@inproceedings{OPUS4-3089,
  title     = {ARCHITECTURE IN TIMES OF NEED},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {GRAFT},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3089},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30897},
  pages     = {6},
  abstract  = {GRAFT is an architectural firm located in Los Angeles, Berlin, and Beijing. Their collective professional experience encompasses a wide array of building types including Fine Arts, Educational, Institutional, Commercial and Residential facilities. The firm has won numerous awards in Europe as well as in the United States. GRAFT was established in 1998 in Los Angeles by Lars Kr{\"u}ckeberg, Wolfram Putz and Thomas Willemeit and opened an office in Berlin in 2001. In 2003 GRAFT opened an office in Beijing with Gregor Hoheisel as partner for the asian market. In 2007 Alejandra Lillo became Partner for the office in Los Angeles. GRAFT was conceived as a 'Label' for Architecture, Urban Planning, Design, Music, and the "pursuit of happiness". Since the firm was established, it has been commissioned to design and manage a wide range of projects in multiple disciplines and locations. With the core of the firm's enterprises gravitating around the field of architecture and the built environment, GRAFT has always maintained an interest in crossing the boundaries between disciplines and "grafting" the creative potentials and methodologies of different realities. This is reflected in the firm's expansion into the fields of exhibition design and product design, art installations, academic projects and "events" as well as in the variety of project locations in Germany, China, UAE, Russia, Georgia, in the U.S. and Mexico, to name a few.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Hennig,
  author    = {Hennig, Ralf},
  title     = {O{\´I}DA OUK EID{\´O}S},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3088},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30885},
  pages     = {11},
  abstract  = {Ralf Hennig is a PhD-candidate at the chair of Theory and History of Modern Architecture at the Bauhaus-University Weimar. His prior research interests are focused on historical and current interaction between media, architecture and the city as well as the influence of the alliance of these entities on traditional principles of dwelling. In 2004-2005 he was responsible for the conception and constitution of the postgraduate Master's degree programme MediaArchitecture at the Bauhaus-University Weimar. In 2007-2008 he worked there as a scientific associate at the chair of Sociology of Globalisation, involved in various activities such as the research project MEDIACITY.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schuerkamp,
  author    = {Sch{\"u}rkamp, Bettina},
  title     = {GENERIC REALISM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3087},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30879},
  pages     = {8},
  abstract  = {Bettina Sch{\"u}rkamp completed her diploma in architecture at the State Academy of Fine Arts Stuttgart in 1995 and attended the graduate course „Histories and Theories of Architecture" at the Architectural Association in London. For more than five years she worked as a practising architect for architectural firms in England and Germany such as Bolles+Wilson, M{\"u}nster and Peter Kulka, K{\"o}ln. From 2001 until 2007 she held a research and teaching position at the Institute for History and Theory of Architecture at Wuppertal University. Currently she is completing her dissertation on the Dutch architectural firm OMA*AMO She writes as a freelance journalist for architectural magazines in Germany and Switzerland and has been publishing in magazines such as Archithese, Arch+, Bauwelt and Deutsche Bauzeitung.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Richter,
  author    = {Richter, Katharina},
  title     = {TRANSFORMING TO EXPERT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3086},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30864},
  pages     = {10},
  abstract  = {Katharina Richter holds a degree in Architecture, Urban- and Regional Planning from the Bauhaus-University Weimar, where she is appointed as Assistant Professor at the Chair of Computer Science in Architecture since 2000. She teaches architecture studio in undergraduate and graduate programs and has been supervising several international teaching projects. In Fall 2004 she was teaching and researching at the Washington Alexandria Architecture Consortium - Virginia Polytechnic and State University, Alexandria, VA. Her current research focuses on the investigation of the potential of computer based exchange of experiential knowledge in architecture. Between 2000 and 2006 she coordinated third party verification procedures at the Collaborative Research Center SFB 524 „Materials and Structures in Revitalization of Buildings", Bauhaus-University Weimar, Germany. Her work has been published at various international conferences as well as in related reviewed journals.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Stoecklmayr,
  author    = {St{\"o}cklmayr, Nicole E.},
  title     = {DIAGRAMMATISCHE VISUALISIERUNG ALS {\"A}STHETISCHE INFORMATION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3085},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30851},
  pages     = {12},
  abstract  = {Nicole E. St{\"o}cklmayr ist Post-Doc-Stipendiatin im Research-Fellow Programm „Werkzeuge des Entwerfens" am Internationalen Kolleg f{\"u}r Kulturtechnikforschung und Medienphilosophie (IKKM) der Bauhaus-Universit{\"a}t Weimar. St{\"o}cklmayr promovierte an der Universit{\"a}t f{\"u}r angewandte Kunst Wien an der sie auch Architektur in den Meisterklassen Hans Hollein, Greg Lynn sowie Zaha Hadid studierte. In ihrer von Gabriele Werner betreuten und von der {\"O}sterreichischen Akademie der Wissenschaften gef{\"o}rderten Dissertation mit dem Titel „Das Architekturbild im digitalen Paradigmenwechsel" untersuchte sie den Status des Bildes im digitalen Prozess des Architekturentwurfs. Ver{\"o}ffentlichungen: „Architektur ohne Maßstab. Digitale Visualisierungen im Entwurfsprozess", in: Ingeborg Reichle, Steffen Siegel (Hg.), Maßlose Bilder. Visuelle {\"A}sthetik der Transgression, M{\"u}nchen 2009, S. 279 - 294; „Das digitale Bild des Architekturentwurfs", in: Gerald Bast, Florian Bettel, Barbara Hollendonner (Hg.), uni*vers. Junge Forschung in Wissenschaft und Kunst, Wien 2010; S. 59 - 69.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Ammon,
  author    = {Ammon, Sabine},
  title     = {TRANSFORMING TACIT KNOWLEDGE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3084},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30849},
  pages     = {12},
  abstract  = {Sabine Ammon studied architecture and philosophy at the Technische Universit{\"a}t Berlin. Study and research visits led her to the University of London, Harvard University and ETH Z{\"u}rich. Furthermore, she practised building design as a freelance architect. Her dissertation "Wissen verstehen. Perspektiven einer prozessualen Theorie der Erkenntnis", Weilerswist 2009, develops a theory of knowledge, based on the philosophy of symbols. In her current research project she explores the epistemic dimension of architectural design processes.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Brasil,
  author    = {Brasil, Daniela},
  title     = {SENSUAL IS POLITICAL},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3083},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30835},
  pages     = {11},
  abstract  = {Daniela Brasil is currently a PhD candidate at the professorship of Spatial Planning and Research at Architecture Faculty of the Bauhaus-Universit{\"a}t Weimar, where she has also been teaching since 2007. Her seminars foster bodily experiments and critical thinking on "city's sensuality", where discussions on city marketing and affectivity are central. She was educated in architecture and urbanism in Brazil and Portugal and holds a Master of Fine Arts in Public Art and new artistic strategies. Idealizing and realizing artistic-oriented projects that intervene in relations between bodies and cities is her main concern since the mid-nineties; where she preferably works in transdisciplinary groups, as in "Lisbon Capital of Nothing: create, debate and intervene in public space, Marvila 2001". Daniela currently runs the project "Baustelle M10 > gallery for contemporary experiments" within a collective of artists and students in Weimar.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Brodrueck,
  author    = {Brodr{\"u}ck, Ralph},
  title     = {SENSORY TECTONICS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3082},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30829},
  pages     = {7},
  abstract  = {Ralph Brodruck studied architecture at the Technical University of Eindhoven and Jan van Eyck Academie in Maastricht. He currently teaches architecture and morpholgy at the Technical University of Eindhoven and the Academie voor Bouwkunst in Arnhem.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Boeck,
  author    = {B{\"o}ck, Ingrid},
  title     = {IMMERSIVE SPACES AND THE AIR CONDITIONING PROJECT},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3080},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30800},
  pages     = {13},
  abstract  = {Studium der Architektur an der Technischen Universit{\"a}t Wien. Von 2001 bis 2002 Lehrbeauftragte am Institut f{\"u}r k{\"u}nstlerische Gestaltung der TU Wien. Im Zeitraum 1997-2002 Wettbewerbe, Planungen und Realisationen in den Architekturb{\"u}ros „the unit" und „ckp", 2002-2007 „limit architects", Wien. Seit 2008 querkraft architekten wien. Dissertationsprojekt seit 2004: Design Strategies: Case Study of Six Projects of Rem Koohaas/ OMA. Seit 2008 wissenschaftliche Assistentin am Institut f{\"u}r Architekturtheorie, Kunst- und Kulturwissenschaften der TU Graz. Forschungsschwerpunkte: Architekturtheorie, Gegenwartsarchitektur, Entwurfsmethoden, Architectural Research/Design Studies, Wahrnehmung und Architektur.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Bredella,
  author    = {Bredella, Nathalie},
  title     = {ARCHITECTURE AND ATMOSPHERE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3079},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30794},
  pages     = {10},
  abstract  = {Nathalie Bredella is an architect. She was educated at the TU Berlin and Cooper Union, New York. She received a PhD in Architectural Theory. She taught architectural design at the TU Berlin. She ist the author of Architekturen des Zuschauens. Imagin{\"a}re und reale R{\"a}ume im Film (transcript-verlag). The work is based on an interdisciplinary approach incorporating architecture, film theory and philosophy. Her interests in architectural practice focus on the relationship between spatial strategies, film and media on an urban and architectural scale.},
  subject      = {Architekturtheorie},
  language  = {en}
}