@inproceedings{OPUS4-2374, title = {Urban Design for Mussolini, Stalin, Salazar, Hitler and Franco During the Interwar Period}, editor = {Bauhaus-Institut f{\"u}r Geschichte und Theorie der Architektur und Planung,}, doi = {10.25643/bauhaus-universitaet.2374}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150323-23746}, abstract = {Urban design played a central role for the European dictatorships during the 20th century, it served to legitimate the regime, to produce agreement, to demonstrate power, efficiency and speed, it communicated the social, as well as design projects, of the dictatorial regimes domestically and internationally, it tied old experts, as well as new, to the regime. Dictatorial urban design also played an important role after the fall of the dictatorships: It became the object of structural and verbal handling strategies: of demolition, of transformation, of reconstruction, of forgetting, of suppressing, of re-interpretation and of glorification. The topic area is, therefore, both historical and relevant to the present day. The discussion of the topic area is, like it or not, always embedded in the present state of societal engagement with dictatorships. In order to even be able to discuss all of these aspects, different conceptual decisions are necessary. In retrospect, these may seem to many as self-evident, although they are anything but. Our thesis is that there are three methodological imperatives, especially, which allow an expanded approach to the topic area "urban design and dictatorship". First and above all, the tunnel view, focused on individual dictatorships and neglecting the international dimension, must be overcome. Second, the differences in urban design over the course of a dictatorship, through an appropriate periodisation, should be emphasised. Third, we must strive for an open, flexible, but complex concept of urban design. The main focus lies on the urban design of the most influential dictatorships of the first half of the 20th century: Soviet Union, Fascist Italy and Nazi Germany, including the urban design of the autarky periods in Portugal and Spain. After all, urban design is not just a product of specific historic circumstances. It is a form that continues to have long-term effects, which demonstrates its usefulness and adaptability throughout this process. The urban design products undoubtedly still recall the dictatorial rule under which they were created. However, they are more than a memory space. They are also a living space of the present. They can and should be discussed with respect to their spatial and functional utility for today and tomorrow. Such a perspective is a given for the citizens of a city, but also for city marketing, having marvellous consequences. Only when we do not exclude this dimension a priori, even in academic discussions, can we do justice to the products of dictatorships. And finally, the view of the urban design of dictatorships can and must contribute to the questioning of simplified and naive conceptions of dictatorships. With urban design in mind, we can observe how dictatorships work and how they were able to prevail. In Europe, these questions are of the highest actuality.}, subject = {Urbanit{\"a}t}, language = {en} } @article{Massaretti, author = {Massaretti, Pier Giorgio}, title = {Spazio sacro e fondazione della comunit{\`a}. Il tragico {\`o}ikos dei villaggi di fondazione del fascismo}, series = {Citt{\`a} di fondazione e Plantatio Ecclesiae}, journal = {Citt{\`a} di fondazione e Plantatio Ecclesiae}, doi = {10.25643/bauhaus-universitaet.3224}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170529-32244}, pages = {1 -- 14}, abstract = {La prima edizione di questo testo {\`e} apparsa - in una versione pi{\`u} ridotta -, nel volume: Pasquale Culotta, Giuliano Gresleri, Glauco Gresleri (a cura di), Citt{\`a} di fondazione e "Plantatio Ecclesiae", Compositori, Bologna 2007, pp. 214-236. Un nutrito pool nazionale, specializzato sulle "Citt{\`a} di fondazione", in Italia e nelle sue ex-colonie, si {\`e} misurato sul tema con una complessa storiografia interdisciplinare, che poneva al centro della sua diagnosi una connotazione teologico-ecumenica - la Plantatio Ecclesiae, appunto - della fenomenologia urbana della fundatio.}, subject = {St{\"a}dtebau}, language = {it} } @inproceedings{OPUS4-4304, title = {Second urbanHIST Conference. Interpreting 20th Century European Urbanism}, editor = {Abarkan, Abdellah and Bihlmaier, Helene and Gimeno S{\´a}nchez, Andrea and Blaga, Andreea}, address = {Karlskrona}, organization = {urbanHIST}, doi = {10.25643/bauhaus-universitaet.4304}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20201218-43046}, pages = {135}, abstract = {urbanHIST (2019). Second urbanHIST Conference. Interpreting 20th Century European Urbanism. Stockholm, 21-23 October 2019 Conference Booklet}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{d’Almeida, author = {d'Almeida, Patr{\´i}cia Bento}, title = {Restelo Neighbourhood: Expanding the Capital of the Empire with the First Portuguese Urban Planner}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2380}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150416-23802}, pages = {1 -- 13}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{Cravo, author = {Cravo, Salete A. F.}, title = {Restelo in Lisbon - The Non-implementation of the Original Urban Design by Faria da Costa during the Dictatorship of Ant{\´o}nio de Oliveira Salazar}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2411}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150619-24111}, pages = {1 -- 17}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @phdthesis{Shakir, author = {Shakir, Masooma Mohib}, title = {Reconstructing the Sufi Shrine as a Living Heritage: Case of the Shrine of Shah Abdul Latif Bhitai, Sindh, Pakistan}, doi = {10.25643/bauhaus-universitaet.3770}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20180719-37708}, school = {Bauhaus-Universit{\"a}t Weimar}, abstract = {Living heritage sites are strongly connected to their historical, geographical, socio-political and cultural context. A descriptive narrative of the evolutionary process of the living heritage site of a Sufi shrine is undertaken in this research. It focuses on the changing relationship between the spatial and socio-cultural aspects over time. The larger or macro regional context is interrelated to the micro architectural context. The tangible heritage is defined by and intimately tied to the intangible aspects of the heritage. It is these constituting macro and micro elements and their interrelationships particularly through space and architecture that the research thesis explores in its documentation and analysis. The Sufi shrine in the South Asian Pakistani context is representative of a larger culture in the precolonial era. It is an expression of an indigenous modernity, belonging to a certain time period, place and community. The Sufi shrine as a building type has evolved from the precolonial time period, particularly starting at the golden ages of the Muslim Empire in the world (9th - 12th century), through the colonial age when western modernity arrived until the current neoliberal paradigm within the post independence period. Continued and evolved use of space, ritualistic performances, multiple social groups using the site are various elements whose documentation and analysis can establish the essential co-relations that contribute to continuity of its historical living. Physical and social relation of the historic site to its immediate settlement context is also a significant element that preserves the socio-cultural context. The chosen case of the Shrine of Shah Abdul Latif Bhitai, situated in the small town of Bhitshah in the province of Sindh, Pakistan forms a unique example where the particular physical and socio-cultural environment forms the context within which the Sufi heritage lives and survives. It is well integrated within its context at multiple levels. What are these levels and how do the constituting elements integrate is a major subject of research? These form the background to defining some of the basic issues and questions addressed in this doctoral thesis. Given that living heritage sites are unique due to their particular association to the context, the case study method was used to gain deeper insight and understanding on the topic.}, subject = {Kulturerbe}, language = {en} } @inproceedings{Cabrita, author = {Cabrita, Maria Am{\´e}lia}, title = {Portuguese Social Housing under Dictatorship. A Morphological Analysis of Some Residential Agglomerations in Lisbon (1933-1950)}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2440}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150731-24407}, pages = {1 -- 10}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{Dattomo, author = {Dattomo, Nicla}, title = {Planning the Industrialization. The Technical and Theoretical Toolbox for the Post-War Program for the Industrial Development Areas of Southern Italy}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2439}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150731-24398}, pages = {1 -- 9}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{Neri, author = {Neri, Maria Luisa}, title = {Landscape and City during Fascism: Enrico del Debbio's Foro Mussolini}, series = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, booktitle = {Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography}, doi = {10.25643/bauhaus-universitaet.2387}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20150504-23877}, pages = {1 -- 16}, abstract = {Beitr{\"a}ge zum Symposium „Urban design and dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography". Weimar, 21.-22. November 2013}, subject = {St{\"a}dtebau}, language = {en} } @inproceedings{Massaretti, author = {Massaretti, Pier Giorgio}, title = {La ri-fondazione della Libia balbiana (1933-1939). Il poderoso racconto fotografico dei "Ventimila"}, series = {Citt{\`a} mediterranee in trasformazione}, booktitle = {Citt{\`a} mediterranee in trasformazione}, doi = {10.25643/bauhaus-universitaet.3223}, url = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170529-32234}, pages = {14}, abstract = {La prima edizione di questo testo {\`e} apparsa negli atti del VI Convegno Internazionale di Studi del CIRICE - Centro Interdipartimentale di Ricerca sull'Iconografia della Citt{\`a} Europea - Universit{\`a} di Napoli Federico II, (Napoli, 13-15 marzo 2014), dal titolo: Citt{\`a} mediterranee in trasformazione. Identit{\`a} e immagine del paesaggio urbano tra Sette e Novecento, a cura di A. Buccaro e C. de Seta (Collana: Polis, 6; Napoli: Edizioni Scientifiche Italiane, 2014; pp. 1216; ISBN 9788849528145), all'interno della sessione 7, Le trasformazioni del paesaggio urbano nella fotografia e nella cinematografia, coordinatori: F. Capano, M. Iuliano, pp. 1085-1098. Il Convegno, aperto a studiosi di ambito nazionale e internazionale, si poneva l'obiettivo di fare il punto sulla storiografia riguardante la citt{\`a} mediterranea in et{\`a} contemporanea, con particolare riferimento alla sua identit{\`a}, struttura e immagine, dall'inizio dell'industrializzazione all'et{\`a} post-illuminista e borghese, fino ai temi inerenti l'evoluzione/involuzione del territorio e del paesaggio post-industriale, nonch{\´e} lo sviluppo del modello turistico tra Otto e Novecento.}, subject = {St{\"a}dtebau}, language = {it} }