@inproceedings{BolchoverLin,
  author    = {Bolchover, Joshua and Lin, John},
  title     = {CLOSING THE WORLD'S FACTORY},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3076},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30767},
  pages     = {12},
  abstract  = {Joshua Bolchover is an urban researcher, academic and architectural designer. He is an Assistant Professor at the University of Hong Kong, focusing on researching and designing buildings in rural China. In 2010 he exhibited Rural Urban Ecology at the Venice Biennale 2010. He has curated, designed and contributed to several international exhibitions including: Utopia Now: Opening the Closed Area, a research project on the Hong Kong and Shenzhen border at the Venice Biennale 2008; Get it Louder, a touring exhibition in China; Airspace: What Skyline does London want; Hydan; Can Buildings Curate and has exhibited at the HK-SZ Biennale. Joshua was a local curator for the Manchester-Liverpool section of Shrinking Cities between 2003 and 2005. He has collaborated with Raoul Bunschoten, Chora, researching strategic urban projects and has worked with Diller + Scofidio in New York. Joshua has previously taught architecture at the Chinese University of Hong Kong, London Metropolitan University, Cambridge University and the Architectural Association. He was educated at Cambridge University and at the Bartlett School of Architecture. John Lin is an architect based in Hong Kong and a graduate of The Cooper Union in New York City. His experimental constructions have been published in FRAME magazine (2003) and exhibited in the Kolonihaven (Architecture Park) at the Louisiana Museum of Modern Art in Copenhagen (2004) and the Venice Biennale (2008). Current projects include the design of several school buildings in China. He has taught at the Royal Danish Academy of Fine Arts, School of Architecture, and The Chinese University of Hong Kong and is currently an Assistant Professor at the University of Hong Kong.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{deRudder,
  author    = {de Rudder, Steffen},
  title     = {WECHSELNDE ZUSCHREIBUNGEN},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3072},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30721},
  pages     = {11},
  abstract  = {Steffen de Rudder, Dr.-Ing., ist Architekt und wissenschaftlicher Mitarbeiter an der Bauhaus-Universit{\"a}t Weimar. Er lehrt st{\"a}dtebauliches Entwerfen und forscht zu Themen der Architektur- und Stadtbaugeschichte. 1996 Lehrbeauftragter am Kunsthistorischen Institut der Humboldt-Universit{\"a}t zu Berlin, 1990 bis 2001 selbstst{\"a}ndiger Architekt in Potsdam und Berlin (Neubau, Sanierung, Denkmalpflege). Ver{\"o}ffentlichungen zur Bauhaus-Rezeption, zur amerikanischen Architekturgeschichte der Moderne und zur Stadtentwicklung in Berlin und in Th{\"u}ringen. 2007 erschien: „Der Architekt Hugh Stubbins. Amerikanische Moderne der F{\"u}nfziger Jahre in Berlin".},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Sanz,
  author    = {Sanz, Yolanda Ortega},
  title     = {WELFARE STATE. SOCIOLOGICAL AESTHETICS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3074},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30748},
  pages     = {16},
  abstract  = {Yolanda Ortega Sanz is an architect and associate professor at Polytechnic School, Universitat de Girona, Catalonia, Spain; where she teaches architectural design. Ortega was educated at School of architecture in Barcelona and Arkitektskolen i Aarhus, Denmark. Later on, she received a grant to be a young researcher at Danmarks Kunstbibliotek, Copenhagen. Currently, she is PhD Candidate in the research group FORM where she develops her thesis entitled "Nordic assembly" focus on Modern Architecture in Nordic countries. Her research has been published and presented in several conferences as: 1st International Conference on contemporary architects: J{\o}rn Utzon, Sevilla, Spain; 1st Conference on architectural competition, Nordic Symposium, KTH, Stockholm, Sweden; or Responsibilities and Opportunities in Architectural Conservation, CSAAR, Amman, Jordan.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schmedding,
  author    = {Schmedding, Anne},
  title     = {DIE MODERNE ALS TRADITION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3075},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30752},
  pages     = {13},
  abstract  = {Anne Schmedding ist als freie Kunst- und Architekturhistorikerin in Berlin t{\"a}tig, unter anderem bei Urbanizers, B{\"u}ro f{\"u}r st{\"a}dtische Konzepte. Von 2005 bis 2009 war sie wissenschaftliche Mitarbeiterin an der TU Braunschweig im Fachbereich Geschichte und Theorie der Architektur und Stadt. Sie ist Mitherausgeberin des Kataloges „Gesetz und Freiheit" zu Leben und Werk des Architekten Friedrich Wilhelm Kraemers (Berlin 2007). Sie war von 1996-1999 Redakteurin der Zeitschrift Daidalos und ist Mitherausgeberin des Buches „Architektur in Berlin" (Berlin 1999). Sie war wissenschaftliche Kuratorin und Mitarbeiterin der Ausstellung „Stadt der Architektur. Architektur der Stadt", die im Jahr 2000 im Neuen Museum in Berlin zu sehen war. Momentaner Forschungsschwerpunkt ist Architektur und Kunst der westdeutschen Nachkriegszeit. Vor kurzem schloß sie ihre Dissertation {\"u}ber Dieter Oesterlen ab.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Wilhelm,
  author    = {Wilhelm, Karin},
  title     = {TERRITORIALIT{\"A}T UND INTERNATIONAL STYLE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3050},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30501},
  pages     = {14},
  abstract  = {Dr. phil., seit 2001 Professorin f{\"u}r Geschichte und Theorie der Architektur und der Stadt; zuvor Professorin f{\"u}r Kunstgeschichte an der TU Graz; Gastprofessuren f{\"u}r Kunst-, Architektur- und Designgeschichte an der UdK Berlin, Universit{\"a}t Kassel, Oldenburg und Bonn; Studium der Kunstgeschichte, Soziologie, Psychologie und Philosophie. Karin Wilhelm ist Organisatorin mehrerer internationaler Ausstellungen zur modernen Architektur und zum Design (Berlin, London, Stock olm) und war wissenschaftlicher Beirat der Stiftung Bauhaus Dessau und des Deutschen Architekturmuseums (DAM). Zahlreiche Ver{\"o}ffentlichungen, zuletzt: Bauhaus Weimar 1919 -1924 (1996); Kunst als Revolte? Von der F{\"a}higkeit der K{\"u}nste, Nein zu sagen (1996); Visionen vom Gl{\"u}ck - Visionen vom Untergang: Zeichen und Diskurse zur „sch{\"o}nen neuen Welt" (1998); Sehen - Gehen - Denken: der Entwurf des Bauhausgeb{\"a}udes, in: ‚Das Bauhausgeb{\"a}ude in Dessau 1926 -1999' (1998); City-Lights - Zentren, Peripherien, Regionen: interdisziplin{\"a}re Positionen f{\"u}r eine urbane Kultur (2002), Idea and form: H{\"a}user von Szyszkowitz + Kowalski (2003); Formationen der Stadt. Camillo Sitte weitergelesen (2005).},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Danielmeier,
  author    = {Danielmeier, Tobias},
  title     = {THE ARCHITECTURE OF POST-CONSUMERISM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3077},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30773},
  pages     = {8},
  abstract  = {Tobias Danielmeier teaches design at the Otago Polytechnic as well as at the University of Otago in Dunedin, New Zealand. He holds a Masters of Arts in Architecture from the M{\"u}nster School of Architecture and is currently completing his PhD at the University of Otago. His research investigates the art, business and science of winery architecture and their interrelation with place and technology. Tobias Danielmeier's practical experience includes projects for Reichardt Architekten, Essen, and Bolles+Wilson, M{\"u}nster.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schneider,
  author    = {Schneider, Tatjana},
  title     = {ARCHITECTURE FIDDLES WHILE THE WORLD BURNS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3063},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30639},
  pages     = {9},
  abstract  = {Tatjana Schneider is lecturer at the School of Architecture, University of Sheffield. She holds a PhD in architecture. She worked in architectural practice in Germany and the UK, and has taught, lectured and published widely (including 'Flexible Housing' with Jeremy Till). She was a member of the worker's cooperative G.L.A.S. (Glasgow Letters on Architecture and Space), which undertook agit-prop works, educational workshops, community based design consultancy and produced the quarterly journal glaspaper. Her work focuses on the production and political economy of the built environment. Current work includes the research 'Spatial Agency'.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Homsi,
  author    = {Homsi, Eymen},
  title     = {GENUFLECTION AND EMPIRE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3062},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30624},
  pages     = {15},
  abstract  = {Eymen Homsi has degrees in architecture from the Ohio State University and biology/botany from the University of Southern Colorado. He taught design and theory at the Ohio State University (1991-99), worked at the Atelier Jose Oubrerie (1991-1995), and was Director of Design at the Columbus Neighborhood Design Centre (1998-99), where he designed the Salvation Army Transitional Housing, Friends of the Homeless Dormitory, and other public projects. He established Studio Noni in Helsinki (2000-04) for experimental projects, speculative works, competitions. He was coordinator of Habitation Studio at the Chinese University of Hong Kong (2004-09). He returned to Istanbul in 2009 after an absence of thirty five years to teach studio at Mimar Sinan University of Fine Arts (2009-10). Currently he teaches studio at Istanbul Technical University, and theory at K{\"u}lt{\"u}r University. His research concerns the relationship between rites of worship in Islam and the space of the mosque.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Hoekstra,
  author    = {Hoekstra, Rixt},
  title     = {HOW CRITICAL IS CRITICALITY?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3064},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30648},
  pages     = {7},
  abstract  = {Rixt Hoekstra is an architectural historian and a Wissenschaftliche Mitarbeiterin at the Leopold Franzens University of Innsbruck, where she teaches theory and history of architecture. Hoekstra studied architectural history in Groningen, the Netherlands, and received her PhD in architectural history in 2005. Her publications include: Building versus Bildung, Manfredo Tafuri and the construction of a historical discipline (2005) and Lost in Translation? Tafuri on Germany, Tafuri in Germany, a history of reception (2008). Currently, her research interests focus on the status of criticality in architecture in relationship to the legacy of the Venice School and on genderstudies in architecture.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@book{OPUS4-4620,
  title     = {Henry van de Velde and the total work of art},
  editor    = {Ruhl, Carsten},
  doi       = {10.25643/bauhaus-universitaet.4620},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20220330-46201},
  publisher      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {33},
  abstract  = {Tagungsband des 12. Internationalen Bauhaus-Kolloquiums Weimar vom 04.-07.04.2013},
  subject      = {Architekturtheorie},
  language  = {mul}
}
@phdthesis{Faschingeder,
  author    = {Faschingeder, Kristian},
  title     = {Das Unheimliche in der Stadt. Die urbane Vision Ludwig Hilberseimers},
  doi       = {10.25643/bauhaus-universitaet.2133},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20140226-21333},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {454},
  abstract  = {Ausgangspunkt der Arbeit ist der Aspekt des Unheimlichen in jener Hochhausstadt, deren Entwurf Ludwig Hilberseimer 1924 zum ersten Mal publizierte und die sp{\"a}ter zum Synonym f{\"u}r die Aberrationen modernistischen St{\"a}dtebaus wurde. Daraus geht die Forschungsfrage hervor, wie der Eindruck des Unheimlichen evoziert wird und an welchen Elementen des Entwurfs und/oder der Darstellung dieser festgemacht werden kann. Hier geht es nicht um eine Analyse der Intentionen des Autors der Hochhausstadt, der diese ja als Verbesserung zu den herrschenden Wohnverh{\"a}ltnissen anpries; stattdessen wird eine Reihe von unterschiedlichen interpretatorischen Ans{\"a}tzen gew{\"a}hlt (von Nelson Goodmans Theorie der Notation {\"u}ber Norman Brysons visuelles Zeichensystem bis hin zu Adornos Negativer Dialektik; von der „Bildwissenschaft" bis hin zur „visual theory"). In diesem Zusammenhang werden schließlich auch jene Divergenzen herausgearbeitet, die zwischen der Architektur der Moderne und der Kunst der Avantgarde herrschten. Da aufgrund der Frage nach der Bildwirkung der beiden Perspektiven der Hochhausstadt die {\"A}sthetik des Erhabenen eine besondere Rolle spielt, reicht der Fokus der Arbeit bis in den kunst- und architekturtheoretischen Diskurs des 18. Jahrhundert zur{\"u}ck. Zuletzt m{\"u}ndet die Arbeit in eine Diskussion von Interpretation selbst und der M{\"o}glichkeit einer kritischen Architekturtheorie.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@book{BlasiusBeenenBrandtetal.,
  author    = {Blasius, Clara Maria and Beenen, Paul and Brandt, Marvin and Bulic, Selma and Chen, Mu and Claus, Leon and Ellguth, Fabian and Elshani, Diellza and Hainich, Jakob and Kolbe, Simon and Oehler, Louis and Pullmann, Isabella and Ratz, Rosalie and Regueiro Candina, Andoni and Reusch, Marco and Thurow, Katharina and Weski, Lennart and Wittke, Katharina},
  title     = {TIRANA. Architecture as Political Actor},
  editor    = {Adam, Tobias and Kuch, Ulrike},
  doi       = {10.25643/bauhaus-universitaet.3995},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20191014-39951},
  publisher      = {Bauhaus-Universit{\"a}t Weimar},
  abstract  = {This book on the architecture of Tirana contains findings of the interdisciplinary seminar "TIRANA. Architecture as Political Actor" at Bauhaus-Universit{\"a}t Weimar. In photographs, texts and diagrams it shows the approach to an unknown city that was explored following the ideas of the Actor Network Theory (ANT). Thus, the book gives an insight into scientific as well as artistic works, both mirroring the attempt to grasp the role of architecture within political processes in the 20th century and today. In this compilation of the architectural-political networks, an image of the city of Tirana emerges that gives an idea of specific built structures as well as of the architecture as political actor on a meta-level. In doing so, the book itself becomes an actor in the discussion of the relationship of architecture and politics in Albania and an example for the use of ANT as scientific-artistic tool for the research on architectural "things" in the context of a city.},
  subject      = {Architektur},
  language  = {en}
}