Dynamic Bluescreens

Blue screens and chroma keying technology are essential for digital video composition. Professional studios apply tracking technology to record the camera path for perspective augmentations of the original video footage. Although this technology is well established, it does not offer a great deal of flexibility. For shootings at non-studio sets, physical blue screens might have to be installed, or parts have to be recorded in a studio separately. We present a simple and flexible way of projecting corrected keying colors onto arbitrary diffuse surfaces using synchronized projectors and radiometric compensation. Thereby, the reflectance of the underlying real surface is neutralized. A temporal multiplexing between projection and flash illumination allows capturing the fully lit scene, while still being able to key the foreground objects. In addition, we embed spatial codes into the projected key image to enable the tracking of the camera. Furthermore, the reconstruction of the scene geometry is implicitly supported.

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Metadaten
Verfasserangaben:Anselm Grundhöfer, Oliver Bimber
URN:urn:nbn:de:gbv:wim2-20080226-13016
Dokumenttyp:Bericht
Sprache:Englisch
Datum der Veröffentlichung (online):26.02.2008
Jahr der Erstveröffentlichung:2008
Institut/ Bereich:Juniorprofessur Augmented Reality
Freies Schlagwort / Tag:Bildmischung; Chroma Keying ; Erweiterte Realität ; Projektion
Augmented Reality ; Chromakeying ; Compositing; Projection
SWD-Schlagwort:Association for Computing Machinery / Special Interest Group on Graphics ; CGI <Computergraphik> ; Farbstanzen; Maschinelles Sehen
DDC-Sachgruppen:770 Fotografie, Fotografien, Computerkunst
Lizenz (Deutsch):License LogoVeröffentlichungsvertrag für Publikationen ohne Print on Demand