@inproceedings{Danielmeier,
  author    = {Danielmeier, Tobias},
  title     = {THE ARCHITECTURE OF POST-CONSUMERISM},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3077},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30773},
  pages     = {8},
  abstract  = {Tobias Danielmeier teaches design at the Otago Polytechnic as well as at the University of Otago in Dunedin, New Zealand. He holds a Masters of Arts in Architecture from the M{\"u}nster School of Architecture and is currently completing his PhD at the University of Otago. His research investigates the art, business and science of winery architecture and their interrelation with place and technology. Tobias Danielmeier's practical experience includes projects for Reichardt Architekten, Essen, and Bolles+Wilson, M{\"u}nster.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{BolchoverLin,
  author    = {Bolchover, Joshua and Lin, John},
  title     = {CLOSING THE WORLD'S FACTORY},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3076},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30767},
  pages     = {12},
  abstract  = {Joshua Bolchover is an urban researcher, academic and architectural designer. He is an Assistant Professor at the University of Hong Kong, focusing on researching and designing buildings in rural China. In 2010 he exhibited Rural Urban Ecology at the Venice Biennale 2010. He has curated, designed and contributed to several international exhibitions including: Utopia Now: Opening the Closed Area, a research project on the Hong Kong and Shenzhen border at the Venice Biennale 2008; Get it Louder, a touring exhibition in China; Airspace: What Skyline does London want; Hydan; Can Buildings Curate and has exhibited at the HK-SZ Biennale. Joshua was a local curator for the Manchester-Liverpool section of Shrinking Cities between 2003 and 2005. He has collaborated with Raoul Bunschoten, Chora, researching strategic urban projects and has worked with Diller + Scofidio in New York. Joshua has previously taught architecture at the Chinese University of Hong Kong, London Metropolitan University, Cambridge University and the Architectural Association. He was educated at Cambridge University and at the Bartlett School of Architecture. John Lin is an architect based in Hong Kong and a graduate of The Cooper Union in New York City. His experimental constructions have been published in FRAME magazine (2003) and exhibited in the Kolonihaven (Architecture Park) at the Louisiana Museum of Modern Art in Copenhagen (2004) and the Venice Biennale (2008). Current projects include the design of several school buildings in China. He has taught at the Royal Danish Academy of Fine Arts, School of Architecture, and The Chinese University of Hong Kong and is currently an Assistant Professor at the University of Hong Kong.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Schmedding,
  author    = {Schmedding, Anne},
  title     = {DIE MODERNE ALS TRADITION},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3075},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30752},
  pages     = {13},
  abstract  = {Anne Schmedding ist als freie Kunst- und Architekturhistorikerin in Berlin t{\"a}tig, unter anderem bei Urbanizers, B{\"u}ro f{\"u}r st{\"a}dtische Konzepte. Von 2005 bis 2009 war sie wissenschaftliche Mitarbeiterin an der TU Braunschweig im Fachbereich Geschichte und Theorie der Architektur und Stadt. Sie ist Mitherausgeberin des Kataloges „Gesetz und Freiheit" zu Leben und Werk des Architekten Friedrich Wilhelm Kraemers (Berlin 2007). Sie war von 1996-1999 Redakteurin der Zeitschrift Daidalos und ist Mitherausgeberin des Buches „Architektur in Berlin" (Berlin 1999). Sie war wissenschaftliche Kuratorin und Mitarbeiterin der Ausstellung „Stadt der Architektur. Architektur der Stadt", die im Jahr 2000 im Neuen Museum in Berlin zu sehen war. Momentaner Forschungsschwerpunkt ist Architektur und Kunst der westdeutschen Nachkriegszeit. Vor kurzem schloß sie ihre Dissertation {\"u}ber Dieter Oesterlen ab.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Sanz,
  author    = {Sanz, Yolanda Ortega},
  title     = {WELFARE STATE. SOCIOLOGICAL AESTHETICS},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3074},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30748},
  pages     = {16},
  abstract  = {Yolanda Ortega Sanz is an architect and associate professor at Polytechnic School, Universitat de Girona, Catalonia, Spain; where she teaches architectural design. Ortega was educated at School of architecture in Barcelona and Arkitektskolen i Aarhus, Denmark. Later on, she received a grant to be a young researcher at Danmarks Kunstbibliotek, Copenhagen. Currently, she is PhD Candidate in the research group FORM where she develops her thesis entitled "Nordic assembly" focus on Modern Architecture in Nordic countries. Her research has been published and presented in several conferences as: 1st International Conference on contemporary architects: J{\o}rn Utzon, Sevilla, Spain; 1st Conference on architectural competition, Nordic Symposium, KTH, Stockholm, Sweden; or Responsibilities and Opportunities in Architectural Conservation, CSAAR, Amman, Jordan.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Stavagna,
  author    = {Stavagna, Michele},
  title     = {THE HERPICH AFFAIR OF 1924},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3073},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30732},
  pages     = {13},
  abstract  = {Michele Stavagna is an architect and architectural historian, who lives and works in Berlin, and is the correspondent from Italy for the magazine "der architekt - BDA". He was educated at the Universit{\`a} IUAV of Venice (Italy), holds a degree in architectural design and a PhD in history of architecture and urban design, and has taught Theory and History of Industrial Design at the Universit{\`a} degli Studi of Triest (Italy). Stavagna translated and edited the first Italian edition of "Die Baukunst der neuesten Zeit" by G. A. Platz. His research themes focus on the birth and affirmation of Modernism within the broader context of the mass public and economic development of the modern society.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{deRudder,
  author    = {de Rudder, Steffen},
  title     = {WECHSELNDE ZUSCHREIBUNGEN},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3072},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30721},
  pages     = {11},
  abstract  = {Steffen de Rudder, Dr.-Ing., ist Architekt und wissenschaftlicher Mitarbeiter an der Bauhaus-Universit{\"a}t Weimar. Er lehrt st{\"a}dtebauliches Entwerfen und forscht zu Themen der Architektur- und Stadtbaugeschichte. 1996 Lehrbeauftragter am Kunsthistorischen Institut der Humboldt-Universit{\"a}t zu Berlin, 1990 bis 2001 selbstst{\"a}ndiger Architekt in Potsdam und Berlin (Neubau, Sanierung, Denkmalpflege). Ver{\"o}ffentlichungen zur Bauhaus-Rezeption, zur amerikanischen Architekturgeschichte der Moderne und zur Stadtentwicklung in Berlin und in Th{\"u}ringen. 2007 erschien: „Der Architekt Hugh Stubbins. Amerikanische Moderne der F{\"u}nfziger Jahre in Berlin".},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{LippertVieira,
  author    = {Lippert-Vieira, Sandra},
  title     = {BAUHAUS, GEMEINSCHAFT, BIOPOLITIK UND WEITER?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3071},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30710},
  pages     = {16},
  abstract  = {Sandra Lippert-Vieira, 1971 in Lissabon, Portugal geboren, schloss 1995 ihr Architekturstudium an der Universidade Lus{\´i}ada in Lissabon ab. Bis 2003 arbeitete sie als Freie Architektin in Lissabon und war Entwurfsassistentin an der Universidade Moderne und Universidade Lus{\´o}fona in Lissabon bei Prof. em. Am{\^a}ncio d'Alpoim Guedes, Lehrstuhl f{\"u}r Entwurf. Derzeit ist sie wissenschaftliche Mitarbeiterin im Fachgebiet Geb{\"a}udelehre bei Prof. Daniele Marques, Institut f{\"u}r Entwerfen, Kunst und Theorie, KIT - Karlsruher Institut f{\"u}r Technologie. Sie promovierte an der BTU Cottbus, Prof. F{\"u}hr, zum Thema „Dissoziative Architektur. Zwischen Teufelskralle und Scheinriese. Wege zu einem weiteren Verst{\"a}ndnis der Architektur des Expressionismus." Bisherige Ver{\"o}ffentlichungen: „Wege zu einer Rezeptions{\"a}sthetik in der Architektur: das implizite Leben der gebauten Welt," in: Wolkenkuckucksheim (Heft 2/08); „Texte und Kontexte" von J{\"u}rgen Habermas und „Martin Heidegger. Unterwegs zu seiner Biographie" von Hugo Ott. Forschungsschwerpunkte: Expressionistische Architektur, Outsider Architektur, Architekturinterpretationsmethoden, Avantgarde und Postanarchismus.},
  subject      = {Architekturtheorie},
  language  = {de}
}
@inproceedings{Godel,
  author    = {Godel, Addison},
  title     = {REVISITING 1923},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3070},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30707},
  pages     = {16},
  abstract  = {Addison Godel is a student at the Knowlton School of Architecture at Ohio State, working towards a three-year Master of Architecture. He is a teaching assistant for a variety of history and theory courses, as well as two of the school's European travel-abroad programs. His interests include the relationship between style and larger cultural forces, and the efforts of architecture to symbolically adapt and represent contemporary technology.},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Peschken,
  author    = {Peschken, Martin},
  title     = {WORLD STAGES FOR LADY JUSTICE},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3069},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30691},
  pages     = {18},
  abstract  = {Martin Peschken studied History of Art and Literature in Berlin and Madrid. In 2005 he completed his doctoral studies in comparative literature at Freie Universit{\"a}t Berlin. He worked then as a curator of the gallery "Laden V-17" in Berlin. In 2005 he joined the project-team of International Building Exhibition "Stadtumbau 2010" in Saxony-Anhalt based at Stiftung Bauhaus Dessau, where he curated several exhibitions and urban projects. He currently works as Scientific Assistant at Technische Universit{\"a}t Braunschweig in the department of "History and Theory of Architecture and Urbanism".},
  subject      = {Architekturtheorie},
  language  = {en}
}
@inproceedings{Quiroga,
  author    = {Quiroga, Grace},
  title     = {PANTS ON FIRE?},
  editor    = {Faschingeder, Kristian and Jormakka, Kari and Korrek, Norbert and Pfeifer, Olaf and Zimmermann, Gerd},
  publisher = {Verlag der Bauhaus-Universit{\"a}t},
  address   = {Weimar},
  organization    = {Bauhaus-Universit{\"a}t Weimar},
  isbn      = {978-3-86068-417-7},
  doi       = {10.25643/bauhaus-universitaet.3068},
  url       = {http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20170329-30684},
  pages     = {16},
  abstract  = {Grace Quiroga studied architecture at the University of Michigan and at the Vienna University of Technology. Her ongoing architectural projects include the design of a housing project in the Chinese province of Sichuan for a thousand families displaced by the earthquake of 2008. In addition, she is working on a doctoral dissertation titled "Rem Koolhaas and the architecture culture of the AA in the 1970's".},
  subject      = {Architekturtheorie},
  language  = {en}
}