@phdthesis{Baron,
  author    = {Baron, Nicole},
  title     = {Natural Urban Resilience: Understanding general urban resilience through Addis Ababa's inner city},
  doi       = {10.25643/bauhaus-universitaet.4416},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20210428-44166},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  abstract  = {This dissertation describes the urban actors and spatial practices that contribute to natural urban resilience in Addis Ababa's inner city. Natural urban resilience is a non-strategical and bottom-up, everyday form of general urban resilience - an urban system's ability to maintain its essential characteristics under any change. This study gains significance by exposing conceptual gaps in the current un-derstanding of general urban resilience and highlighting its unconvincing applicability to African cities. This study attains further relevance by highlighting the danger of the ongoing large-scale redevelopment of the inner city. The inner city has naturally formed, and its urban memory, spaces, and social cohesion contribute to its primarily low-income population's resilience. This thesis argues that the inner city's demolition poses an incalculable risk of maladaptation to future stresses and shocks for Addis Ababa. The city needs a balanced urban discourse that highlights the inner city's qualities and suggests feasible urban transformation measures. "Natural Urban Resilience" contributes an empirical study to the debate by identifying those aspects of the inner city that contribute to general resilience and identifies feasible action areas. This study develops a qualitative research design for a single case study in Addis Ababa. The data is obtained through expert interviews, interviews with resi-dents, and the analysis of street scene photos, which are abstracted using Grounded Theory. That way, this thesis provides first-time knowledge about who and what generates urban resilience in the inner city of Addis Ababa and how. Furthermore, the study complements existing theories on general urban resilience. It provides a detailed understanding of the change mechanisms in resilience, of which it identifies four: adaptation, upgrading, mitigation, and resistance. It also adapts the adaptive cycle, a widely used concept in resilience thinking, conceptually for urban environments. The study concludes that the inner city's continued redevelopment poses an incalculable threat to the entire city. Therefore, "Natural urban resilience" recommends carefully weighing any intervention in the inner city to promote Addis Ababa's overall resilience. This dissertation proposes a pattern language for natural urban resilience to support these efforts and to translate the model of natural urban resilience into practice.},
  subject      = {Stadtforschung},
  language  = {en}
}
@phdthesis{PuentesRivera,
  author    = {Puentes-Rivera, Yomayra},
  title     = {WHISPERS OF MEMORY, MURMURS OF HISTORY ACOUSTIC MONU-MEMORIALS IN PUBLIC SPACES. Exploratory research of strategies used to create acoustic experiences of commemoration, remembrance, mourning and memory},
  doi       = {10.25643/bauhaus-universitaet.3932},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20190603-39323},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  pages     = {265},
  abstract  = {This research seeks to make an exploratory study of the strategies used by the creators of monuments, memorials, and commemorative places located in the public spaces that use sound as one of the primary raw material in their design. The term acoustic monu-memorials was coined in this research to encircle these structures and places. In order to achieve the goal of this research, it was necessary to compile a number of samples, primarily after the digital recording era of captured sound around 1971 to the present. The compilation was relevant because such a compendium was not found in the literature, and to the author's knowledge, a comprehensive investigation of the strategies used in planning acoustic monu-memorials in the urban spaces does not exist. The method used to create such compendium was to send a question to people with different background identities, such as visual and sound artists, musicians, art curators, and heritage scholars among others. This question produced a selection of 51 examples of acoustic monu-memorials located in public spaces. Subsequently, the examples were classified into four major categories according to their form and nature. Additionally, two examples from the main categories were chosen as case studies: The Sinti and Roma Memorial in Berlin, Germany and the Niche monument in Cali, Colombia. These study cases were presented, described, and analysed in detail as they represent the type of what could be defined as an acoustic monu-memorial in general. Lynch's (1960) five elements that help individuals build the image of the city were transferred and used as a tool to help to build this image into acoustic terms. A thorough analysis of the acquired data yielded found the strategies used by the designers to shape, modify, transform, and structure public space. These strategies are entitled Sound Spaces. Moreover, a list entitled Urban Acoustic Commemoration Code was compiled. This list of suggestions addresses urban planners, architects, artists, designers, and general public interested in the aspects involved when creating acoustic commemoration phenomena in public spaces.},
  subject      = {Stadtentwicklung},
  language  = {en}
}
@phdthesis{Skivko,
  author    = {Skivko, Maria},
  title     = {Fashion in the City and The City in Fashion: Urban Representation in Fashion Magazines},
  doi       = {10.25643/bauhaus-universitaet.3726},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20180210-37262},
  school      = {Bauhaus-Universit{\"a}t Weimar},
  abstract  = {This dissertation concerns the changing role of fashion in the context of modern cities. In approaching this process, the research investigates the media discourse based on representations of fashion by cities and of cities by fashion. Moreover, this research focuses on fashion understood as a multidimensional phenomenon that aims to provide an explanation of urban spaces through fashion terms, actions, and garments. Additionally, cities are considered from the cultural geography approach that highlights the cultural component of urban spaces expressed in social and cultural practices in physical reality. Following this idea, it is suggested here that fashion today not only participates in the urban life as its significant component but also creates city images and representations of urban lifestyle through the fashion paradigm. In other words, fashion redefines urban spaces; at the same time, urban spaces are interpreted as a stage for fashion processes. By integrating in social research the fields of urban studies and fashion studies, this dissertation offers the discussion considering the fashion phenomenon not only as an urban phenomenon of modern reality. On the one hand, such discussion concerns the re-conceptualization of urban phenomena by the fashion influence; on the other hand, it relates the re-contextualization of fashion in a city. The empirical focus is based on the media context of fashion magazines in which variety of possibilities to represent fashion and cities lead to promising interpretations and analysis. The idea of representation specifies the ways of constructing the notion of urban space as fashionable space and the notion of fashion as placed in the urban context.},
  subject      = {Stadtentwicklung},
  language  = {en}
}