@inproceedings{Brasil, author = {Brasil, Daniela}, title = {SENSUAL IS POLITICAL}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3083}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30835}, pages = {11}, abstract = {Daniela Brasil is currently a PhD candidate at the professorship of Spatial Planning and Research at Architecture Faculty of the Bauhaus-Universit{\"a}t Weimar, where she has also been teaching since 2007. Her seminars foster bodily experiments and critical thinking on "city's sensuality", where discussions on city marketing and affectivity are central. She was educated in architecture and urbanism in Brazil and Portugal and holds a Master of Fine Arts in Public Art and new artistic strategies. Idealizing and realizing artistic-oriented projects that intervene in relations between bodies and cities is her main concern since the mid-nineties; where she preferably works in transdisciplinary groups, as in "Lisbon Capital of Nothing: create, debate and intervene in public space, Marvila 2001". Daniela currently runs the project "Baustelle M10 > gallery for contemporary experiments" within a collective of artists and students in Weimar.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Boyer, author = {Boyer, M. Christine}, title = {COLLECTIVE MEMORY UNDER SIEGE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3049}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30495}, pages = {16}, abstract = {M. Christine Boyer is an urban historian whose interests include the history of the American city, city planning, preservation planning, and computer science. Before coming to Princeton University in 1991, Boyer was professor and chair of the City and Regional Planning Program at Pratt Institute. She was a visiting professor in the Ph.D. program at TU Deflt School of Design for Spring 2005. She has written extensively about American urbanism. Her publications include Dreaming the Rational City: The Myth of American City Planning 1890 -1945 (Cambridge: The MIT Press, 1983), Manhattan Manners: Architecture and Style 1850-1900 (New York: Rizzoli, 1985), The City of Collective Memory (Cambridge: The MIT Press, 1994), and CyberCities (New York: Princeton Architectural Press, 1996).}, subject = {Architekturtheorie}, language = {en} } @inproceedings{BolchoverLin, author = {Bolchover, Joshua and Lin, John}, title = {CLOSING THE WORLD'S FACTORY}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3076}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30767}, pages = {12}, abstract = {Joshua Bolchover is an urban researcher, academic and architectural designer. He is an Assistant Professor at the University of Hong Kong, focusing on researching and designing buildings in rural China. In 2010 he exhibited Rural Urban Ecology at the Venice Biennale 2010. He has curated, designed and contributed to several international exhibitions including: Utopia Now: Opening the Closed Area, a research project on the Hong Kong and Shenzhen border at the Venice Biennale 2008; Get it Louder, a touring exhibition in China; Airspace: What Skyline does London want; Hydan; Can Buildings Curate and has exhibited at the HK-SZ Biennale. Joshua was a local curator for the Manchester-Liverpool section of Shrinking Cities between 2003 and 2005. He has collaborated with Raoul Bunschoten, Chora, researching strategic urban projects and has worked with Diller + Scofidio in New York. Joshua has previously taught architecture at the Chinese University of Hong Kong, London Metropolitan University, Cambridge University and the Architectural Association. He was educated at Cambridge University and at the Bartlett School of Architecture. John Lin is an architect based in Hong Kong and a graduate of The Cooper Union in New York City. His experimental constructions have been published in FRAME magazine (2003) and exhibited in the Kolonihaven (Architecture Park) at the Louisiana Museum of Modern Art in Copenhagen (2004) and the Venice Biennale (2008). Current projects include the design of several school buildings in China. He has taught at the Royal Danish Academy of Fine Arts, School of Architecture, and The Chinese University of Hong Kong and is currently an Assistant Professor at the University of Hong Kong.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Anderson, author = {Anderson, Stanford}, title = {RATIONAL RECONSTRUCTIONS AND ARCHITECTURAL KNOWLEDGE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3053}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30535}, pages = {14}, abstract = {Stanford Anderson is Professor of History and Architecture and was Head of the Department of Architecture from 1991 through 2004. He was director of MIT's PhD program in History, Theory and Criticism of Architecture, Art and Urban Form from its founding in 1974 to 1991 and in 1995-96. Anderson's research and writing concern architectural theory, early modern architecture in northern Europe, American architecture and urbanism, and epistemology and historiography. He has organized numerous professional conferences and served on the editorial boards of Assemblage, Journal of Architectural Education, Places, and The MIT Press. In addition to numerous articles, his books are Planning for Diversity and Choice, On Streets, and Hermann Muthesius: Style-Architecture and Building Art. He is co-author of Kay Fisker. Peter Behrens and a New Architecture for the Twentieth Century appeared in 2000 and Eladio Dieste: Innovation in Structural Art in 2004. In 1997, The MIT Press published a collection of essays in his honor, edited by Martha Pollak: The Education of the Architect: Historiography, Urbanism, and the Growth of Knowledge. He was a Fulbright fellow at the Technische Hochschule in Munich and subsequently a fellow of the John Simon Guggenheim Foundation and the American Council of Learned Societies. Anderson received his bachelor's degree from the University of Minnesota, his master's in architecture from the University of California at Berkeley, and his doctoral degree in the history of art from Columbia University in New York City.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Ammon, author = {Ammon, Sabine}, title = {TRANSFORMING TACIT KNOWLEDGE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3084}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30849}, pages = {12}, abstract = {Sabine Ammon studied architecture and philosophy at the Technische Universit{\"a}t Berlin. Study and research visits led her to the University of London, Harvard University and ETH Z{\"u}rich. Furthermore, she practised building design as a freelance architect. Her dissertation "Wissen verstehen. Perspektiven einer prozessualen Theorie der Erkenntnis", Weilerswist 2009, develops a theory of knowledge, based on the philosophy of symbols. In her current research project she explores the epistemic dimension of architectural design processes.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{OPUS4-1578, title = {The Architecture in the Age of Empire : 11th International Bauhaus-Colloquium}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.1578}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20120314-15784}, pages = {554 S.}, abstract = {Eine neue, kopflose Gewalt hat den Imperialismus vergangener Zeiten abgel{\"o}st. Die neue Weltordnung, das »Empire«, {\"u}berschreitet alle Grenzen unserer althergebrachten politischen Begriffe - Staat und Gesellschaft, Krieg und Frieden, Kontrolle und Freiheit. Das dezentralisierte und deterritorialisierte Empire beherrscht uns, indem es durch die Medien, die Technik und durch soziale Praktiken unmittelbaren Einfluss auf uns Menschen nimmt. Architektur und Raumplanung haben sich in den letzten Jahrzehnten radikal gewandelt. Die alten, modernistischen Bestrebungen nach erschwinglichen Wohnungen und einer rationalen Organisation der St{\"a}dte sind ebenso in den Hintergrund ger{\"u}ckt wie die postmodernen Obsessionen der Kommunikation, der Nutzerbeteiligung und des {\"o}ffentlichen Raumes. Stattdessen stehen nun {\"a}sthetische und entschieden unpolitischere Belange im Vordergrund: Diskussionen zwischen einer kritischen und einer projektiven Praxis, zwischen Blobs und Kisten, zwischen Atmosph{\"a}re und Ornament. Doch das ist noch lange nicht das Ende der Geschichte, wie im vorliegenden Band deutlich wird. Die Beitr{\"a}ge des 11. Bauhaus-Kolloquiums umspannen einen Zeitraum, der von der Gr{\"u}ndung des Bauhauses in Weimar bis zur globalen Architektur unserer Zeit reicht, und verfolgen dabei die Entwicklung des Empires zur{\"u}ck, um gleichzeitig nach Konsequenzen und Alternativen zu fragen, denen die Architektur sich heute gegen{\"u}bergestellt sieht.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{OPUS4-3089, title = {ARCHITECTURE IN TIMES OF NEED}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {GRAFT}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3089}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30897}, pages = {6}, abstract = {GRAFT is an architectural firm located in Los Angeles, Berlin, and Beijing. Their collective professional experience encompasses a wide array of building types including Fine Arts, Educational, Institutional, Commercial and Residential facilities. The firm has won numerous awards in Europe as well as in the United States. GRAFT was established in 1998 in Los Angeles by Lars Kr{\"u}ckeberg, Wolfram Putz and Thomas Willemeit and opened an office in Berlin in 2001. In 2003 GRAFT opened an office in Beijing with Gregor Hoheisel as partner for the asian market. In 2007 Alejandra Lillo became Partner for the office in Los Angeles. GRAFT was conceived as a 'Label' for Architecture, Urban Planning, Design, Music, and the "pursuit of happiness". Since the firm was established, it has been commissioned to design and manage a wide range of projects in multiple disciplines and locations. With the core of the firm's enterprises gravitating around the field of architecture and the built environment, GRAFT has always maintained an interest in crossing the boundaries between disciplines and "grafting" the creative potentials and methodologies of different realities. This is reflected in the firm's expansion into the fields of exhibition design and product design, art installations, academic projects and "events" as well as in the variety of project locations in Germany, China, UAE, Russia, Georgia, in the U.S. and Mexico, to name a few.}, subject = {Architekturtheorie}, language = {en} }