@inproceedings{Meier,
  author    = {Meier, Hans-Rudolf},
  title     = {„MULTITUDE" VERSUS „IDENTIT{\"A}T"},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3046},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30464},
  pages     = {13},
  abstract  = {Geb. 1956 in Z{\"u}rich; nach Berufslehre und -t{\"a}tigkeit in der Chemischen Industrie Studium der Kunstwissenschaft, Geschichte, Ur- und Fr{\"u}hgeschichte und Mittelalterarch{\"a}ologie. 1992 Promotion zum Dr. phil., danach Oberassistent am Institut f{\"u}r Denkmalpflege der Architekturabteilung der ETH Z{\"u}rich, unterbrochen durch Forschungsaufenthalt als Mitglied des Istituto Svizzero in Rom. Lehrauftr{\"a}ge an den Universit{\"a}ten Basel, Bern und Z{\"u}rich sowie an der ETH Z{\"u}rich. 2000 Habilitation an der Philosophisch-Historischen Fakult{\"a}t der Universit{\"a}t Basel, ebd. bis 2007 Privatdozent f{\"u}r Kunstwissenschaft. Wissenschaftlicher Mitarbeiter und Leiter von Nationalfonds-Projekten. 2003 Berufung auf die Professur f{\"u}r Denkmalkunde und angewandte Bauforschung an der Fakult{\"a}t Architektur der Technischen Universit{\"a}t Dresden. Seit Januar 2008 Professor f{\"u}r Denkmalpflege und Baugeschichte an der Fakult{\"a}t Architektur der Bauhaus-Universit{\"a}t Weimar. Forschungen und Publikation zur Architektur- und Kunstgeschichte haupts{\"a}chlich des Mittelalters, zur Rezeptions- und Fachgeschichte sowie zur Geschichte und Theorie der Denkmalpflege. (Mit-)Organisator zahlreicher internationaler Tagungen. Mitglied zahlreicher Denkmalpflegerischer Arbeitskreise und Gremien.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Peschken,
  author    = {Peschken, Martin},
  title     = {WORLD STAGES FOR LADY JUSTICE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3069},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30691},
  pages     = {18},
  abstract  = {Martin Peschken studied History of Art and Literature in Berlin and Madrid. In 2005 he completed his doctoral studies in comparative literature at Freie Universit{\"a}t Berlin. He worked then as a curator of the gallery "Laden V-17" in Berlin. In 2005 he joined the project-team of International Building Exhibition "Stadtumbau 2010" in Saxony-Anhalt based at Stiftung Bauhaus Dessau, where he curated several exhibitions and urban projects. He currently works as Scientific Assistant at Technische Universit{\"a}t Braunschweig in the department of "History and Theory of Architecture and Urbanism".},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Sanz,
  author    = {Sanz, Yolanda Ortega},
  title     = {WELFARE STATE. SOCIOLOGICAL AESTHETICS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3074},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30748},
  pages     = {16},
  abstract  = {Yolanda Ortega Sanz is an architect and associate professor at Polytechnic School, Universitat de Girona, Catalonia, Spain; where she teaches architectural design. Ortega was educated at School of architecture in Barcelona and Arkitektskolen i Aarhus, Denmark. Later on, she received a grant to be a young researcher at Danmarks Kunstbibliotek, Copenhagen. Currently, she is PhD Candidate in the research group FORM where she develops her thesis entitled "Nordic assembly" focus on Modern Architecture in Nordic countries. Her research has been published and presented in several conferences as: 1st International Conference on contemporary architects: J{\o}rn Utzon, Sevilla, Spain; 1st Conference on architectural competition, Nordic Symposium, KTH, Stockholm, Sweden; or Responsibilities and Opportunities in Architectural Conservation, CSAAR, Amman, Jordan.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{deRudder,
  author    = {de Rudder, Steffen},
  title     = {WECHSELNDE ZUSCHREIBUNGEN},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3072},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30721},
  pages     = {11},
  abstract  = {Steffen de Rudder, Dr.-Ing., ist Architekt und wissenschaftlicher Mitarbeiter an der Bauhaus-Universit{\"a}t Weimar. Er lehrt st{\"a}dtebauliches Entwerfen und forscht zu Themen der Architektur- und Stadtbaugeschichte. 1996 Lehrbeauftragter am Kunsthistorischen Institut der Humboldt-Universit{\"a}t zu Berlin, 1990 bis 2001 selbstst{\"a}ndiger Architekt in Potsdam und Berlin (Neubau, Sanierung, Denkmalpflege). Ver{\"o}ffentlichungen zur Bauhaus-Rezeption, zur amerikanischen Architekturgeschichte der Moderne und zur Stadtentwicklung in Berlin und in Th{\"u}ringen. 2007 erschien: „Der Architekt Hugh Stubbins. Amerikanische Moderne der F{\"u}nfziger Jahre in Berlin".},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Richter,
  author    = {Richter, Katharina},
  title     = {TRANSFORMING TO EXPERT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3086},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30864},
  pages     = {10},
  abstract  = {Katharina Richter holds a degree in Architecture, Urban- and Regional Planning from the Bauhaus-University Weimar, where she is appointed as Assistant Professor at the Chair of Computer Science in Architecture since 2000. She teaches architecture studio in undergraduate and graduate programs and has been supervising several international teaching projects. In Fall 2004 she was teaching and researching at the Washington Alexandria Architecture Consortium - Virginia Polytechnic and State University, Alexandria, VA. Her current research focuses on the investigation of the potential of computer based exchange of experiential knowledge in architecture. Between 2000 and 2006 she coordinated third party verification procedures at the Collaborative Research Center SFB 524 „Materials and Structures in Revitalization of Buildings", Bauhaus-University Weimar, Germany. Her work has been published at various international conferences as well as in related reviewed journals.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Ammon,
  author    = {Ammon, Sabine},
  title     = {TRANSFORMING TACIT KNOWLEDGE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3084},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30849},
  pages     = {12},
  abstract  = {Sabine Ammon studied architecture and philosophy at the Technische Universit{\"a}t Berlin. Study and research visits led her to the University of London, Harvard University and ETH Z{\"u}rich. Furthermore, she practised building design as a freelance architect. Her dissertation "Wissen verstehen. Perspektiven einer prozessualen Theorie der Erkenntnis", Weilerswist 2009, develops a theory of knowledge, based on the philosophy of symbols. In her current research project she explores the epistemic dimension of architectural design processes.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Rendell,
  author    = {Rendell, Jane},
  title     = {TRAFALGAR SQUARE: D{\´E}TOURNEMENTS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3060},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30604},
  pages     = {18},
  abstract  = {Professor Jane Rendell is Director of Architectural Research at the Bartlett, UCL. An architectural designer and historian, art critic and writer, her work has explored various interdisciplinary intersections: feminist theory and architectural history, ne art and architectural design, autobiographical writing and criticism. She is author of Site-Writing: The Architecture of Art Criticism (2010), Art and Architecture (2006), The Pursuit of Pleasure (2002) and co-editor of Pattern (2007), Critical Architecture (2007), Spatial Imagination (2005), The Unknown City (2001), Intersections (2000), Gender Space Architecture (1999) and Strangely Familiar (1995). Her talks and texts have been commissioned by artists such as Daniel Arsham and Bik Van Der Pol, and galleries, as the Baltic, the Hayward, Kunstmuseum Thon, the Serpentine, the Tate and the Whitechapel. She is on the Editorial Board for ARQ (Architectural Research Quarterly), Haecceity, The Happy Hypocrite, The Issues and the Journal of Visual Culture in Britain.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Kavanaugh,
  author    = {Kavanaugh, Leslie},
  title     = {TOWARD A NEO-MARXIST THEORY OF SPATIO-TEMPORALITY},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3045},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30456},
  pages     = {10},
  abstract  = {Leslie Kavanaugh is both an architect and a philosopher. She is a licensed architect in America and the Netherlands, as well as a member of the AIA, but studied philosophy from undergraduate to doctorate at the University of Amsterdam. She has taught philosophy and design at various institutions, including twelve years at TUDelft, and as a guest professor at the Tokyo Science University and Milano Politecnico. Her publications include The Architectonic of Philosophy: Plato, Aristotle, Leibniz (Amsterdam: University of Amsterdam Press, 2007), Crossovers (with A.Graafland), Meditations on Space (2010), Aggregates (2010), and Chronotopologies: Hybrid Spatialities and Multiple Temporalities (Amsterdam: Rodopi Press, forthcoming). Presently she is the founder and director of studiokav.com in Amsterdam, a multi-disciplinary and collaborative atelier. In addition, Kavanaugh is an affiliated Senior Scholar at the Philosophy Institute, Leiden University, the Netherlands.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Narath,
  author    = {Narath, Albert},
  title     = {THREE NOTES AROUND THE BAROQUE SENSATION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3078},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30789},
  pages     = {22},
  abstract  = {Albert Narath is a doctoral candidate in modern architectural history at Columbia University in New York and a Paul Mellon Pre-doctoral Fellow at the Center for Advanced Research in the Visual Arts at the National Gallery of Art in Washington, DC. He holds an MA degree from the Architectural Association in London. His dissertation concerns architectural and art historical debates surrounding the Neo-baroque at the end of the nineteenth century in Germany.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Stavagna,
  author    = {Stavagna, Michele},
  title     = {THE HERPICH AFFAIR OF 1924},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3073},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30732},
  pages     = {13},
  abstract  = {Michele Stavagna is an architect and architectural historian, who lives and works in Berlin, and is the correspondent from Italy for the magazine "der architekt - BDA". He was educated at the Universit{\`a} IUAV of Venice (Italy), holds a degree in architectural design and a PhD in history of architecture and urban design, and has taught Theory and History of Industrial Design at the Universit{\`a} degli Studi of Triest (Italy). Stavagna translated and edited the first Italian edition of "Die Baukunst der neuesten Zeit" by G. A. Platz. His research themes focus on the birth and affirmation of Modernism within the broader context of the mass public and economic development of the modern society.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Jormakka,
  author    = {Jormakka, Kari},
  title     = {THE EMPIRE AND ITS AMAZING TECHNICOLOR DREAMCOAT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3047},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30473},
  pages     = {22},
  abstract  = {Kari Jormakka has been teaching architectural theory at the Bauhaus University in Weimar since 2007. In addition, he has been an Ordinarius Professor of architectural theory at Vienna University of Technology since 1998. Previously, he has taught at the Knowlton School of Architecture at the Ohio State University, the University of Illinois at Chicago, Tampere University of Technology as well as Harvard University. Author of ten books and many papers on architectural history and theory, he studied architecture at Otaniemi University in Helsinki and at Tampere University of Technology, as well as philosophy at Helsinki University.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Danielmeier,
  author    = {Danielmeier, Tobias},
  title     = {THE ARCHITECTURE OF POST-CONSUMERISM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3077},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30773},
  pages     = {8},
  abstract  = {Tobias Danielmeier teaches design at the Otago Polytechnic as well as at the University of Otago in Dunedin, New Zealand. He holds a Masters of Arts in Architecture from the M{\"u}nster School of Architecture and is currently completing his PhD at the University of Otago. His research investigates the art, business and science of winery architecture and their interrelation with place and technology. Tobias Danielmeier's practical experience includes projects for Reichardt Architekten, Essen, and Bolles+Wilson, M{\"u}nster.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{OPUS4-1578,
  title     = {The Architecture in the Age of Empire : 11th International Bauhaus-Colloquium},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.1578},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20120314-15784},
  pages     = {554 S.},
  abstract  = {Eine neue, kopflose Gewalt hat den Imperialismus vergangener Zeiten abgel{\"o}st. Die neue Weltordnung, das »Empire«, {\"u}berschreitet alle Grenzen unserer althergebrachten politischen Begriffe - Staat und Gesellschaft, Krieg und Frieden, Kontrolle und Freiheit. Das dezentralisierte und deterritorialisierte Empire beherrscht uns, indem es durch die Medien, die Technik und durch soziale Praktiken unmittelbaren Einfluss auf uns Menschen nimmt. Architektur und Raumplanung haben sich in den letzten Jahrzehnten radikal gewandelt. Die alten, modernistischen Bestrebungen nach erschwinglichen Wohnungen und einer rationalen Organisation der St{\"a}dte sind ebenso in den Hintergrund ger{\"u}ckt wie die postmodernen Obsessionen der Kommunikation, der Nutzerbeteiligung und des {\"o}ffentlichen Raumes. Stattdessen stehen nun {\"a}sthetische und entschieden unpolitischere Belange im Vordergrund: Diskussionen zwischen einer kritischen und einer projektiven Praxis, zwischen Blobs und Kisten, zwischen Atmosph{\"a}re und Ornament. Doch das ist noch lange nicht das Ende der Geschichte, wie im vorliegenden Band deutlich wird. Die Beitr{\"a}ge des 11. Bauhaus-Kolloquiums umspannen einen Zeitraum, der von der Gr{\"u}ndung des Bauhauses in Weimar bis zur globalen Architektur unserer Zeit reicht, und verfolgen dabei die Entwicklung des Empires zur{\"u}ck, um gleichzeitig nach Konsequenzen und Alternativen zu fragen, denen die Architektur sich heute gegen{\"u}bergestellt sieht.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Wilhelm,
  author    = {Wilhelm, Karin},
  title     = {TERRITORIALIT{\"A}T UND INTERNATIONAL STYLE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3050},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30501},
  pages     = {14},
  abstract  = {Dr. phil., seit 2001 Professorin f{\"u}r Geschichte und Theorie der Architektur und der Stadt; zuvor Professorin f{\"u}r Kunstgeschichte an der TU Graz; Gastprofessuren f{\"u}r Kunst-, Architektur- und Designgeschichte an der UdK Berlin, Universit{\"a}t Kassel, Oldenburg und Bonn; Studium der Kunstgeschichte, Soziologie, Psychologie und Philosophie. Karin Wilhelm ist Organisatorin mehrerer internationaler Ausstellungen zur modernen Architektur und zum Design (Berlin, London, Stock olm) und war wissenschaftlicher Beirat der Stiftung Bauhaus Dessau und des Deutschen Architekturmuseums (DAM). Zahlreiche Ver{\"o}ffentlichungen, zuletzt: Bauhaus Weimar 1919 -1924 (1996); Kunst als Revolte? Von der F{\"a}higkeit der K{\"u}nste, Nein zu sagen (1996); Visionen vom Gl{\"u}ck - Visionen vom Untergang: Zeichen und Diskurse zur „sch{\"o}nen neuen Welt" (1998); Sehen - Gehen - Denken: der Entwurf des Bauhausgeb{\"a}udes, in: ‚Das Bauhausgeb{\"a}ude in Dessau 1926 -1999' (1998); City-Lights - Zentren, Peripherien, Regionen: interdisziplin{\"a}re Positionen f{\"u}r eine urbane Kultur (2002), Idea and form: H{\"a}user von Szyszkowitz + Kowalski (2003); Formationen der Stadt. Camillo Sitte weitergelesen (2005).},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{OPUS4-1470,
  title     = {SYSWELD Forum 2011},
  editor    = {Hildebrand, J{\"o}rg},
  doi       = {10.25643/bauhaus-universitaet.1470},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20111213-15694},
  year      = {2011},
  abstract  = {Am 25. und 26. Oktober 2011 trafen sich an der Bauhaus-Universit{\"a}t Weimar 70 nationale und internationale Fachleute aus Forschung und Praxis, um sich im Rahmen des vierten SYSWELD Forums {\"u}ber aktuelle Entwicklungen der numerischen Simulation auf dem Gebiet der W{\"a}rmebehandlung und des Schweißens auszutauschen. Die numerische Simulation im Bereich des Schweißens und der W{\"a}rmebehandlung hat sich in den letzten Jahren beachtlich weiterentwickelt und bietet ein zukunftsweisendes und innovatives Arbeitsfeld f{\"u}r Ingenieure.},
  subject      = {Schweißen},
  language  = {de}
}
@inproceedings{Hillier,
  author    = {Hillier, Bill},
  title     = {SPACE SYNTAX},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3055},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30555},
  pages     = {18},
  abstract  = {Bill Hillier ist Professor f{\"u}r architektonische und urbane Morphologie an der University of London, Vorsitzender der Bartlett School of Graduate Studies und Leiter des Space Syntax Laboratorys an der University of London. Er besitzt einen DSc (gehobene Doktorenw{\"u}rde) an der University of London. Als urspr{\"u}nglicher Wegbereiter der Methode zur Analyse r{\"a}umliche Muster, die unter dem Namen "Space Syntax" bekannt wurde, ist er auch Verfasser von The Social Logic of Space (Cambridge University Press, 1984, 1990), das eine allgemeine Theorie {\"u}ber das Verh{\"a}ltnis von Menschen zu dem sie umgebenden, gebauten Raum darlegt, 'Space is the Machine' (CUP 1996) das den grundlegenden Untersuchungsstand zu dieser Theorie beeinhaltet, sowie zahlreicher Artikel, die sich mit dem Raum und dessen Wirken befassen. Auch {\"u}ber andere Aspekte der Architekturtheorie hat er ausgiebig geschrieben.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Shusterman,
  author    = {Shusterman, Richard M.},
  title     = {SOMAESTHETICS AND ARCHITECTURE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3061},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30614},
  pages     = {18},
  abstract  = {Richard Shusterman received a B.A. and M.A. in Philosophy from the Hebrew University of Jerusalem, and completed his doctoral studies in Philosophy at Oxford University. In Israel he taught at the Hebrew University and the University of the Negev, and then moved to the United States, where he was Professor of Philosophy at Temple University, and chaired its department from 1998-2004. He then was awarded the Dorothy F. Schmidt Eminent Scholar Chair in the Humanities at Florida Atlantic University, where he also directs the Center for Body, Mind, and Culture. His authored books include Surface and Depth (2002); Performing Live (2000); Practicing Philosophy: Pragmatism and the Philosophical Life (1997); Sous l'interpr{\´e}tation (1994), Pragmatist Aesthetics: Living Beauty, Rethinking Art (1992, 2nd edition 2000); T.S. Eliot and the Philosophy of Criticism (1988); and The Object of Criticism (1984). His most recent book, Body Consciousness: A Philosophy of Mindfulness and Somaesthetics was published by Cambridge University Press. It provides the most detailed formulation of his project of somaesthetics.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Brasil,
  author    = {Brasil, Daniela},
  title     = {SENSUAL IS POLITICAL},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3083},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30835},
  pages     = {11},
  abstract  = {Daniela Brasil is currently a PhD candidate at the professorship of Spatial Planning and Research at Architecture Faculty of the Bauhaus-Universit{\"a}t Weimar, where she has also been teaching since 2007. Her seminars foster bodily experiments and critical thinking on "city's sensuality", where discussions on city marketing and affectivity are central. She was educated in architecture and urbanism in Brazil and Portugal and holds a Master of Fine Arts in Public Art and new artistic strategies. Idealizing and realizing artistic-oriented projects that intervene in relations between bodies and cities is her main concern since the mid-nineties; where she preferably works in transdisciplinary groups, as in "Lisbon Capital of Nothing: create, debate and intervene in public space, Marvila 2001". Daniela currently runs the project "Baustelle M10 > gallery for contemporary experiments" within a collective of artists and students in Weimar.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Brodrueck,
  author    = {Brodr{\"u}ck, Ralph},
  title     = {SENSORY TECTONICS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3082},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30829},
  pages     = {7},
  abstract  = {Ralph Brodruck studied architecture at the Technical University of Eindhoven and Jan van Eyck Academie in Maastricht. He currently teaches architecture and morpholgy at the Technical University of Eindhoven and the Academie voor Bouwkunst in Arnhem.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Godel,
  author    = {Godel, Addison},
  title     = {REVISITING 1923},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3070},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30707},
  pages     = {16},
  abstract  = {Addison Godel is a student at the Knowlton School of Architecture at Ohio State, working towards a three-year Master of Architecture. He is a teaching assistant for a variety of history and theory courses, as well as two of the school's European travel-abroad programs. His interests include the relationship between style and larger cultural forces, and the efforts of architecture to symbolically adapt and represent contemporary technology.},
  subject      = {Architekturtheorie},
  language  = {en}
}