@inproceedings{Kavanaugh, author = {Kavanaugh, Leslie}, title = {TOWARD A NEO-MARXIST THEORY OF SPATIO-TEMPORALITY}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3045}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30456}, pages = {10}, abstract = {Leslie Kavanaugh is both an architect and a philosopher. She is a licensed architect in America and the Netherlands, as well as a member of the AIA, but studied philosophy from undergraduate to doctorate at the University of Amsterdam. She has taught philosophy and design at various institutions, including twelve years at TUDelft, and as a guest professor at the Tokyo Science University and Milano Politecnico. Her publications include The Architectonic of Philosophy: Plato, Aristotle, Leibniz (Amsterdam: University of Amsterdam Press, 2007), Crossovers (with A.Graafland), Meditations on Space (2010), Aggregates (2010), and Chronotopologies: Hybrid Spatialities and Multiple Temporalities (Amsterdam: Rodopi Press, forthcoming). Presently she is the founder and director of studiokav.com in Amsterdam, a multi-disciplinary and collaborative atelier. In addition, Kavanaugh is an affiliated Senior Scholar at the Philosophy Institute, Leiden University, the Netherlands.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Narath, author = {Narath, Albert}, title = {THREE NOTES AROUND THE BAROQUE SENSATION}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3078}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30789}, pages = {22}, abstract = {Albert Narath is a doctoral candidate in modern architectural history at Columbia University in New York and a Paul Mellon Pre-doctoral Fellow at the Center for Advanced Research in the Visual Arts at the National Gallery of Art in Washington, DC. He holds an MA degree from the Architectural Association in London. His dissertation concerns architectural and art historical debates surrounding the Neo-baroque at the end of the nineteenth century in Germany.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Stavagna, author = {Stavagna, Michele}, title = {THE HERPICH AFFAIR OF 1924}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3073}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30732}, pages = {13}, abstract = {Michele Stavagna is an architect and architectural historian, who lives and works in Berlin, and is the correspondent from Italy for the magazine "der architekt - BDA". He was educated at the Universit{\`a} IUAV of Venice (Italy), holds a degree in architectural design and a PhD in history of architecture and urban design, and has taught Theory and History of Industrial Design at the Universit{\`a} degli Studi of Triest (Italy). Stavagna translated and edited the first Italian edition of "Die Baukunst der neuesten Zeit" by G. A. Platz. His research themes focus on the birth and affirmation of Modernism within the broader context of the mass public and economic development of the modern society.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Jormakka, author = {Jormakka, Kari}, title = {THE EMPIRE AND ITS AMAZING TECHNICOLOR DREAMCOAT}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3047}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30473}, pages = {22}, abstract = {Kari Jormakka has been teaching architectural theory at the Bauhaus University in Weimar since 2007. In addition, he has been an Ordinarius Professor of architectural theory at Vienna University of Technology since 1998. Previously, he has taught at the Knowlton School of Architecture at the Ohio State University, the University of Illinois at Chicago, Tampere University of Technology as well as Harvard University. Author of ten books and many papers on architectural history and theory, he studied architecture at Otaniemi University in Helsinki and at Tampere University of Technology, as well as philosophy at Helsinki University.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Danielmeier, author = {Danielmeier, Tobias}, title = {THE ARCHITECTURE OF POST-CONSUMERISM}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3077}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30773}, pages = {8}, abstract = {Tobias Danielmeier teaches design at the Otago Polytechnic as well as at the University of Otago in Dunedin, New Zealand. He holds a Masters of Arts in Architecture from the M{\"u}nster School of Architecture and is currently completing his PhD at the University of Otago. His research investigates the art, business and science of winery architecture and their interrelation with place and technology. Tobias Danielmeier's practical experience includes projects for Reichardt Architekten, Essen, and Bolles+Wilson, M{\"u}nster.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{OPUS4-1578, title = {The Architecture in the Age of Empire : 11th International Bauhaus-Colloquium}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.1578}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20120314-15784}, pages = {554 S.}, abstract = {Eine neue, kopflose Gewalt hat den Imperialismus vergangener Zeiten abgel{\"o}st. Die neue Weltordnung, das »Empire«, {\"u}berschreitet alle Grenzen unserer althergebrachten politischen Begriffe - Staat und Gesellschaft, Krieg und Frieden, Kontrolle und Freiheit. Das dezentralisierte und deterritorialisierte Empire beherrscht uns, indem es durch die Medien, die Technik und durch soziale Praktiken unmittelbaren Einfluss auf uns Menschen nimmt. Architektur und Raumplanung haben sich in den letzten Jahrzehnten radikal gewandelt. Die alten, modernistischen Bestrebungen nach erschwinglichen Wohnungen und einer rationalen Organisation der St{\"a}dte sind ebenso in den Hintergrund ger{\"u}ckt wie die postmodernen Obsessionen der Kommunikation, der Nutzerbeteiligung und des {\"o}ffentlichen Raumes. Stattdessen stehen nun {\"a}sthetische und entschieden unpolitischere Belange im Vordergrund: Diskussionen zwischen einer kritischen und einer projektiven Praxis, zwischen Blobs und Kisten, zwischen Atmosph{\"a}re und Ornament. Doch das ist noch lange nicht das Ende der Geschichte, wie im vorliegenden Band deutlich wird. Die Beitr{\"a}ge des 11. Bauhaus-Kolloquiums umspannen einen Zeitraum, der von der Gr{\"u}ndung des Bauhauses in Weimar bis zur globalen Architektur unserer Zeit reicht, und verfolgen dabei die Entwicklung des Empires zur{\"u}ck, um gleichzeitig nach Konsequenzen und Alternativen zu fragen, denen die Architektur sich heute gegen{\"u}bergestellt sieht.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Wilhelm, author = {Wilhelm, Karin}, title = {TERRITORIALIT{\"A}T UND INTERNATIONAL STYLE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3050}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30501}, pages = {14}, abstract = {Dr. phil., seit 2001 Professorin f{\"u}r Geschichte und Theorie der Architektur und der Stadt; zuvor Professorin f{\"u}r Kunstgeschichte an der TU Graz; Gastprofessuren f{\"u}r Kunst-, Architektur- und Designgeschichte an der UdK Berlin, Universit{\"a}t Kassel, Oldenburg und Bonn; Studium der Kunstgeschichte, Soziologie, Psychologie und Philosophie. Karin Wilhelm ist Organisatorin mehrerer internationaler Ausstellungen zur modernen Architektur und zum Design (Berlin, London, Stock olm) und war wissenschaftlicher Beirat der Stiftung Bauhaus Dessau und des Deutschen Architekturmuseums (DAM). Zahlreiche Ver{\"o}ffentlichungen, zuletzt: Bauhaus Weimar 1919 -1924 (1996); Kunst als Revolte? Von der F{\"a}higkeit der K{\"u}nste, Nein zu sagen (1996); Visionen vom Gl{\"u}ck - Visionen vom Untergang: Zeichen und Diskurse zur „sch{\"o}nen neuen Welt" (1998); Sehen - Gehen - Denken: der Entwurf des Bauhausgeb{\"a}udes, in: ‚Das Bauhausgeb{\"a}ude in Dessau 1926 -1999' (1998); City-Lights - Zentren, Peripherien, Regionen: interdisziplin{\"a}re Positionen f{\"u}r eine urbane Kultur (2002), Idea and form: H{\"a}user von Szyszkowitz + Kowalski (2003); Formationen der Stadt. Camillo Sitte weitergelesen (2005).}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Hillier, author = {Hillier, Bill}, title = {SPACE SYNTAX}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3055}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30555}, pages = {18}, abstract = {Bill Hillier ist Professor f{\"u}r architektonische und urbane Morphologie an der University of London, Vorsitzender der Bartlett School of Graduate Studies und Leiter des Space Syntax Laboratorys an der University of London. Er besitzt einen DSc (gehobene Doktorenw{\"u}rde) an der University of London. Als urspr{\"u}nglicher Wegbereiter der Methode zur Analyse r{\"a}umliche Muster, die unter dem Namen "Space Syntax" bekannt wurde, ist er auch Verfasser von The Social Logic of Space (Cambridge University Press, 1984, 1990), das eine allgemeine Theorie {\"u}ber das Verh{\"a}ltnis von Menschen zu dem sie umgebenden, gebauten Raum darlegt, 'Space is the Machine' (CUP 1996) das den grundlegenden Untersuchungsstand zu dieser Theorie beeinhaltet, sowie zahlreicher Artikel, die sich mit dem Raum und dessen Wirken befassen. Auch {\"u}ber andere Aspekte der Architekturtheorie hat er ausgiebig geschrieben.}, subject = {Architekturtheorie}, language = {de} } @inproceedings{Shusterman, author = {Shusterman, Richard M.}, title = {SOMAESTHETICS AND ARCHITECTURE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3061}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30614}, pages = {18}, abstract = {Richard Shusterman received a B.A. and M.A. in Philosophy from the Hebrew University of Jerusalem, and completed his doctoral studies in Philosophy at Oxford University. In Israel he taught at the Hebrew University and the University of the Negev, and then moved to the United States, where he was Professor of Philosophy at Temple University, and chaired its department from 1998-2004. He then was awarded the Dorothy F. Schmidt Eminent Scholar Chair in the Humanities at Florida Atlantic University, where he also directs the Center for Body, Mind, and Culture. His authored books include Surface and Depth (2002); Performing Live (2000); Practicing Philosophy: Pragmatism and the Philosophical Life (1997); Sous l'interpr{\´e}tation (1994), Pragmatist Aesthetics: Living Beauty, Rethinking Art (1992, 2nd edition 2000); T.S. Eliot and the Philosophy of Criticism (1988); and The Object of Criticism (1984). His most recent book, Body Consciousness: A Philosophy of Mindfulness and Somaesthetics was published by Cambridge University Press. It provides the most detailed formulation of his project of somaesthetics.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Brasil, author = {Brasil, Daniela}, title = {SENSUAL IS POLITICAL}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3083}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30835}, pages = {11}, abstract = {Daniela Brasil is currently a PhD candidate at the professorship of Spatial Planning and Research at Architecture Faculty of the Bauhaus-Universit{\"a}t Weimar, where she has also been teaching since 2007. Her seminars foster bodily experiments and critical thinking on "city's sensuality", where discussions on city marketing and affectivity are central. She was educated in architecture and urbanism in Brazil and Portugal and holds a Master of Fine Arts in Public Art and new artistic strategies. Idealizing and realizing artistic-oriented projects that intervene in relations between bodies and cities is her main concern since the mid-nineties; where she preferably works in transdisciplinary groups, as in "Lisbon Capital of Nothing: create, debate and intervene in public space, Marvila 2001". Daniela currently runs the project "Baustelle M10 > gallery for contemporary experiments" within a collective of artists and students in Weimar.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Brodrueck, author = {Brodr{\"u}ck, Ralph}, title = {SENSORY TECTONICS}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3082}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30829}, pages = {7}, abstract = {Ralph Brodruck studied architecture at the Technical University of Eindhoven and Jan van Eyck Academie in Maastricht. He currently teaches architecture and morpholgy at the Technical University of Eindhoven and the Academie voor Bouwkunst in Arnhem.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Godel, author = {Godel, Addison}, title = {REVISITING 1923}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3070}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30707}, pages = {16}, abstract = {Addison Godel is a student at the Knowlton School of Architecture at Ohio State, working towards a three-year Master of Architecture. He is a teaching assistant for a variety of history and theory courses, as well as two of the school's European travel-abroad programs. His interests include the relationship between style and larger cultural forces, and the efforts of architecture to symbolically adapt and represent contemporary technology.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Anderson, author = {Anderson, Stanford}, title = {RATIONAL RECONSTRUCTIONS AND ARCHITECTURAL KNOWLEDGE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3053}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30535}, pages = {14}, abstract = {Stanford Anderson is Professor of History and Architecture and was Head of the Department of Architecture from 1991 through 2004. He was director of MIT's PhD program in History, Theory and Criticism of Architecture, Art and Urban Form from its founding in 1974 to 1991 and in 1995-96. Anderson's research and writing concern architectural theory, early modern architecture in northern Europe, American architecture and urbanism, and epistemology and historiography. He has organized numerous professional conferences and served on the editorial boards of Assemblage, Journal of Architectural Education, Places, and The MIT Press. In addition to numerous articles, his books are Planning for Diversity and Choice, On Streets, and Hermann Muthesius: Style-Architecture and Building Art. He is co-author of Kay Fisker. Peter Behrens and a New Architecture for the Twentieth Century appeared in 2000 and Eladio Dieste: Innovation in Structural Art in 2004. In 1997, The MIT Press published a collection of essays in his honor, edited by Martha Pollak: The Education of the Architect: Historiography, Urbanism, and the Growth of Knowledge. He was a Fulbright fellow at the Technische Hochschule in Munich and subsequently a fellow of the John Simon Guggenheim Foundation and the American Council of Learned Societies. Anderson received his bachelor's degree from the University of Minnesota, his master's in architecture from the University of California at Berkeley, and his doctoral degree in the history of art from Columbia University in New York City.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Oswalt, author = {Oswalt, Philipp}, title = {PR{\"A}- UND POST-ARCHITEKTUR}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3057}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30579}, pages = {10}, abstract = {1988-1994 Redakteur bei Arch+. Gastprofessur an der TU Cottbus 2000-02. Initiator und Co-Leiter des Europ{\"a}ischen Forschungsprojekt Urban Catalyst 2001-03. Mitinitiator von ZwischenPalastNutzung und K{\"u}nstlerischer Co-Leiter von Volkspalast 2004. Leitender Kurator des Projektes Schrumpfende St{\"a}dte f{\"u}r die Kulturstiftung des Bundes 2002-08. Autor und Herausgeber mehrerer B{\"u}cher und Schriften, u.a. Wohltemperierte Architektur und Berlin_Stadt ohne Form. Seit Herbst 2006 Professor f{\"u}r Architekturtheorie und Entwerfen an der Universit{\"a}t Kassel, seit M{\"a}rz 2009 Leiter der Stiftung Bauhaus Dessau.}, subject = {Architekturtheorie}, language = {de} } @article{Moennig1992, author = {M{\"o}nnig, Hans-Ulrich}, title = {Prof. Dr.-Ing. habil. Hans-Ulrich M{\"o}nnig - Rektor der Hochschule f{\"u}r Architektur und Bauwesen Weimar}, doi = {10.25643/bauhaus-universitaet.1118}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20111215-11187}, year = {1992}, abstract = {Wissenschaftliches Kolloquium vom 18. bis 21. Juni 1992 in Weimar an der Hochschule f{\"u}r Architektur und Bauwesen zum Thema: ‚Architektur und Macht'}, subject = {Bauhaus}, language = {de} } @inproceedings{Quiroga, author = {Quiroga, Grace}, title = {PANTS ON FIRE?}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3068}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30684}, pages = {16}, abstract = {Grace Quiroga studied architecture at the University of Michigan and at the Vienna University of Technology. Her ongoing architectural projects include the design of a housing project in the Chinese province of Sichuan for a thousand families displaced by the earthquake of 2008. In addition, she is working on a doctoral dissertation titled "Rem Koolhaas and the architecture culture of the AA in the 1970's".}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Hennig, author = {Hennig, Ralf}, title = {O{\´I}DA OUK EID{\´O}S}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3088}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30885}, pages = {11}, abstract = {Ralf Hennig is a PhD-candidate at the chair of Theory and History of Modern Architecture at the Bauhaus-University Weimar. His prior research interests are focused on historical and current interaction between media, architecture and the city as well as the influence of the alliance of these entities on traditional principles of dwelling. In 2004-2005 he was responsible for the conception and constitution of the postgraduate Master's degree programme MediaArchitecture at the Bauhaus-University Weimar. In 2007-2008 he worked there as a scientific associate at the chair of Sociology of Globalisation, involved in various activities such as the research project MEDIACITY.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Ursprung, author = {Ursprung, Philip}, title = {OUT OF EMPIRE}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3044}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30446}, pages = {12}, abstract = {Philip Ursprung studierte Kunstgeschichte, Allgemeine Geschichte und Germanistik in Genf, Wien und Berlin. Er wurde 1993 an der FU Berlin promoviert und 1999 an der ETH Z{\"u}rich habilitiert. Er unterrichtete an den Universit{\"a}ten Genf, Basel und Z{\"u}rich, an der ETH Z{\"u}rich, der Kunsthochschule Berlin-Weissensee und der Universit{\"a}t der K{\"u}nste Berlin. 2001-2005 war er Nationalfonds- F{\"o}rderungsprofessor f{\"u}r Geschichte der Gegenwartskunst am Departement Architektur der ETH Z{\"u}rich. Seit 2005 ist er Professor f{\"u}r Moderne und zeitgen{\"o}ssische Kunst an der Universit{\"a}t Z{\"u}rich. 2007 war er Gastprofessor an der Graduate School of Architecture, Planning and Preservation der Columbia University New York. Er war Gastkurator am Museum f{\"u}r Gegenwartskunst in Basel, am Canadian Centre for Architecture in Montreal und der Graduate School for Architecture, Planning and Preservation der Columbia University New York. Er ist Autor von Grenzen der Kunst: Allan Kaprow und das Happening, Robert Smithson und die Land Art (M{\"u}nchen, 2003), Herausgeber von Herzog \& de Meuron: Naturgeschichte (Montreal und Baden 2002), sowie Ko-autor von Images: A Picture Book of Architecture (M{\"u}nchen 2004), Minimal Architecture (M{\"u}nchen, 2003) und Studio Olafur Eliasson: An Encyclopedia (K{\"o}ln, 2008). Zuletzt erschien Caruso St John: Almost Everything (Barcelona, 2008).}, subject = {Architekturtheorie}, language = {de} } @article{Wick1992, author = {Wick, Rainer K.}, title = {Notizen zur deutsch-deutschen Bauhaus-Rezeption nach 1945}, doi = {10.25643/bauhaus-universitaet.1117}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20111215-11171}, year = {1992}, abstract = {Wissenschaftliches Kolloquium vom 18. bis 21. Juni 1992 in Weimar an der Hochschule f{\"u}r Architektur und Bauwesen zum Thema: ‚Architektur und Macht'}, subject = {Bauhaus}, language = {de} } @inproceedings{Rumpfhuber, author = {Rumpfhuber, Andreas}, title = {NON-PLACES OF IMMATERIAL LABOUR}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3066}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30669}, pages = {15}, abstract = {Andreas Rumpfhuber is Architect and Researcher and currently based in Vienna, Austria. He studied architecture at University of Technology in Graz and the Bartlett School of Architecture in London. He is member of the research collective roundtable.kein.org at the Centre for Research Architecture at Goldsmiths College in London. He has taught and lectured at architecture schools in Europe and is a regular contributor to the Vienna street newspaper Augustin and architecture journals like deriv{\´e}, UmBau, Monu, Arkitekten. In his office he is currently working on small scale projects.}, subject = {Architekturtheorie}, language = {en} }