@phdthesis{Bockelmann, author = {Bockelmann, Leo}, title = {Zeit, dass sich was dreht. Windenergieanlagen aus denkmalkundlicher Perspektive}, doi = {10.25643/bauhaus-universitaet.4543}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20211210-45439}, school = {Bauhaus-Universit{\"a}t Weimar}, pages = {233}, abstract = {Knapp 30.000 Windenergieanlagen zwischen Nordsee und Alpen lassen un{\"u}bersehbar erkennen, dass sich unser Energiesystem in einer umfassenden Transformation befindet. Allenthalben erf{\"a}hrt diese Entwicklung eine breite und kontroverse Rezeption und auch in der Denkmalpflege werden Windenergieanlagen aufgrund ihrer mitunter erheblichen Auswirkungen auf die Landschaft noch {\"u}berwiegend als St{\"o}rung wahrgenommen. Diese Arbeit nimmt dagegen die historische Entwicklung in den Blick und pl{\"a}diert daf{\"u}r, Windenergieanlagen als bedeutendes Kulturerbe zu verstehen. Angesichts des Voranschreitens der Energiewende wird angenommen, dass gerade {\"a}lteren Modellen als baulichen Zeugnissen umfangreicher energiepolitischer Ver{\"a}nderungen seit den 1970er Jahren eine hohe Bedeutung zugeschrieben werden kann. Daher besteht das Ziel darin, Windenergieanlagen herauszuarbeiten, welche als hervorragende Zeugnisse der Entwicklung der Windenergienutzung in Deutschland zu bewerten sind. Zur Ann{\"a}herung werden diese zun{\"a}chst als Untersuchungsgegenstand typologisch abgegrenzt. Eine wesentliche Besonderheit von Windenergieanlagen besteht darin, dass sie im Verh{\"a}ltnis zur eigentlichen Fl{\"a}chenversiegelung durch ihre vertikale Struktur erhebliche visuelle Auswirkungen auf die Landschaft haben. Anschließend wird die Entwicklung der Windenergienutzung seit den 1970er Jahren genauer betrachtet, welche insgesamt nicht linear verlief und von vielen Konflikten gekennzeichnet ist. Diese muss im Kontext eines wachsenden Umweltbewusstseins verstanden werden, das umfangreiche energiepolitische Ver{\"a}nderungen zur Folge hatte. Auf dieser Grundlage werden schließlich in einer denkmalkundlichen Reihenuntersuchung Windenergieanlagen herausgearbeitet, welche in hervorragender Weise von der Entwicklung zeugen. Die Auswahl bleibt allerdings mit sechs Objekten im Verh{\"a}ltnis zum Gesamtbestand von knapp 30.000 Anlagen relativ beschr{\"a}nkt, weil das auf die Abgrenzung von Besonderheiten ausgelegte etablierte Denkmalverst{\"a}ndnis bei einem zeitlich so dichten Bestand gleichartiger Bauwerke an eine Grenze kommt. Abschließend werden m{\"o}gliche Erhaltungsperspektiven sowie denkmaltheoretische und -praktische Schlussfolgerungen diskutiert. Dabei ist unbedingt ein Erhalt am Ursprungsstandort anzustreben, wobei im Einzelfall entschieden werden muss, ob Belange des Funktions- oder Substanzerhaltes h{\"o}her zu gewichten sind. Die skizzierten Auswahlprobleme regen dar{\"u}ber hinaus zur Diskussion zus{\"a}tzlicher denkbarer Bewertungskategorien an, wobei sich insbesondere die gesellschaftliche Wahrnehmung und {\"o}kologische Werte aufdr{\"a}ngen. Zudem kann f{\"u}r die st{\"a}rkere Ber{\"u}cksichtigung von Funktionszusammenh{\"a}ngen bei der Betrachtung technischer Infrastruktur in der Denkmalpflege pl{\"a}diert werden. Insgesamt f{\"u}hrt die denkmalkundliche Auseinandersetzung mit Windenergieanlagen damit weit {\"u}ber die Herausarbeitung einzelner Objekte hinaus und macht eindr{\"u}cklich auf aktuelle Herausforderungen der Denkmalpflege und dar{\"u}ber hinaus aufmerksam.}, subject = {Industriekultur}, language = {de} } @misc{EckardtAlSadaty, author = {Eckardt, Frank and AlSadaty, Aliaa}, title = {Urban Heritage in Transformation: Physical and Non-Physical Dimensions of Changing Contexts}, series = {Urban Planning}, volume = {2023}, journal = {Urban Planning}, number = {Volume 8, No. 1}, publisher = {Cogitatio Press}, address = {Lissabon}, doi = {10.17645/up.v8i1.6633}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20230524-63850}, pages = {4}, abstract = {Urban heritage is at the core of the process of many changes observable in the cities today. The pace of urban change in heritage contexts, however, differs widely across the globe. In some areas, it goes slowly, in others it is astonishingly rapid. In some cases, change is coupled with risks of erosion of heritage and urban areas of value and in others change is synonymous with prosperity and positive impacts. Change in urban heritage areas is not only confined to the physical and tangible aspects, but needs to be regarded as mirroring changes related socio-political practices, economic implications, and cultural impacts. In this regard, the present thematic issue looks at various patterns of the interrelationship between heritage and urban change from both the physical and the non-physical perspectives. This editorial presents the topic of urban heritage and patterns of physical and non-physical transformation in urban heritage contexts and introduces the thematic issue "Urban Heritage and Patterns of Change: Spatial Practices of Physical and Non-Physical Transformation."}, subject = {Stadt}, language = {en} } @phdthesis{Arkarapotiwong, author = {Arkarapotiwong, Piyadech}, title = {THE INVESTIGATION OF LIVING HERITAGE ATTRIBUTES IN LIVING HERITAGE SITES}, doi = {10.25643/bauhaus-universitaet.2408}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150619-24086}, school = {Bauhaus-Universit{\"a}t Weimar}, pages = {303}, abstract = {The conservation of living heritage sites is a highly complex process. Two factors need careful consideration in order to achieve a balance in the management of such sites: the conservation demands of conservation experts for built heritage and the needs of local people for development of their heritage living space. The complexity of factors involved make for an interesting study of living heritage, taken up by this research in its main case study of the town of Nan in Thailand. Research into the historical background of Nan and its cultural heritage reveals a living heritage site, which is both unique and diverse. Present day Nan was examined using a variety of analysis tools, which were applied to data from interviews, empirical data, field surveys, and documents, in order to better understand the nature of the living heritage site and changing trends over time. Luang Prabang in Lao PDR, a World Heritage site since 1995, was also selected as a further case study with which to compare Nan's potential World Heritage status from a point of view of changes to living heritage attributes. The outcomes of the research indicate the importance of the management of the sites, which can be at risk of losing balance by focusing on one aspect of heritage to the detriment of the other. The conservation perspective, if allowed to dominate, as in Luang Prabang, can cause irreparable damage to the social fabric, where the development needs of the town are not met. This research concludes that a balance of power amongst stakeholders in the collaborative networks managing such sites is vital to sustaining a balance of living heritage attributes.}, subject = {Kulturerbe}, language = {en} } @phdthesis{Arzmi, author = {Arzmi, Azmah}, title = {Reinterpreting Marzahn, Berlin \& Petržalka, Bratislava: From Process of State Socialist Utopia to Utopia of State Capitalist Process}, doi = {10.25643/bauhaus-universitaet.4392}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20210315-43927}, school = {Bauhaus-Universit{\"a}t Weimar}, abstract = {Housing estates were fundamentally conceived upon state socialist utopia ideas to provide standard housing for citizens. While former state socialist housing estates have been extensively researched in the field of architecture, urban and sociology studies, there is still a gap in identifying how production processes affect morphological changes during the post-socialist era. This thesis compares the processes in the production of the largest housing estates of Marzahn in GDR and Petržalka in Czechoslovakia from 1970 to 1989 through contextual analysis of primary and secondary sources, which include visual maps, diagrams from professional architecture and planning journals, government documents and textbooks, as well as academic journals, books and newspaper articles. Then it discusses how these processes inadvertently created conducive conditions affecting their development in the market economy after 1989. It then interprets the results through application of Actor-Network Theory and Historical Institutionalism, while conceptualising them through David Harvey's dialectical utopianism theory. Harvey (2000) delineates two types of utopia, one of spatial form and one of process. The former refers to materialised ideals in physical forms whereas the latter refers to the ongoing process of spatializing. The thesis aims to show how the production of Marzahn in GDR was more path dependent on policies established in 1950s and 1960s whereas Petržalka was a product of new Czechoslovakian policies in 1970s, changing aspects of the urban planning process, a manifestation of a more emphatic technocratic thinking on a wider scale. This ultimately influences the trajectories of development after 1989, showing more effects in Petržalka.}, subject = {Kulturerbe}, language = {en} } @phdthesis{Shakir, author = {Shakir, Masooma Mohib}, title = {Reconstructing the Sufi Shrine as a Living Heritage: Case of the Shrine of Shah Abdul Latif Bhitai, Sindh, Pakistan}, doi = {10.25643/bauhaus-universitaet.3770}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20180719-37708}, school = {Bauhaus-Universit{\"a}t Weimar}, abstract = {Living heritage sites are strongly connected to their historical, geographical, socio-political and cultural context. A descriptive narrative of the evolutionary process of the living heritage site of a Sufi shrine is undertaken in this research. It focuses on the changing relationship between the spatial and socio-cultural aspects over time. The larger or macro regional context is interrelated to the micro architectural context. The tangible heritage is defined by and intimately tied to the intangible aspects of the heritage. It is these constituting macro and micro elements and their interrelationships particularly through space and architecture that the research thesis explores in its documentation and analysis. The Sufi shrine in the South Asian Pakistani context is representative of a larger culture in the precolonial era. It is an expression of an indigenous modernity, belonging to a certain time period, place and community. The Sufi shrine as a building type has evolved from the precolonial time period, particularly starting at the golden ages of the Muslim Empire in the world (9th - 12th century), through the colonial age when western modernity arrived until the current neoliberal paradigm within the post independence period. Continued and evolved use of space, ritualistic performances, multiple social groups using the site are various elements whose documentation and analysis can establish the essential co-relations that contribute to continuity of its historical living. Physical and social relation of the historic site to its immediate settlement context is also a significant element that preserves the socio-cultural context. The chosen case of the Shrine of Shah Abdul Latif Bhitai, situated in the small town of Bhitshah in the province of Sindh, Pakistan forms a unique example where the particular physical and socio-cultural environment forms the context within which the Sufi heritage lives and survives. It is well integrated within its context at multiple levels. What are these levels and how do the constituting elements integrate is a major subject of research? These form the background to defining some of the basic issues and questions addressed in this doctoral thesis. Given that living heritage sites are unique due to their particular association to the context, the case study method was used to gain deeper insight and understanding on the topic.}, subject = {Kulturerbe}, language = {en} } @phdthesis{Arboleda, author = {Arboleda, Pablo}, title = {Reckoning with Incompiuto Siciliano: Unfinished Public Works as Modern Ruins and All which it Entails}, doi = {10.25643/bauhaus-universitaet.3265}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170715-32656}, school = {Bauhaus-Universit{\"a}t Weimar}, pages = {150}, abstract = {Since the end of the 1950s, Italy has focused part of its modernization on the erection of public works. Due to corruption, mafia, and further malpractice, this form of development has occasionally failed, producing a high number of constructions that have remained unfinished for decades. In 2007, the group of artists Alterazioni Video constructed an informal survey in the form of an on-line tool open to public contributions, which revealed that there are 395 unfinished public works in Italy from which 156, approximately 39.5\%, are located in Sicily alone. In view of such a statistic, Alterazioni Video opted to coin the term 'Incompiuto Siciliano' - literally 'Sicilian Incompletion' - to refer to unfinished public works as a formal architectural style. This re-interpretation, which aims to convey the recovered dignity of these 'modern ruins', considers unfinished public works a type of heritage with the potential to represent the entirety of Italian society. Furthermore, it goes as far as to say an unfinished public work is 'Incompiuto Siciliano' despite being located in another of the Italian regions. This doctoral dissertation embraces the artists' argument to develop a complete study of Incompiuto Siciliano by embedding this architectural style/artistic project within the main debates on modern ruins at present. This is important because it is expected to contribute to the revalorization and eventual recommissioning of unfinished sites by validating Incompiuto Siciliano in the realm of academia. Furthermore, this work aspires to be a worthwhile source of information for future investigations dealing with cultural interpretations of incompletion in any other context - a not unreasonable goal considering how unfinished works are one of the key urban topics after the 2008 financial crisis. Hence, this doctoral dissertation uses Incompiuto Siciliano to discuss a different perspective in each of the five chapters and, though these can be read as independent contributions, the objective is that all chapters read together, form a clear, concise, continuous unit. And so it must be said this is not a dissertation about unfinished public works in Italy; this is a dissertation about Incompiuto Siciliano as an artistic response to unfinished public works in Italy - which clearly requires an interdisciplinary analysis involving Urban Studies, Cultural Geography, Contemporary Archaeology, Critical Heritage and Visual Arts.}, subject = {Kulturerbe}, language = {en} } @periodical{BognerKarpfWilleretal., author = {Bogner, Simone and Karpf, Michael and Willer, Stefan and Aquilar, Giorgia and Springer, J{\"o}rg and Euler-Rolle, Bernd and Sikiaridi, Elizabeth and Vogelaar, Frans and von Beckerath, Verena and Klei, Alexandra and Raheem, Oluwafunminiyi and Grundig, Ronny and Sezer, {\"O}zge and Kutkina, Anna and Manka, Inge and Hettchen, Karolina and J{\"u}ttner, Monique and Blunk, Julian}, title = {Praktiken des Erbens. Metaphern, Materialisierungen, Machtkonstellationen}, editor = {Bogner, Simone and Karpf, Michael and Meier, Hans-Rudolf}, publisher = {Bauhaus-Universit{\"a}tsverlag}, address = {Weinstraße-Ilmtal}, doi = {10.25643/bauhaus-universitaet.4702}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20220810-47025}, abstract = {Ausgehend von der Bemerkung des Philosophen Jacques Derrida, dass Erbe immer auch eine Aufgabe sei, widmet sich der dritte Band der Schriftenreihe des Graduiertenkollegs „Identit{\"a}t und Erbe" den sozialen und kulturellen Praktiken der Bezugnahme auf Vergangenheit(en) und Identit{\"a}t(en). Mit einem (kulturellen) Erbe soll und muss etwas getan werden, um es {\"u}berhaupt hervorzubringen. Es konstituiert sich erst im Akt des (Nicht-)Erbens, das heißt im Wechselverh{\"a}ltnis mit den mit und an ihm ausgef{\"u}hrten Praktiken. Gleichwohl erm{\"o}glicht erst deren Verbindung mit den materiellen {\"U}berresten und {\"U}berlieferungen des Erbes eine Aneignung oder Ablehnung der Vergangenheit sowie die Fort- und Umschreibung eines bereits bestehenden Erbes. Diese Vorg{\"a}nge sind nicht willk{\"u}rlicher Natur: Die M{\"o}glichkeiten zur Interpretation und Deutung werden durch die sozialen, politischen, kulturellen, {\"o}konomischen und technischen Bedingungen der Gegenwart sowie durch die Geschichte und Materialit{\"a}t des Erbes beschr{\"a}nkt, erweitert und gelenkt. Erbe und Erbeprozesse m{\"u}ssen deshalb notwendigerweise miteinander in Beziehung gesetzt werden. Mit Beitr{\"a}gen von Simone Bogner und Michael Karpf, Stefan Willer, Giorgia Aquilar, J{\"o}rg Springer, Bernd Euler-Rolle, Elizabeth Sikiaridi und Frans Vogelaar, Verena von Beckerath, Alexandra Klei, Oluwafunminiyi Raheem, Ronny Grundig, {\"O}zge Sezer, Anna Kutkina, Inge Manka, Karolina Hettchen und Monique J{\"u}ttner sowie Julian Blunk.}, subject = {Kulturerbe}, language = {de} } @book{deOliveiraPinto, author = {de Oliveira Pinto, Tiago}, title = {Music as living heritage}, publisher = {Edition EMVAS}, address = {Berlin}, isbn = {978-3-9817865-2-1}, doi = {10.25643/bauhaus-universitaet.4071}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20200123-40713}, publisher = {Hochschule f{\"u}r Musik FRANZ LISZT}, pages = {211}, abstract = {What is cultural heritage, and why has it received so much public interest in recent years? Almost three decades after the World Organization UNESCO defined and established international recognition of Cultural and Natural Heritage sites and devised ways of protecting them, a completely new approach to cultural heritage emerged with the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage in 2003. This global agreement for the maintenance, protection and dissemination of cultural manifestations and achievements that are not tangible objects or immobile monuments, like previous items classified as World Heritage, was a remarkable milestone of international cultural politics. This new understanding of cultural heritage owes much to representatives from Asian, African, and Latin American countries. In fact, just a few years after the promulgation of the 2003 Convention, the world cultural heritage map had already lost much of its European predominance. Asian countries such as China, Japan, South Korea, and India very soon showed up with lists of manifestations of their centenary (in some cases even millenary) national cultural heritages.}, subject = {Musik}, language = {en} } @article{Speitkamp, author = {Speitkamp, Winfried}, title = {Identit{\"a}t durch Erbe? Historische Jubil{\"a}en und Jahrestage in der Erinnerungskultur}, doi = {10.25643/bauhaus-universitaet.3646}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20171130-36467}, abstract = {Vortrag, gehalten am 13.12.2016 im Rahmen der Ringvorlesung des Graduiertenkollegs "Identit{\"a}t und Erbe" an der Bauhaus-Universit{\"a}t Weimar}, subject = {Kulturerbe}, language = {de} } @book{RoseltHuberKiesslingetal., author = {Roselt, Sabine and Huber, Sophie and Kießling, Josepha and Neumeier, Lolina and Bahr, Linus}, title = {From Tradition to Television - Diverse Perspectives on Afghan Music}, editor = {Lell, Peter}, doi = {10.25643/bauhaus-universitaet.4368}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20210510-43682}, publisher = {Hochschule f{\"u}r Musik FRANZ LISZT}, pages = {51}, abstract = {What is Afghan music and what is its contemporary state? This question seems important to ask, considering the conflictual recent past of the country that particularly affected cultural expressions such as music. In these four articles diverse perspectives on Afghan music are explored. From traditional music of the Afghan rubab and its masters up to popular music of the Afghan-German hiphop producer "Farhot", various insights are given into phenomena yet barely covered in academic works. This collection provides glimpses into the variety of the music of Afghanistan and the Afghan diaspora and help to shape the Western views on the music of the country into more diverse perspectives. We move further away from the bias of the majority of media representations predominantly showing the conflictual sides of Afghanistan, at the same time avoiding a limiting and narrow view on Afghanistan with solely a musical tradition located in the past. These essays go beyond and outline that apart from a rich tradition, there are present forms of musical expression. We move from "Tradition to Television" and beyond, exploring views on the future of music connected to Afghanistan.}, subject = {Musik}, language = {en} }