@misc{CicekCancino, type = {Master Thesis}, author = {Cicek, Burhan and Cancino, Pamela}, title = {K{\"u}reken 2013. Entwerfen eines Dorfes aus Lehm}, doi = {10.25643/bauhaus-universitaet.6356}, school = {Bauhaus-Universit{\"a}t Weimar}, pages = {107}, abstract = {Die Diskussionen in der Politik und in der Gesellschaft {\"u}ber Klimawandel, globale Erw{\"a}rmung oder Nachhaltigkeit, die schon noch l{\"a}nger anh{\"a}lt, werden nie ein Ende finden, solange die Probleme, auf denen sie basiert, unl{\"o}sbar bleiben. Vorgeschlagene L{\"o}sungen werden meist nicht richtig umgesetzt. Im Zusammenhang mit dieser Problematik steigt aber das Verantwortungsgef{\"u}hl f{\"u}r bessere Zukunftsstrategien immer mehr. Die in den letzten Jahren vorgekommenen Umweltkatastrophen, wie im Golf von Mexiko (April 2010) oder im Fukushima (M{\"a}rz 2011) die noch aktuell sind, zeigen, dass der Prim{\"a}renergieeinsatz oder die Transportproblematik nicht mehr nur die Sorge der Entwicklungsl{\"a}nder, sondern auch der Industriel{\"a}nder ist. Die Bauwelt mit ihrem erheblichen Energiebedarf spielt bei der Festlegung der Zukunftsstrategien eine große Rolle. Vor allem sind die Forschungen nach umweltfreundlichen Materialien, der Recyclebarkeit der eingesetzten Baumaterialien oder dem vern{\"u}nftigen Nutzen der Naturressourcen die wichtigsten Schwerpunkte. In dieser Hinsicht bringt Lehm als Baumaterial viele Vorteile mit sich. Bei einem Artikel sagt der Lehmbauexperte Martin Rauch: "In heutiger Zeit und einem Kulturkreis, in dem Baugrund und Arbeitszeit unsere großen Kosten verursachen, findet der tradierte Lehmbau mit dem verbundenen großen Aufwand an menschlicher Arbeitszeit nur schwer seinen Platz. {\"U}ber die Art der Bauweise wird auch die Entscheidung gef{\"a}llt, wie und wo die Wertsch{\"o}pfung erfolgt und ob der Einsatz des Budgets einen gesellschaftlichen Nutzen mit sich bringt. Im Vergleich zu einem Sichtbetonhaus k{\"o}nnen bei einem Stampflehmhaus 40\% der Prim{\"a}renergie ein gespart und daf{\"u}r mehr lokale Arbeitsressourcen gebunden werden. Davon profitieren vor allem die lokalen Handwerker und mittelst{\"a}ndischen Betriebe" Anatolien ist der Ort, wo man immer noch die tiefsten Wurzeln der Baukultur menschlicher Geschichte findet. Diese Baukultur, die in den vergangenen Jahrzehnten fast verlorengegangen ist, ist die Lehmbaukultur. In dieser Hinsicht beabsichtigt dieser Entwurf die W{\"u}rde des Lehms in Anatolien wieder herzustellen und dadurch dessen Glaubw{\"u}rdigkeit zur{\"u}ckzubringen.}, subject = {Lehm}, language = {de} } @periodical{OPUS4-4845, title = {Schwerpunkt Medien des Rechts}, volume = {2011}, number = {2.2011, Heft 2}, editor = {Engell, Lorenz and Siegert, Bernhard}, publisher = {Felix Meiner Verlag}, address = {Hamburg}, organization = {Internationales Kolleg f{\"u}r Kulturtechnikforschung und Medienphilosophie}, issn = {2366-0767}, doi = {10.28937/ZMK-2-2}, pages = {236}, abstract = {Dieses Heft, das Beitr{\"a}ge zum Schwerpunktthema Medien des Rechts versammelt, ist kein Heft wie jedes andere. Es ist unserer Kollegin Cornelia Vismann gewidmet, die am 28. August 2010 viel zu fr{\"u}h gestorben ist. Cornelia Vismann war von 2008 bis zu ihrem Tod Professorin f{\"u}r Geschichte und Theorie der Kulturtechniken an der Bauhaus-Universit{\"a}t Weimar. Sie hat dieser Professur ihr eigenes Profil verliehen, indem sie zum einen die Geschichte und Theorie des Rechts als eine Theorie und Geschichte von Kulturtechniken reformulierte, zum anderen aber auch die unhintergehbare rechtliche Relevanz - die Recht setzende Gewalt - von Kulturtechniken betonte und gezielt herausarbeitete. Dadurch hat sie der Sache und der Erforschung der Kulturtechniken eine unerh{\"o}rte Dringlichkeit gegeben, eine Dringlichkeit, die ihr Verh{\"a}ltnis zur wissenschaftlichen Forschung und Lehre {\"u}berhaupt widerspiegelt.}, subject = {Medienwissenschaft}, language = {de} } @periodical{OPUS4-4844, title = {Schwerpunkt Offene Objekte}, volume = {2011}, number = {2.2011, Heft 1}, editor = {Engell, Lorenz and Siegert, Bernhard}, publisher = {Felix Meiner Verlag}, address = {Hamburg}, organization = {Internationales Kolleg f{\"u}r Kulturtechnikforschung und Medienphilosophie}, issn = {2366-0767}, doi = {10.28937/ZMK-2-1}, pages = {213}, abstract = {Die ›Zeitschrift f{\"u}r Medien- und Kulturforschung‹ arbeitet an einer Standortbestimmung der Medien- und Kulturwissenschaft; in thematischer, methodischer und struktureller Hinsicht sowie nicht zuletzt in wissenschaftsgeschichtlicher Perspektive. In ihren letzten beiden Ausgaben hat sie verst{\"a}rkt und konzentriert programmatische Aspekte der Medienphilosophie und der Kulturtechnikforschung ausgearbeitet und vorgestellt. Damit hat sie ihre Aufmerksamkeit auf spezifische - und m{\"o}glicherweise innovative - Felder und Ans{\"a}tze innerhalb des weiteren Geschehens der Medien- und Kulturwissenschaft gelenkt und eine Paradigmendiskussion aufgenommen. ...}, subject = {Medienwissenschaft}, language = {de} } @article{SalandinArnoldKornadt, author = {Salandin, Andrea and Arnold, J{\"o}rg and Kornadt, Oliver}, title = {Noise in an intensive care unit}, series = {The Journal of the Acoustical Society of America}, volume = {2011}, journal = {The Journal of the Acoustical Society of America}, number = {130 (6)}, doi = {10.25643/bauhaus-universitaet.3264}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170713-32649}, pages = {3754 -- 3760}, abstract = {Patients and staff in hospitals are exposed to a complex sound environment with rather high noise levels. In intensive care units, the main noise sources are hospital staff on duty and medical equipment, which generates both operating noise and acoustic alarms. Although noise in most cases is produced during activities for the purpose of saving life, noise can induce significant changes in the depth and quality of sleep and negatively affect health in general. Results of a survey of hospital staff are presented as well as measurements in two German hospital wards: a standard two-bed room and a special Intermediate Care Unit (IMC-Unit), each in a different Intensive Care Unit (ICU). Sound pressure data were collected over a 48 hour period and converted into different levels (LAFeq, LAFmax, LAFmin, LAF 5\%), as well as a rating level LAr, which is used to take tonality and impulsiveness into account. An analysis of the survey and the measured data, together with a comparison of thresholds of national and international regulations and standards describe the acoustic situation and its likely noise effects on staff and patients.}, subject = {L{\"a}rm}, language = {en} } @article{TrapplKrajewskiRuttkayetal., author = {Trappl, Robert and Krajewski, Markus and Ruttkay, Zs{\´o}fia and Widrich, Virgil}, title = {Robots as Companions: What can we Learn from Servants and Companions in Literature, Theater, and Film?}, series = {Procedia Computer Science}, journal = {Procedia Computer Science}, doi = {10.1016/j.procs.2011.12.029}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170426-31650}, pages = {96 -- 98}, abstract = {Many researchers are working on developing robots into adequate partners, be it at the working place, be it at home or in leisure activities, or enabling elder persons to lead a self-determined, independent life. While quite some progress has been made in e.g. speech or emotion understanding, processing and expressing, the relations between humans and robots are usually only short-term. In order to build long-term, i.e. social relations, qualities like empathy, trust building, dependability, non-patronizing, and others will be required. But these are just terms and as such no adequate starting points to "program" these capacities even more how to avoid the problems and pitfalls in interactions between humans and robots. However, a rich source for doing this is available, unused until now for this purpose: artistic productions, namely literature, theater plays, not to forget operas, and films with their multitude of examples. Poets, writers, dramatists, screen-writers, etc. have studied for centuries the facets of interactions between persons, their dynamics, and the related snags. And since we wish for human-robot relations as master-servant relations - the human obviously being the master - the study of these relations will be prominent. A procedure is proposed, with four consecutive steps, namely Selection, Analysis, Categorization, and Integration. Only if we succeed in developing robots which are seen as servants we will be successful in supporting and helping humans through robots.}, subject = {Roboter}, language = {en} } @article{MorgenthalYamasaki, author = {Morgenthal, Guido and Yamasaki, Y.}, title = {Aerodynamic Behaviour of Very Long Cable-Stayed Bridges during Construction}, series = {Procedia Engineering}, journal = {Procedia Engineering}, doi = {10.1016/j.proeng.2011.07.184}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170425-31525}, pages = {1463 -- 1471}, abstract = {Stonecutters and Sutong Bridge have pushed the world record for main span length of cable-stayed bridges to over 1000m. The design of these bridges, both located in typhoon prone regions, is strongly influenced by wind effects during their erection. Rigorous wind tunnel test programmes have been devised and executed to determine the aerodynamic behaviour of the structures in the most critical erection conditions. Testing was augmented by analytical and numerical analyses to verify the safety of the structures throughout construction and to ensure that no serviceability problems would affect the erection process. This paper outlines the wind properties assumed for the bridge sites, the experimental test programme with some of its results, the dynamic properties of the bridges during free cantilevering erection and the assessment of their aerodynamic performance. Along the way, it discusses the similarities and some revealing differences between the two bridges in terms of their dynamic response to wind action.}, subject = {Kabelbr{\"u}cke}, language = {en} } @article{HildebrandHechtBliedtneretal., author = {Hildebrand, J{\"o}rg and Hecht, Kerstin and Bliedtner, Jens and M{\"u}ller, Hartmut}, title = {Laser Beam Polishing of Quartz Glass Surfaces}, series = {Physics Procedia}, journal = {Physics Procedia}, doi = {10.1016/j.phpro.2011.03.056}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170418-31366}, pages = {452 -- 461}, abstract = {The laser beam is a small, flexible and fast polishing tool. With laser radiation it is possible to finish many outlines or geometries on quartz glass surfaces in the shortest possible time. It's a fact that the temperature developing while polishing determines the reachable surface smoothing and, as a negative result, causes material tensions. To find out which parameters are important for the laser polishing process and the surface roughness respectively and to estimate material tensions, temperature simulations and extensive polishing experiments took place. During these experiments starting and machining parameters were changed and temperatures were measured contact-free.}, subject = {Laser}, language = {en} } @inproceedings{OPUS4-3089, title = {ARCHITECTURE IN TIMES OF NEED}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {GRAFT}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3089}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30897}, pages = {6}, abstract = {GRAFT is an architectural firm located in Los Angeles, Berlin, and Beijing. Their collective professional experience encompasses a wide array of building types including Fine Arts, Educational, Institutional, Commercial and Residential facilities. The firm has won numerous awards in Europe as well as in the United States. GRAFT was established in 1998 in Los Angeles by Lars Kr{\"u}ckeberg, Wolfram Putz and Thomas Willemeit and opened an office in Berlin in 2001. In 2003 GRAFT opened an office in Beijing with Gregor Hoheisel as partner for the asian market. In 2007 Alejandra Lillo became Partner for the office in Los Angeles. GRAFT was conceived as a 'Label' for Architecture, Urban Planning, Design, Music, and the "pursuit of happiness". Since the firm was established, it has been commissioned to design and manage a wide range of projects in multiple disciplines and locations. With the core of the firm's enterprises gravitating around the field of architecture and the built environment, GRAFT has always maintained an interest in crossing the boundaries between disciplines and "grafting" the creative potentials and methodologies of different realities. This is reflected in the firm's expansion into the fields of exhibition design and product design, art installations, academic projects and "events" as well as in the variety of project locations in Germany, China, UAE, Russia, Georgia, in the U.S. and Mexico, to name a few.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Hennig, author = {Hennig, Ralf}, title = {O{\´I}DA OUK EID{\´O}S}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3088}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30885}, pages = {11}, abstract = {Ralf Hennig is a PhD-candidate at the chair of Theory and History of Modern Architecture at the Bauhaus-University Weimar. His prior research interests are focused on historical and current interaction between media, architecture and the city as well as the influence of the alliance of these entities on traditional principles of dwelling. In 2004-2005 he was responsible for the conception and constitution of the postgraduate Master's degree programme MediaArchitecture at the Bauhaus-University Weimar. In 2007-2008 he worked there as a scientific associate at the chair of Sociology of Globalisation, involved in various activities such as the research project MEDIACITY.}, subject = {Architekturtheorie}, language = {en} } @inproceedings{Schuerkamp, author = {Sch{\"u}rkamp, Bettina}, title = {GENERIC REALISM}, editor = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd}, publisher = {Verlag der Bauhaus-Universit{\"a}t}, address = {Weimar}, organization = {Bauhaus-Universit{\"a}t Weimar}, isbn = {978-3-86068-417-7}, doi = {10.25643/bauhaus-universitaet.3087}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30879}, pages = {8}, abstract = {Bettina Sch{\"u}rkamp completed her diploma in architecture at the State Academy of Fine Arts Stuttgart in 1995 and attended the graduate course „Histories and Theories of Architecture" at the Architectural Association in London. For more than five years she worked as a practising architect for architectural firms in England and Germany such as Bolles+Wilson, M{\"u}nster and Peter Kulka, K{\"o}ln. From 2001 until 2007 she held a research and teaching position at the Institute for History and Theory of Architecture at Wuppertal University. Currently she is completing her dissertation on the Dutch architectural firm OMA*AMO She writes as a freelance journalist for architectural magazines in Germany and Switzerland and has been publishing in magazines such as Archithese, Arch+, Bauwelt and Deutsche Bauzeitung.}, subject = {Architekturtheorie}, language = {en} }