"u}r University. His research concerns the relationship between rites of worship in Islam and the space of the mosque.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schuerkamp,
  author    = {Sch{\"u}rkamp, Bettina},
  title     = {GENERIC REALISM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3087},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30879},
  pages     = {8},
  abstract  = {Bettina Sch{\"u}rkamp completed her diploma in architecture at the State Academy of Fine Arts Stuttgart in 1995 and attended the graduate course „Histories and Theories of Architecture" at the Architectural Association in London. For more than five years she worked as a practising architect for architectural firms in England and Germany such as Bolles+Wilson, M{\"u}nster and Peter Kulka, K{\"o}ln. From 2001 until 2007 she held a research and teaching position at the Institute for History and Theory of Architecture at Wuppertal University. Currently she is completing her dissertation on the Dutch architectural firm OMA*AMO She writes as a freelance journalist for architectural magazines in Germany and Switzerland and has been publishing in magazines such as Archithese, Arch+, Bauwelt and Deutsche Bauzeitung.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Werckmeister,
  author    = {Werckmeister, Otto Karl},
  title     = {FRAGEN ZU HANNES MEYER},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3051},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30517},
  pages     = {8},
  abstract  = {Otto Karl Werckmeister war, neben Forschungsauftr{\"a}gen am Warburg Institute, London und dem Deutschen Arch{\"a}ologischen Institut, Professor f{\"u}r Kunstgeschichte an der UCLA und der Northwestern University in Evanstown/Illinois, sowie Gastprofessor an den Universit{\"a}ten Marburg und Hamburg. Die Strategien von K{\"u}nstlern des 20. Jahrhunderts auf dem Weg zum Ruhm hat er ebenso untersucht wie das Bildrepertoire fr{\"u}hmittelalterlicher Buchillustrationen oder der japanischen Manga-Comics. Walter Benjamins Forderung nach einer „Aktualit{\"a}t des Denkens" hat ihm als Motto seiner Untersuchungen gedient. Zu seinen wichtigsten Ver{\"o}ffentlichungen geh{\"o}ren: Ende der {\"A}sthetik (1971), Ideologie und Kunst bei Marx (1974), Versuche {\"u}ber Paul Klee (1981), The Making of Paul Klee's Career, 1914-1920 (1988), Zitadellenkultur. Die sch{\"o}ne Kunst des Untergangs in der Kultur der Achtziger Jahre (1989); Linke Ikonen: Benjamin, Eisenstein, Picasso - nach dem Fall des Kommunismus (1997), Der Medusa-Effekt - Politische Bildstrategien seit dem 11. September 2001 (2005).},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Graf,
  author    = {Graf, Douglas},
  title     = {FORM'S FALLOW FUNCTION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3054},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30547},
  pages     = {26},
  abstract  = {Douglas Graf received an A.B. in architecture and urban planning from Princeton and a M.Arch. from Harvard and currently teaches courses in design and architectural theory at the Knowlton School of Architecture at the Ohio State University. His teaching career has included the Kentucky, Washington, and Yale, as well as positions in Britain, Germany, and Finland, where he first went on a Fulbright to study the work of Alvar Aalto. He has received five teaching awards. His interest in design theory has a primary focus on formal analysis, which is applied not only to architecture but also to urban form, landscape, photography, painting, product design, and graphics. One of his signature investigations has been into the structure and use of diagrams as tools for 'close reading.' Many of his investigations have explored 'metaphoric time' as a central design strategy. He has written about the idea of the 'encyclopedic set' as a persistent means of modeling complexity and the use of 'fictive landscapes' to derive narratives for the city. He currently divides his time between Columbus (the one in Ohio) and London (not the one in Ohio), where he has been researching the design strategies in English gardens and the formal structure of the pre-industrial village. He is one of the principals in Mid-Ohio Design, a firm of architects and urban designers whose work elides from the real to the academic and who have won a number of urban design competitions.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Easterling,
  author    = {Easterling, Keller},
  title     = {EXTRA-STATECRAFT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3048},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30482},
  pages     = {14},
  abstract  = {Keller Easterling is an architect, urbanist, and writer. Her latest book, Enduring Innocence: Global Architecture and Its Political Masquerades (MIT, 2005), researches familiar spatial products that have landed in difficult or hyperbolic political situations around the world. Her previous book, Organization Space: Landscapes, Highways and Houses in America, applies network theory to a discussion of American infrastructure and development formats. A forthcoming book, Extrastatecraft, researches global infrastructure as a medium of polity. Ms. Easterling is also the author of Call It Home, a laser disc history of suburbia, and American Town Plans. She has recently completed two research installations on the Web: "Wildcards: A Game of Orgman" and "Highline: Plotting NYC." Her work has been widely published in journals such as Grey Room, Volume, Cabinet, Assemblage, Log, Praxis, Harvard Design Magazine, Perspecta, Metalocus, and ANY. Her work is also included as chapters in numerous publications. She has lectured widely in the United States as well as internationally. Ms. Easterling's work has been exhibited at the Queens Museum, the Architectural League, the Municipal Arts Society, and the Wexner Center. Easterling is a professor at Yale's School of Architecture.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Oetsch,
  author    = {{\"O}tsch, Silke},
  title     = {EXPLAINING JUNKSPACE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3067},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30676},
  pages     = {8},
  abstract  = {Dr. Silke {\"O}tsch is currently working on a research project on the role of architects as intermediaries in financialization founded by the Austrian Research Found (FWF) at the Department of Sociology at the University of Innsbruck. She worked as scientific employee at the Institute of Construction and Design at the Innsbruck University, as lecturer at the Institute for Architecture Theory at the University of Innsbruck (Austria), in the architectural offices of Arets Architekten in Maastricht as well as Haid und Partner in N{\"u}rnberg and for Attac Germany. Silke {\"O}tsch received her doctoral degree at the Bauhaus-University Weimar and studied architecture in Weimar and Paris. She published books in the field of architecture theory with the title "Stripping las Vegas" (with K. Jaschke) and "{\"U}berw{\"a}ltigen und Schmeicheln", and articels in the review GAM and others, and published in the field of political economy, among others the book "Das Casino schließen" (together with T. Sauer and P. Wahl) on the financial crisis and "R{\"a}ume der Offshore-Welt" (together with Celia Di Pauli), which is a publication on concrete spaces of tax havens and offshore centres in Europe and their implications. Her main research interest is globalization and financial architecture.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schmedding,
  author    = {Schmedding, Anne},
  title     = {DIE MODERNE ALS TRADITION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3075},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30752},
  pages     = {13},
  abstract  = {Anne Schmedding ist als freie Kunst- und Architekturhistorikerin in Berlin t{\"a}tig, unter anderem bei Urbanizers, B{\"u}ro f{\"u}r st{\"a}dtische Konzepte. Von 2005 bis 2009 war sie wissenschaftliche Mitarbeiterin an der TU Braunschweig im Fachbereich Geschichte und Theorie der Architektur und Stadt. Sie ist Mitherausgeberin des Kataloges „Gesetz und Freiheit" zu Leben und Werk des Architekten Friedrich Wilhelm Kraemers (Berlin 2007). Sie war von 1996-1999 Redakteurin der Zeitschrift Daidalos und ist Mitherausgeberin des Buches „Architektur in Berlin" (Berlin 1999). Sie war wissenschaftliche Kuratorin und Mitarbeiterin der Ausstellung „Stadt der Architektur. Architektur der Stadt", die im Jahr 2000 im Neuen Museum in Berlin zu sehen war. Momentaner Forschungsschwerpunkt ist Architektur und Kunst der westdeutschen Nachkriegszeit. Vor kurzem schloß sie ihre Dissertation {\"u}ber Dieter Oesterlen ab.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Stoecklmayr,
  author    = {St{\"o}cklmayr, Nicole E.},
  title     = {DIAGRAMMATISCHE VISUALISIERUNG ALS {\"A}STHETISCHE INFORMATION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3085},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30851},
  pages     = {12},
  abstract  = {Nicole E. St{\"o}cklmayr ist Post-Doc-Stipendiatin im Research-Fellow Programm „Werkzeuge des Entwerfens" am Internationalen Kolleg f{\"u}r Kulturtechnikforschung und Medienphilosophie (IKKM) der Bauhaus-Universit{\"a}t Weimar. St{\"o}cklmayr promovierte an der Universit{\"a}t f{\"u}r angewandte Kunst Wien an der sie auch Architektur in den Meisterklassen Hans Hollein, Greg Lynn sowie Zaha Hadid studierte. In ihrer von Gabriele Werner betreuten und von der {\"O}sterreichischen Akademie der Wissenschaften gef{\"o}rderten Dissertation mit dem Titel „Das Architekturbild im digitalen Paradigmenwechsel" untersuchte sie den Status des Bildes im digitalen Prozess des Architekturentwurfs. Ver{\"o}ffentlichungen: „Architektur ohne Maßstab. Digitale Visualisierungen im Entwurfsprozess", in: Ingeborg Reichle, Steffen Siegel (Hg.), Maßlose Bilder. Visuelle {\"A}sthetik der Transgression, M{\"u}nchen 2009, S. 279 - 294; „Das digitale Bild des Architekturentwurfs", in: Gerald Bast, Florian Bettel, Barbara Hollendonner (Hg.), uni*vers. Junge Forschung in Wissenschaft und Kunst, Wien 2010; S. 59 - 69.},
  subject      = {Architekturtheorie},
  language  = {de}
}