@inproceedings{Bredella,
  author    = {Bredella, Nathalie},
  title     = {ARCHITECTURE AND ATMOSPHERE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3079},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30794},
  pages     = {10},
  abstract  = {Nathalie Bredella is an architect. She was educated at the TU Berlin and Cooper Union, New York. She received a PhD in Architectural Theory. She taught architectural design at the TU Berlin. She ist the author of Architekturen des Zuschauens. Imagin{\"a}re und reale R{\"a}ume im Film (transcript-verlag). The work is based on an interdisciplinary approach incorporating architecture, film theory and philosophy. Her interests in architectural practice focus on the relationship between spatial strategies, film and media on an urban and architectural scale.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schneider,
  author    = {Schneider, Tatjana},
  title     = {ARCHITECTURE FIDDLES WHILE THE WORLD BURNS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3063},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30639},
  pages     = {9},
  abstract  = {Tatjana Schneider is lecturer at the School of Architecture, University of Sheffield. She holds a PhD in architecture. She worked in architectural practice in Germany and the UK, and has taught, lectured and published widely (including 'Flexible Housing' with Jeremy Till). She was a member of the worker's cooperative G.L.A.S. (Glasgow Letters on Architecture and Space), which undertook agit-prop works, educational workshops, community based design consultancy and produced the quarterly journal glaspaper. Her work focuses on the production and political economy of the built environment. Current work includes the research 'Spatial Agency'.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{OPUS4-3089,
  title     = {ARCHITECTURE IN TIMES OF NEED},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {GRAFT},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3089},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30897},
  pages     = {6},
  abstract  = {GRAFT is an architectural firm located in Los Angeles, Berlin, and Beijing. Their collective professional experience encompasses a wide array of building types including Fine Arts, Educational, Institutional, Commercial and Residential facilities. The firm has won numerous awards in Europe as well as in the United States. GRAFT was established in 1998 in Los Angeles by Lars Kr{\"u}ckeberg, Wolfram Putz and Thomas Willemeit and opened an office in Berlin in 2001. In 2003 GRAFT opened an office in Beijing with Gregor Hoheisel as partner for the asian market. In 2007 Alejandra Lillo became Partner for the office in Los Angeles. GRAFT was conceived as a 'Label' for Architecture, Urban Planning, Design, Music, and the "pursuit of happiness". Since the firm was established, it has been commissioned to design and manage a wide range of projects in multiple disciplines and locations. With the core of the firm's enterprises gravitating around the field of architecture and the built environment, GRAFT has always maintained an interest in crossing the boundaries between disciplines and "grafting" the creative potentials and methodologies of different realities. This is reflected in the firm's expansion into the fields of exhibition design and product design, art installations, academic projects and "events" as well as in the variety of project locations in Germany, China, UAE, Russia, Georgia, in the U.S. and Mexico, to name a few.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schrijver,
  author    = {Schrijver, Lara},
  title     = {ARCHITECTURE: PROJECTIVE, CRITICAL OR CRAFT?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3065},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30654},
  pages     = {16},
  abstract  = {Lara Schrijver is an assistant professor at the Faculty of Architecture of the TU Delft. She is one of three program leaders for a new research program in the department of architecture, 'The Architectural Project and its Foundations'. Schrijver holds degrees in architecture from Princeton University and the TU Delft. She received her Ph.D. from the TU Eindhoven in 2005. Schrijver has taught design and theory courses, and contributed to conferences in the Netherlands as well as abroad. She was an editor for OASE, journal for architecture, for ten years, and was co-organizer of the 2006 conference 'The Projective Landscape'. Her current work revolves around the role of architecture in the city, and its responsibility in defining the public domain. Her first book, Radical Games, on the influence of the 1960s on contemporary discourse, is forthcoming in the spring of 2009.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{LippertVieira,
  author    = {Lippert-Vieira, Sandra},
  title     = {BAUHAUS, GEMEINSCHAFT, BIOPOLITIK UND WEITER?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3071},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30710},
  pages     = {16},
  abstract  = {Sandra Lippert-Vieira, 1971 in Lissabon, Portugal geboren, schloss 1995 ihr Architekturstudium an der Universidade Lus{\´i}ada in Lissabon ab. Bis 2003 arbeitete sie als Freie Architektin in Lissabon und war Entwurfsassistentin an der Universidade Moderne und Universidade Lus{\´o}fona in Lissabon bei Prof. em. Am{\^a}ncio d'Alpoim Guedes, Lehrstuhl f{\"u}r Entwurf. Derzeit ist sie wissenschaftliche Mitarbeiterin im Fachgebiet Geb{\"a}udelehre bei Prof. Daniele Marques, Institut f{\"u}r Entwerfen, Kunst und Theorie, KIT - Karlsruher Institut f{\"u}r Technologie. Sie promovierte an der BTU Cottbus, Prof. F{\"u}hr, zum Thema „Dissoziative Architektur. Zwischen Teufelskralle und Scheinriese. Wege zu einem weiteren Verst{\"a}ndnis der Architektur des Expressionismus." Bisherige Ver{\"o}ffentlichungen: „Wege zu einer Rezeptions{\"a}sthetik in der Architektur: das implizite Leben der gebauten Welt," in: Wolkenkuckucksheim (Heft 2/08); „Texte und Kontexte" von J{\"u}rgen Habermas und „Martin Heidegger. Unterwegs zu seiner Biographie" von Hugo Ott. Forschungsschwerpunkte: Expressionistische Architektur, Outsider Architektur, Architekturinterpretationsmethoden, Avantgarde und Postanarchismus.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{BolchoverLin,
  author    = {Bolchover, Joshua and Lin, John},
  title     = {CLOSING THE WORLD'S FACTORY},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3076},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30767},
  pages     = {12},
  abstract  = {Joshua Bolchover is an urban researcher, academic and architectural designer. He is an Assistant Professor at the University of Hong Kong, focusing on researching and designing buildings in rural China. In 2010 he exhibited Rural Urban Ecology at the Venice Biennale 2010. He has curated, designed and contributed to several international exhibitions including: Utopia Now: Opening the Closed Area, a research project on the Hong Kong and Shenzhen border at the Venice Biennale 2008; Get it Louder, a touring exhibition in China; Airspace: What Skyline does London want; Hydan; Can Buildings Curate and has exhibited at the HK-SZ Biennale. Joshua was a local curator for the Manchester-Liverpool section of Shrinking Cities between 2003 and 2005. He has collaborated with Raoul Bunschoten, Chora, researching strategic urban projects and has worked with Diller + Scofidio in New York. Joshua has previously taught architecture at the Chinese University of Hong Kong, London Metropolitan University, Cambridge University and the Architectural Association. He was educated at Cambridge University and at the Bartlett School of Architecture. John Lin is an architect based in Hong Kong and a graduate of The Cooper Union in New York City. His experimental constructions have been published in FRAME magazine (2003) and exhibited in the Kolonihaven (Architecture Park) at the Louisiana Museum of Modern Art in Copenhagen (2004) and the Venice Biennale (2008). Current projects include the design of several school buildings in China. He has taught at the Royal Danish Academy of Fine Arts, School of Architecture, and The Chinese University of Hong Kong and is currently an Assistant Professor at the University of Hong Kong.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Boyer,
  author    = {Boyer, M. Christine},
  title     = {COLLECTIVE MEMORY UNDER SIEGE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3049},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30495},
  pages     = {16},
  abstract  = {M. Christine Boyer is an urban historian whose interests include the history of the American city, city planning, preservation planning, and computer science. Before coming to Princeton University in 1991, Boyer was professor and chair of the City and Regional Planning Program at Pratt Institute. She was a visiting professor in the Ph.D. program at TU Deflt School of Design for Spring 2005. She has written extensively about American urbanism. Her publications include Dreaming the Rational City: The Myth of American City Planning 1890 -1945 (Cambridge: The MIT Press, 1983), Manhattan Manners: Architecture and Style 1850-1900 (New York: Rizzoli, 1985), The City of Collective Memory (Cambridge: The MIT Press, 1994), and CyberCities (New York: Princeton Architectural Press, 1996).},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Zimmermann,
  author    = {Zimmermann, Gerd},
  title     = {DAS KOLLOQUIUM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3042},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30428},
  pages     = {6},
  abstract  = {Geb.1946 in Luckenwalde, nach dem Studium der Architektur in Weimar Promotion 1974 auf dem Gebiet der Architekturtheorie, 1973 bis 1980 Abteilung Theorie und Geschichte der Architektur am Institut f{\"u}r St{\"a}dtebau und Architektur der Bauakademie in Berlin. Arbeiten zur Architekturpsychologie und Architektursemiotik sowie Beitr{\"a}ge zur empirischen Wirkungsforschung in der Architektur. Ab 1980 Lehrt{\"a}tigkeit an der Hochschule f{\"u}r Architektur und Bauwesen (HAB) Weimar. 1992 Berufung zum Universit{\"a}tsprofessor an der HAB f{\"u}r das Fach „Entwerfen und Architekturtheorie", im gleichen Jahr Wahl zum Rektor der Hochschule, 1996 Wiederwahl f{\"u}r weitere vier Jahre. Publikationen zur Architekturtheorie, Konzeption und Veranstaltung der Internationalen Bauhaus-Kolloquien, internationale Programme mit der WASEDA Universit{\"a}t Tokyo, dem IIT Chicago, seit Mitte der 90er Jahre j{\"a}hrliche Entwurfsakademie in Rom. 2003 Wahl zum Dekan der Fakult{\"a}t Architektur und 2004 erneute Wahl zum Rektor der Bauhaus-Universit{\"a}t Weimar.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Yansong,
  author    = {Yansong, Ma},
  title     = {DESIGNING THE REALIZABLE UTOPIA},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {MAD Architects},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3059},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30598},
  pages     = {7},
  abstract  = {MAD is a Beijing-based architectural design studio. In their work, they are examining and developing a unique concept of futurism through current theoretical practice in architectural design, landscape design, and urban planning. In 2006, MAD was awarded the Architectural League Young Architects Forum Award. In the same year, MAD was shown at the 'MAD in China' exhibition in Venice during the Architecture Bienniale, and the 'MAD Under Construction' exhibition at the Tokyo Gallery in Beijing. MAD's conceptual proposal, Super Star - A mobile China Town was exhibited in the Uneternal City of the 11th Architecture Biennale in Venice. Ma Yansong received his Master of Architecture from the Yale University School of Architecture in 2002. Prior to founding MAD in 2004, Mr. Ma worked as a project designer with Zaha Hadid Architects and Eisenman Architects. He also taught architecture at the Central Academy of Fine Arts in Beijing. In 2008, one of his built works, Hongluo Clubhouse, was nominated as one of the 100 designs by the London Design Museum. He was also nominated as one of the 20 most influential young architects today by ICON.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Stoecklmayr,
  author    = {St{\"o}cklmayr, Nicole E.},
  title     = {DIAGRAMMATISCHE VISUALISIERUNG ALS {\"A}STHETISCHE INFORMATION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3085},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30851},
  pages     = {12},
  abstract  = {Nicole E. St{\"o}cklmayr ist Post-Doc-Stipendiatin im Research-Fellow Programm „Werkzeuge des Entwerfens" am Internationalen Kolleg f{\"u}r Kulturtechnikforschung und Medienphilosophie (IKKM) der Bauhaus-Universit{\"a}t Weimar. St{\"o}cklmayr promovierte an der Universit{\"a}t f{\"u}r angewandte Kunst Wien an der sie auch Architektur in den Meisterklassen Hans Hollein, Greg Lynn sowie Zaha Hadid studierte. In ihrer von Gabriele Werner betreuten und von der {\"O}sterreichischen Akademie der Wissenschaften gef{\"o}rderten Dissertation mit dem Titel „Das Architekturbild im digitalen Paradigmenwechsel" untersuchte sie den Status des Bildes im digitalen Prozess des Architekturentwurfs. Ver{\"o}ffentlichungen: „Architektur ohne Maßstab. Digitale Visualisierungen im Entwurfsprozess", in: Ingeborg Reichle, Steffen Siegel (Hg.), Maßlose Bilder. Visuelle {\"A}sthetik der Transgression, M{\"u}nchen 2009, S. 279 - 294; „Das digitale Bild des Architekturentwurfs", in: Gerald Bast, Florian Bettel, Barbara Hollendonner (Hg.), uni*vers. Junge Forschung in Wissenschaft und Kunst, Wien 2010; S. 59 - 69.},
  subject      = {Architekturtheorie},
  language  = {de}
}